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| Author | : Samantha Baskind |
| Publisher | : Penn State University Press |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Art, American |
| ISBN | : 9780271059839 |
Explores the works of five major American Jewish artists: Jack Levine, George Segal, Audrey Flack, Larry Rivers, and R. B. Kitaj. Focuses on the use of imagery influenced by the Bible.
| Author | : Melissa L. Mednicov |
| Publisher | : Taylor & Francis |
| Total Pages | : 228 |
| Release | : 2024-03-05 |
| Genre | : Art |
| ISBN | : 1003857027 |
This volume focuses on Jewish American identity within the context of Pop art in New York City during the sixties to reveal the multivalent identities and selves often ignored in Pop scholarship. Melissa L. Mednicov establishes her study within the context of prominent Jewish artists, dealers, institutions, and collectors in New York City in the Pop sixties. Mednicov incorporates the historiography of Jewish identity in Pop art—the ways by which identity is named or silenced—to better understand how Pop art made, or marked, different modes of identity in the sixties. By looking at a nexus of the art world in this period and the ways in which Jewish identity was registered or negated, Mednicov is able to further consider questions about the ways mass culture influenced Pop art and its participants—and, to a larger extent, formed further modes of identity. The book will be of interest to scholars working in art history, Jewish studies, and American studies.
| Author | : Samantha Baskind |
| Publisher | : Greenwood |
| Total Pages | : 360 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : |
Encyclopedia of Jewish American Artists presents over 80 19th- and 20-century Jewish American artists, ranging from the critically neglected Theresa Bernstein, Ruth Gikow, and Jennings Tofel, to the well-known Eva Hesse, Roy Lichtenstein, and Larry Rivers. The subject matter of some of these artists may surprise readers. Adolph Gottlieb designed and supervised the fabrication of a 35-foot wide, four-story high stained glass facade for a synagogue; Louise Nevelson sculpted a Holocaust memorial; and Philip Pearlstein painted a version of Moses with the Tablets of the Law early in his career. Covering painters, sculptors, printmakers, and photographers, as well as artists who engage in newer forms of visual expression such as video, conceptual, and performance art, the book is in part intended to stimulate further scholarship on these artists. When appropriate, entries reveal the influence of the Jewish American encounter on the artists' work along with other factors such as gender and the immigrant experience. In many cases, the artists' own words are employed to flesh out perspectives on their art as well as on their Jewish identity. To that end, the volume contains excerpts from recent interviews conducted by the author with some of the artists, including Judy Chicago, Audrey Flack, Jack Levine, and Sol LeWitt. Illustrations accompanying each artist's entry, some in color, aid this invaluable look at Jewish American art.
| Author | : Matthew Baigell |
| Publisher | : Syracuse University Press |
| Total Pages | : 296 |
| Release | : 2006-03-16 |
| Genre | : Art |
| ISBN | : 9780815630678 |
Born over a fifty-year period, the artists in this volume represent several generations of twentieth-century artists. Examining the work of such influential artists as Mark Rothko, Max Weber, and Ruth Weisberg, Baigell directly confronts their Jewish identity—as a religious, cultural, and psychological component of their lives—and explores the way in which this influence is reflected in their art. Drawing upon their common heritage, Baigell reveals the different ways these artists responded to the Great Immigration, the Depression, the Holocaust, the founding of the state of Israel, and the rise of feminism. Each artist’s varied Jewish experiences have contributed to the creation of a visual language and subject matter that reflect both Jewish assimilation and Jewish continuity in ways that inform modern Jewish history and changes in present-day America. Offering a fresh examination of well-known artists as well as long overdue attention to lesser-known artists, Baigell’s incisive observations are indispensable to our understanding of the Jewish themes in these artists' work. Written in a lively and spirited prose, this book is compulsory reading for those interested in modern American art and Jewish studies.
| Author | : Ben Schachter |
| Publisher | : Penn State Press |
| Total Pages | : 250 |
| Release | : 2017-12-15 |
| Genre | : Art |
| ISBN | : 0271080825 |
Contemporary Jewish art is a growing field that includes traditional as well as new creative practices, yet criticism of it is almost exclusively reliant on the Second Commandment’s prohibition of graven images. Arguing that this disregards the corpus of Jewish thought and a century of criticism and interpretation, Ben Schachter advocates instead a new approach focused on action and process. Departing from the traditional interpretation of the Second Commandment, Schachter addresses abstraction, conceptual art, performance art, and other styles that do not rely on imagery for meaning. He examines Jewish art through the concept of melachot—work-like “creative activities” as defined by the medieval Jewish philosopher Maimonides. Showing the similarity between art and melachot in the active processes of contemporary Jewish artists such as Ruth Weisberg, Allan Wexler, Archie Rand, and Nechama Golan, he explores the relationship between these artists’ methods and Judaism’s demanding attention to procedure. A compellingly written challenge to traditionalism, Image, Action, and Idea in Contemporary Jewish Art makes a well-argued case for artistic production, interpretation, and criticism that revels in the dual foundation of Judaism and art history.
| Author | : Monika Czekanowska-Gutman |
| Publisher | : BRILL |
| Total Pages | : 344 |
| Release | : 2022-11-07 |
| Genre | : Religion |
| ISBN | : 9004472665 |
This book examines the iconography of Judith, Esther, and the Shulamite in the last decades of the nineteenth and the first two decades of the twentieth century in the works of the Polish-Jewish artists.
| Author | : Shalom Goldman |
| Publisher | : UNC Press Books |
| Total Pages | : 366 |
| Release | : 2015-01-01 |
| Genre | : Biography & Autobiography |
| ISBN | : |
In a comprehensive examination of how Christian scholars in the United States received, interpreted, and understood Hebrew texts and the Jewish experience, Shalom Goldman explores Hebraism's relationship to American society. By linking history, theology, and literature from the colonial period through the twentieth century, Goldman illuminates the religious and cultural roots of American interest in the Middle East. God's Sacred Tongue is structured around a sequence of biographical and intellectual portraits of individuals including Jonathan Edwards, Isaac Nordheimer, Professor George Bush (an ancestor of President George W. Bush), and twentieth-century literary critic Edmund Wilson. Since the colonial period, America has been perceived as a western Promised Land with emotional, spiritual, and physical links to the Promised Land of biblical history. Goldman gives evidence from scholarship, diplomacy, journalism, the history of higher education, and the arts to show that this perception is linked to the role Hebrew and the Bible have played in American cultural history. The book's final section takes up the story of American Christian Zionism, among whose Protestant adherents political Zionism found much of its strongest support. Religious and cultural figures such as William Rainey Harper and Reinhold Niebuhr are among those who exemplify the centuries-old ties between America, the Land of Promise, and Israel, the Promised Land.
| Author | : Diana L. Linden |
| Publisher | : Wayne State University Press |
| Total Pages | : 185 |
| Release | : 2015-10-15 |
| Genre | : Art |
| ISBN | : 0814339840 |
Lithuanian-born artist Ben Shahn learned fresco painting as an assistant to Diego Rivera in the 1930s and created his own visually powerful, technically sophisticated, and stylistically innovative artworks as part of the New Deal Arts Project’s national mural program. In Ben Shahn’s New Deal Murals: Jewish Identity in the American Scene author Diana L. Linden demonstrates that Shahn mined his Jewish heritage and left-leaning politics for his style and subject matter, offering insight into his murals’ creation and their sometimes complicated reception by officials, the public, and the press. In four chapters, Linden presents case studies of select Shahn murals that were created from 1933 to 1943 and are located in public buildings in New York, New Jersey, and Missouri. She studies Shahn’s famous untitled fresco for the Jersey Homesteads—a utopian socialist cooperative community populated with former Jewish garment workers and funded under the New Deal—Shahn’s mural for the Bronx Central Post Office, a fresco Shahn proposed to the post office in St. Louis, and a related one-panel easel painting titled The First Amendment located in a Queens, New York, post office. By investigating the role of Jewish identity in Shahn’s works, Linden considers the artist’s responses to important issues of the era, such as President Roosevelt’s opposition to open immigration to the United States, New York’s bustling garment industry and its labor unions, ideological concerns about freedom and liberty that had signifcant meaning to Jews, and the encroachment of censorship into American art. Linden shows that throughout his public murals, Shahn literally painted Jews into the American scene with his subjects, themes, and compositions. Readers interested in Jewish American history, art history, and Depression-era American culture will enjoy this insightful volume.
| Author | : European Association for Jewish Studies. Congress |
| Publisher | : BRILL |
| Total Pages | : 726 |
| Release | : 1999 |
| Genre | : Foreign Language Study |
| ISBN | : 9789004115583 |
A cursed book. A missing professor. Some nefarious men in gray suits. And a dreamworld called the Troposphere? Ariel Manto has a fascination with nineteenth-century scientists—especially Thomas Lumas and The End of Mr. Y, a book no one alive has read. When she mysteriously uncovers a copy at a used bookstore, Ariel is launched into an adventure of science and faith, consciousness and death, space and time, and everything in between. Seeking answers, Ariel follows in Mr. Y’s footsteps: She swallows a tincture, stares into a black dot, and is transported into the Troposphere—a wonderland where she can travel through time and space using the thoughts of others. There she begins to understand all the mysteries surrounding the book, herself, and the universe. Or is it all just a hallucination? With The End of Mr. Y, Scarlett Thomas brings us another fast-paced mix of popular culture, love, mystery, and irresistible philosophical adventure.
| Author | : Avram Kampf |
| Publisher | : Ben Uri Gallery & Museum |
| Total Pages | : 218 |
| Release | : 1990 |
| Genre | : Art |
| ISBN | : |
