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Museum Tinguely Basel

Museum Tinguely Basel
Author: Reinhard Bek
Publisher: Kehrer Verlag
Total Pages: 0
Release: 2012
Genre: Art museums
ISBN: 9783868283402

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Catalogue of the collections of the Museum Tinguely Basel, including a detailed biography of Jean Tinguely.


Jean Tinguely

Jean Tinguely
Author: Jean Tinguely
Publisher:
Total Pages: 22
Release: 1961
Genre: Metal sculpture
ISBN:

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Car Fetish

Car Fetish
Author: Roland Wetzel
Publisher: Kehrer Verlag
Total Pages: 0
Release: 2011
Genre: Automobiles
ISBN: 9783868282283

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Presents the automobile as a source of inspiratio for the art of the last 100 years. Starting with the futurists, who saw in the car's beastly roar and thrilling, dangerous speed a new ideal of beauty, this visual study provides an overview of the most powerful and culturally important artworks inspired by the car. Among them are examples of Pop Art by the Nouveaux Realistes, with Jean Tinguely known as a major Formula 1 fan These are presented through the themes of Traffic Withdrawal and Escape and a Fascination with Accident.


Jean Tinguely

Jean Tinguely
Author: Heidi E. Violand-Hobi
Publisher:
Total Pages: 188
Release: 1995
Genre: Artists
ISBN:

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Studie over leven en werk van de Zwitserse kunstnaar (1925-1991)


Museum Jean Tinguely Basel

Museum Jean Tinguely Basel
Author: Jean Tinguely
Publisher: Benteli Verlag
Total Pages: 312
Release: 1996
Genre: Basel (Switzerland)
ISBN:

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Machine Art in the Twentieth Century

Machine Art in the Twentieth Century
Author: Andreas Broeckmann
Publisher: MIT Press
Total Pages: 400
Release: 2016-12-23
Genre: Art
ISBN: 0262035065

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An investigation of artists' engagement with technical systems, tracing art historical lineages that connect works of different periods. “Machine art” is neither a movement nor a genre, but encompasses diverse ways in which artists engage with technical systems. In this book, Andreas Broeckmann examines a variety of twentieth- and early twenty-first-century artworks that articulate people's relationships with machines. In the course of his investigation, Broeckmann traces historical lineages that connect art of different periods, looking for continuities that link works from the end of the century to developments in the 1950s and 1960s and to works by avant-garde artists in the 1910s and 1920s. An art historical perspective, he argues, might change our views of recent works that seem to be driven by new media technologies but that in fact continue a century-old artistic exploration. Broeckmann investigates critical aspects of machine aesthetics that characterized machine art until the 1960s and then turns to specific domains of artistic engagement with technology: algorithms and machine autonomy, looking in particular at the work of the Canadian artist David Rokeby; vision and image, and the advent of technical imaging; and the human body, using the work of the Australian artist Stelarc as an entry point to art that couples the machine to the body, mechanically or cybernetically. Finally, Broeckmann argues that systems thinking and ecology have brought about a fundamental shift in the meaning of technology, which has brought with it a rethinking of human subjectivity. He examines a range of artworks, including those by the Japanese artist Seiko Mikami, whose work exemplifies the shift.


What Is Now Known Was Once Only Imagined: an (Auto)biography of Niki de Saint Phalle

What Is Now Known Was Once Only Imagined: an (Auto)biography of Niki de Saint Phalle
Author:
Publisher:
Total Pages: 268
Release: 2022-02-15
Genre: Art
ISBN: 9781938221316

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A biography by Nicole Rudick told in Saint Phalle's own words, assembled from rare and unseen materials Known best for her exuberant, often large-scale sculptural works that celebrate the abundance and complexity of female desire, imagination and creativity, Niki de Saint Phalle viewed making art as a ritual, a performance--a process connecting life to art. This unconventional, illuminated biography, told in the first person in Saint Phalle's voice and her own hand, dilates large and small moments in Saint Phalle's life which she sometimes reveals with great candor, at other times carefully unwinding her secrets. Editor Nicole Rudick, in a kind of collaboration with the artist, has assembled a gorgeous and detailed mosaic of Saint Phalle's visual and textual works from a trove of paintings, drawings, sketches and writings, many previously unpublished or long unavailable, that trace her mistakes and successes, her passions and her radical sense of joy. Saint Phalle's invocation--her "bringing to life"--writes Rudick, "is an apt summation of the overlap of Saint Phalle's life and art: both a bringing into existence and a bringing to bear. These are visions from the frontiers of consciousness." Born in France, Niki de Saint Phalle (1930-2002) was raised in New York and began making art at age 23, pursuing a revelatory vision informed both by the monumental works of Antonin Gaudí and the Facteur Cheval, and by aspects of her own life. In addition to her Tirs ("shooting paintings") and Nanas and her celebrated large-scale projects--including the Stravinsky Fountain at the Centre Pompidou, Golem in Jerusalem and the Tarot Garden in Tuscany--Saint Phalle produced writing and works on paper that delve into her own biography: childhood and her break with her family, marriage to Harry Mathews, motherhood, a long collaborative relationship with Jean Tinguely, numerous health crises and her late, productive years in Southern California. Saint Phalle has most recently been the subject of retrospectives at the Guggenheim Museum Bilbao, in 2015, and at MoMA P.S.1, in 2021. Nicole Rudick is a critic and an editor. Her writing on art, literature and comics has been published in the New York Review of Books, the New York Times, the New Yorker, Artforum and elsewhere. She was managing editor of the Paris Review for nearly a decade. She is the editor, most recently, of a new edition of Gary Panter's legendary comic Jimbo: Adventures in Paradise (New York Review Comics, 2021).


Jean Tinguely

Jean Tinguely
Author: Pontus Hultén
Publisher:
Total Pages: 378
Release: 1987
Genre: Architecture
ISBN:

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The Madonna of the Future

The Madonna of the Future
Author: Arthur C. Danto
Publisher: Univ of California Press
Total Pages: 484
Release: 2001-09-04
Genre: Art
ISBN: 9780520230026

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Danto writes about the contemporary art to be seen in museums and galleries, placing it in the context of the history of modern art and of current debates about essential ideas in our society.


Wim Delvoye

Wim Delvoye
Author: Wim Delvoye
Publisher: Rectapublishers
Total Pages: 152
Release: 2001
Genre: Art
ISBN:

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Borrowing its name from the ancient sewer in Rome, Belgian conceptualist Wim Delvoye's new and improved "Cloaca" is a room-sized shit-making machine whose bowels process two meals a day, serving up a mouthful of complex themes: scatalogy and disgust, high and low culture, man as machine and vice-versa, and the inversion of art semiotics. Many of these same concerns are processed in Delvoye's other work, like the life-sized carved walnut replica of a cement truck, the wood cabinet stocked with 32 circular saw blades painted with scenes in Delft China blue, and a herd of pigs tatooed by Antwerp's finest needle-men. Feces and other anal subjects are parsed in accompanying essays by such luminaries as Milan Kundera, Gerardo Mosquera, Dan Cameron, Georges Bataille and Salvador Dali.