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Jean Rhys at "World's End"

Jean Rhys at
Author: Mary Lou Emery
Publisher: University of Texas Press
Total Pages: 236
Release: 2011-08-15
Genre: Literary Criticism
ISBN: 0292735650

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The Caribbean Islands have long been an uneasy meeting place among indigenous peoples, white European colonists, and black slave populations. Tense oppositions in Caribbean culture—colonial vs. native, white vs. black, male conqueror vs. female subject—supply powerful themes and spark complex narrative experiments in the fiction of Dominica-born novelist Jean Rhys. In this pathfinding study, Mary Lou Emery focuses on Rhys's handling of these oppositions, using a Caribbean cultural perspective to replace the mainly European aesthetic, moral, and psychological standards that have served to misread and sometimes devalue Rhys's writing. Emery considers all five Rhys novels, beginning with Wide Sargasso Sea as the most explicitly Caribbean in its setting, in its participation in the culminating decades of a West Indian literary naissance, and most importantly, in its subversive transformation of European concepts of character. From a sociocultural perspective, she argues persuasively that the earlier novels—Voyage in the Dark, Quartet, After Leaving Mr. Mackenzie, and Good Morning, Midnight—should be read as emergent Caribbean fiction, written in tense dialogue with European modernism. Building on this thesis, she reveals how the apparent passivity, masochism, or silence of Rhys's female protagonists results from their doubly marginalized status as women and as subject peoples. Also, she explores how Rhys's women seek out alternative identities in dreamed of, magically realized, or chosen communities. These discoveries offer important insights on literary modernism, Caribbean fiction, and the formation of female identity.


Jean Rhys at "World's End"

Jean Rhys at
Author: Mary Lou Emery
Publisher: University of Texas Press
Total Pages: 236
Release: 2014-01-30
Genre: Literary Criticism
ISBN: 0292756232

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The Caribbean Islands have long been an uneasy meeting place among indigenous peoples, white European colonists, and black slave populations. Tense oppositions in Caribbean culture—colonial vs. native, white vs. black, male conqueror vs. female subject—supply powerful themes and spark complex narrative experiments in the fiction of Dominica-born novelist Jean Rhys. In this pathfinding study, Mary Lou Emery focuses on Rhys's handling of these oppositions, using a Caribbean cultural perspective to replace the mainly European aesthetic, moral, and psychological standards that have served to misread and sometimes devalue Rhys's writing. Emery considers all five Rhys novels, beginning with Wide Sargasso Sea as the most explicitly Caribbean in its setting, in its participation in the culminating decades of a West Indian literary naissance, and most importantly, in its subversive transformation of European concepts of character. From a sociocultural perspective, she argues persuasively that the earlier novels—Voyage in the Dark, Quartet, After Leaving Mr. Mackenzie, and Good Morning, Midnight—should be read as emergent Caribbean fiction, written in tense dialogue with European modernism. Building on this thesis, she reveals how the apparent passivity, masochism, or silence of Rhys's female protagonists results from their doubly marginalized status as women and as subject peoples. Also, she explores how Rhys's women seek out alternative identities in dreamed of, magically realized, or chosen communities. These discoveries offer important insights on literary modernism, Caribbean fiction, and the formation of female identity.


Wide Sargasso Sea

Wide Sargasso Sea
Author: Jean Rhys
Publisher: W. W. Norton & Company
Total Pages: 196
Release: 1992
Genre: Fiction
ISBN: 9780393308808

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"A considerable tour de force by any standard." ?New York Times Book Review"


Good Morning, Midnight

Good Morning, Midnight
Author: Jean Rhys
Publisher: W. W. Norton & Company
Total Pages: 202
Release: 1986
Genre: Fiction
ISBN: 9780393303940

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A woman encounters a life filled with desires and emotions when she returns to Paris after suffering from a bout of depression and alcoholism in London.


Quartet

Quartet
Author: Jean Rhys
Publisher:
Total Pages: 143
Release: 1973
Genre: Imprisonment
ISBN: 9780140183443

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Smile Please

Smile Please
Author: Jean Rhys
Publisher:
Total Pages:
Release: 2016-11-03
Genre:
ISBN: 9780141984544

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The Cambridge Introduction to Jean Rhys

The Cambridge Introduction to Jean Rhys
Author: Elaine Savory
Publisher: Cambridge University Press
Total Pages: 163
Release: 2009-04-02
Genre: Literary Criticism
ISBN: 0521873665

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A student-friendly guide to the life, work, context and reception of the author of Wide Sargasso Sea.


I Used to Live Here Once: The Haunted Life of Jean Rhys

I Used to Live Here Once: The Haunted Life of Jean Rhys
Author: Miranda Seymour
Publisher: W. W. Norton & Company
Total Pages: 408
Release: 2022-06-28
Genre: Biography & Autobiography
ISBN: 1324006137

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“Enthralling.… Seymour powerfully evokes the world from which Rhys never really escaped, one of prejudice, abuse, and abuse’s shamefaced offspring, complicity.” —James Wood, The New Yorker An intimate, profoundly moving biography of Jean Rhys, acclaimed author of Wide Sargasso Sea. Jean Rhys is one of the most compelling writers of the twentieth century. Memories of her Caribbean girlhood haunt the four short and piercingly brilliant novels that Rhys wrote during her extraordinary years as an exile in 1920s Paris and later in England, a body of fiction—above all, the extraordinary Wide Sargasso Sea—that has a passionate following today. And yet her own colorful life, including her early years on the Caribbean island of Dominica, remains too little explored, until now. In I Used to Live Here Once, Miranda Seymour sheds new light on the artist whose proud and fiercely solitary life profoundly informed her writing. Rhys experienced tragedy and extreme poverty, alcohol and drug dependency, romantic and sexual turmoil, all of which contributed to the “Rhys woman” of her oeuvre. Today, readers still intuitively relate to her unforgettable characters, vulnerable, watchful, and often alarmingly disaster-prone outsiders; women with a different way of moving through the world. And yet, while her works often contain autobiographical material, Rhys herself was never a victim. The figure who emerges for Seymour is cultured, self-mocking, unpredictable—and shockingly contemporary. Based on new research in the Caribbean, a wealth of never-before-seen papers, journals, letters, and photographs, and interviews with those who knew Rhys, I Used to Live Here Once is a luminous and penetrating portrait of a fascinatingly elusive artist.


Mini Modern Classics La Grosse Fifi

Mini Modern Classics La Grosse Fifi
Author: Jean Rhys
Publisher: Penguin Classics
Total Pages: 112
Release: 2011
Genre:
ISBN: 9780141196206

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These four haunting stories from the author of Wide Sargasso Sea capture moments in the lives of European dilettantes, ingénues, businessmen, soldiers and artists at a time when the world was enjoying freedom after war. But with freedom comes the greater opportunity for self-destruction, and Rhys is at her redolent best when writing about the desires of people striving unsuccessfully after happiness.


Virginia Woolf, Jean Rhys, and the Aesthetics of Trauma

Virginia Woolf, Jean Rhys, and the Aesthetics of Trauma
Author: P. Moran
Publisher: Springer
Total Pages: 223
Release: 2007-01-08
Genre: Fiction
ISBN: 0230601855

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This is a study of modernism, sexuality, and subjectivity in the work of two leading women modernists. Each confronted the aspects of her culture and personal history that resulted in a degraded sense of female sexuality and explored how traumatic childhood sexual experiences informed their relationship to female corporeality and fiction-writing.