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Japonisme in Fin de Siècle Art in Belgium

Japonisme in Fin de Siècle Art in Belgium
Author: 高木陽子
Publisher:
Total Pages: 328
Release: 2002
Genre: Art, Belgian
ISBN:

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Focuses on the influence on the fin de siecle, i.e the end of the century artists, by Japanese art.


The Neo-Impressionist Portrait, 1886?1904

The Neo-Impressionist Portrait, 1886?1904
Author: Jane Block
Publisher: Yale University Press
Total Pages: 257
Release: 2014-03-25
Genre: Art
ISBN: 0300190840

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"Published on the occasion of the exhibition Face to Face: Neo-Impressionist Portraits, 1886-1904. ING Cultural Centre, Brussels, February 19-May 18, 2014, Indianapolis Museum of Art, June 13-September 7, 2014."


Reframing Japonisme

Reframing Japonisme
Author: Elizabeth Emery
Publisher: Bloomsbury Publishing USA
Total Pages: 272
Release: 2020-09-17
Genre: Art
ISBN: 1501344641

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Japonisme, the nineteenth-century fascination for Japanese art, has generated an enormous body of scholarship since the beginning of the twenty-first century, but most of it neglects the women who acquired objects from the Far East and sold them to clients or displayed them in their homes before bequeathing them to museums. The stories of women shopkeepers, collectors, and artists rarely appear in memoirs left by those associated with the japoniste movement. This volume brings to light the culturally important, yet largely forgotten activities of women such as Clémence d'Ennery (1823–1898), who began collecting Japanese and Chinese chimeras in the 1840s, built and decorated a house for them in the 1870s, and bequeathed the “Musée d'Ennery” to the state as a free public museum in 1893. A friend of the Goncourt brothers and a fifty-year patron of Parisian dealers of Asian art, d'Ennery's struggles to gain recognition as a collector and curator serve as a lens through which to examine the collecting and display practices of other women of her day. Travelers to Japan such as the Duchesse de Persigny, Isabella Stewart Gardner, and Laure Durand- Fardel returned with souvenirs that they shared with friends and family. Salon hostesses including Juliette Adam, Louise Cahen d'Anvers, Princesse Mathilde, and Marguerite Charpentier provided venues for the discussion and examination of Japanese art objects, as did well-known art dealers Madame Desoye, Madame Malinet, Madame Hatty, and Madame Langweil. Writers, actresses, and artists-Judith Gautier, Thérèse Bentzon, Sarah Bernhardt, and Mary Cassatt, to name just a few- took inspiration from the Japanese material in circulation to create their own unique works of art. Largely absent from the history of Japonisme, these women-and many others-actively collected Japanese art, interacted with auction houses and art dealers, and formed collections now at the heart of museums such as the Louvre, the Musée Guimet, the Musée Cernuschi, the Musée Unterlinden, and the Metropolitan Museum of Art.


Writing Japonisme

Writing Japonisme
Author: Pamela A. Genova
Publisher: Northwestern University Press
Total Pages: 545
Release: 2016-04-30
Genre: Literary Criticism
ISBN: 0810132206

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In her book, Pamela Genova suggests that as critics move in general from a literal to a more metaphoric understanding and presentation of Japonisme, the mutability of the phenomenon is highlighted in a rich and illuminating manner. By exploring the conditions of the creation of these works, accenting the original aims of the artists, the manipulations carried out by art dealers, gallery owners, and boutique managers, as well as the gestures of explanation, interpretation, and judgment offered by the professional and amateur critics, Japonisme takes on an even more versatile nature. Further, a complex web of correspondence germinates among these artists—both French and Japanese—and their many critics. It is in this light that the truly rich character of Japonisme comes forth, since the undesirability, even the impossibility of the attempt to reduce it to a single genre, style, era, or cultural cadre attests to its elusiveness and its Protean nature. Japonisme does not correspond to a single dictionary definition, no matter how subtle or self-aware that definition might be. By situating the dynamics of Japonisme as a response on the part of French culture to the culture of Japan, we gain a keener sense of the multiplicity of modern French sensibility itself, of how the awareness of a nation’s language, history, and art forms can be creatively reflected in the images of a culture seemingly radically different from its own.


Rethinking Fashion Globalization

Rethinking Fashion Globalization
Author: Sarah Cheang
Publisher: Bloomsbury Publishing
Total Pages: 297
Release: 2021-07-15
Genre: Business & Economics
ISBN: 1350181307

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Rethinking Fashion Globalization is a timely call to rewrite the fashion system and push back against Eurocentric dominance within fashion histories by presenting new models, approaches and understandings of fashion from critical thinkers at the forefront of decolonial fashion discourse. This edited collection draws together original, diverse, and richly reflective critiques of the fashion system from both established and emerging fashion scholars, researchers and creative practitioners. Chapters straddle current calls for decolonization and inclusion, as well as reflections on de-westernization, post-colonialism, sustainability, transnationalism, national identities, social activism, global fashion narratives, diversity, and more. The volume is divided into three key themes, 'Disruptions in Time and Space', 'Nationalism and Transnationalism' and 'Global Design Practices'. These themes re-map fashion's origins, practices and futures, to present alternatives for reclaiming and rethinking fashion globalization in the 21st century.


Heritage Management in Korea and Japan

Heritage Management in Korea and Japan
Author: Hyung Il Pai
Publisher: University of Washington Press
Total Pages: 299
Release: 2014-01-01
Genre: History
ISBN: 0295804831

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Imperial tombs, Buddhist architecture, palaces, and art treasures in Korea and Japan have attracted scholars, collectors, and conservators—and millions of tourists. As iconic markers of racial and cultural identity at home and abroad, they are embraced as tangible sources of immense national pride and popular “must-see” destinations. This book provides the first sustained account to highlight how the forces of modernity, nationalism, colonialism, and globalization have contributed to the birth of museums, field disciplines, tourist industry, and heritage management policies. Its chapters trace the history of explorations, preservations, and reconstructions of archaeological monuments from an interregional East Asian comparative perspective in the past century.


Japan & Belgium

Japan & Belgium
Author: Willy vande Walle
Publisher: Lannoo Publishers
Total Pages: 408
Release: 2016
Genre: History
ISBN:

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-Standard work of reference concerning 150 years of diplomatic relations between Japan and Belgium -Richly illustrated -Contains essays from Belgian and Japanese experts 150 years ago, Belgium and Japan signed their first treaty. They have been important economic partners for each other ever since. As a result, the reciprocal exchange of artistic influence between these countries flourished: Belgian artists were inspired by 'Japanisme', while Japanese writers read the works of Maurice Maeterlinck and Emiile Verhaeren. After the devastating violence of World War II, these two countries' cooperation finally resulted in a solid alliance. This book invites its readers to focus on the cross-cultural exchanges that make the Belgian-Japanese relationship a fertile space for diplomacy, trade, and creativity.


Nature and the Nation in Fin-de-Siècle France

Nature and the Nation in Fin-de-Siècle France
Author: Jessica M. Dandona
Publisher: Taylor & Francis
Total Pages: 237
Release: 2017-06-14
Genre: Art
ISBN: 1351708783

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This book represents the first book-length, critical study of the art of Emile Gallé. It thus promises not only to revolutionize our understanding of his work but also to reframe the study of Art Nouveau by relocating the movement within the deeply politicized context in which it was created.