Japanese Studies of Modern China
Author | : John King Fairbank |
Publisher | : |
Total Pages | : 360 |
Release | : 1955 |
Genre | : China |
ISBN | : |
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Author | : John King Fairbank |
Publisher | : |
Total Pages | : 360 |
Release | : 1955 |
Genre | : China |
ISBN | : |
Author | : Noriko Kamachi |
Publisher | : Harvard Univ Asia Center |
Total Pages | : 656 |
Release | : 1975 |
Genre | : History |
ISBN | : 9780674472488 |
The present volume is a supplement, equal in size and scope, to the volume published in 1955, Japanese Studies of Modern China. It includes summaries and critical evaluations of more than one thousand books and articles and comprehensive general and special character indices to establish the correct readings of the names of Japanese authors.
Author | : Noriko Kamachi |
Publisher | : BRILL |
Total Pages | : 646 |
Release | : 2020-03-17 |
Genre | : History |
ISBN | : 1684171911 |
A comprehensive bibliographical guide to Japanese research published between 1953 and 1969 on the topic of Modern China in the nineteenth and twentieth centuries.
Author | : Noriko Kamachi |
Publisher | : |
Total Pages | : 603 |
Release | : 1975 |
Genre | : |
ISBN | : |
Author | : Masataka Banno |
Publisher | : |
Total Pages | : 331 |
Release | : 1971 |
Genre | : |
ISBN | : |
Author | : Katrina Gulliver |
Publisher | : Bloomsbury Publishing |
Total Pages | : 202 |
Release | : 2012-02-21 |
Genre | : History |
ISBN | : 0857721356 |
At the dawn of the 1930s a new empowered and liberated image of the female was taking root in popular culture in the West. This 'modern woman' archetype was also penetrating into Eastern cultures, however, challenging the Chinese and Japanese historical norm of the woman as homemaker, servant or geisha. Through a focus on the writings of the Western women who engaged with the Far East, and the Eastern writers and personalities who reacted to this new global gender communication by forming their own separate identities, Katrina Gulliver reveals the complex redefining of the self taking place in a crucial time of political and economic upheaval. Including an analysis of the work of Nobel Prize laureate Pearl S. Buck, The Modern Woman in China and Japan is an important contribution to gender studies and will appeal to historians and scholars of China and East Asia as well as to those studying Asian and American literature.
Author | : Joshua A. Fogel |
Publisher | : Routledge |
Total Pages | : 146 |
Release | : 2019-07-25 |
Genre | : Social Science |
ISBN | : 1315491710 |
Translations from Shigaku zassh (the oldest historical journal in Japan), 1983-86. Published simultaneously as v.22, no.1-2 of Chinese studies in history. No index. Annotation copyright Book News, Inc. Portland, Or.
Author | : Aida Yuen Wong |
Publisher | : University of Hawaii Press |
Total Pages | : 246 |
Release | : 2006-02-28 |
Genre | : Art |
ISBN | : 9780824829520 |
In Parting the Mists, Aida Yuen Wong makes a convincing argument that the forging of a national tradition in modern China was frequently pursued in association with rather than in rejection of Japan. The focus of her book is on Japan’s integral role in the invention of "national-style painting," or guohua, in early-twentieth-century China. Guohua, referring to brush paintings on traditional formats, is often misconstrued as a residual conservatism from the dynastic age that barricaded itself within classical traditions. Wong places this art form at the forefront of cross-cultural exchange. Notable proponents of guohua (e.g., Chen Hengke, Jin Cheng, Fu Baoshi, and Gao Jianfu) are discussed in connection with Japan, where they discovered stylistic and ideological paradigms consonant with the empowering of "Asian/Oriental" cultural practices against the backdrop of encroaching westernization. Not just a "window on the West," Japan stood as an informant of China modernism in its own right. The first book in English devoted to Sino-Japanese dialogues in modern art, Parting the Mists explores the sensitive phenomenon of Japanism in the practice and theory of Chinese painting. Wong carries out a methodologically agile study that sheds light on multiple spheres: stylistic and iconographic innovations, history writing, art theory, patronage and the market, geopolitics, the creation of artists’ societies, and exhibitions. Without avoiding the dark history of Japanese imperialism, she provides a nuanced reading of Chinese views about Japan and the two countries’ convergent, and often colliding, courses of nationalism.
Author | : Joshua A. Fogel |
Publisher | : Routledge |
Total Pages | : 161 |
Release | : 2020-11-25 |
Genre | : History |
ISBN | : 1000149676 |
Chinese Studies in History contains unabridged translations of Chinese sources, primarily scholarly journals and collections of articles published in book form. The aim of the journal is to present the more important Chinese studies in this field in the light of the interest of those who are professionally concerned with it.
Author | : James D Babb |
Publisher | : SAGE |
Total Pages | : 1373 |
Release | : 2014-12-15 |
Genre | : Social Science |
ISBN | : 1412962358 |
A welcome addition to any reading list for those interested in contemporary Japanese society. - Roger Goodman, Nissan Professor of Modern Japanese Society, University of Oxford "I know no better book for an accessible and up-to-date introduction to this complex subject than The SAGE Handbook of Modern Japan Studies." - Hiroko Takeda, Associate Professor, Organization for Global Japanese Studies, University of Tokyo "Pioneering and nuanced in analysis, yet highly accessible and engaging in style." - Yoshio Sugimoto, Emeritus Professor, La Trobe University The SAGE Handbook of Modern Japanese Studies includes outstanding contributions from a diverse group of leading academics from across the globe. This volume is designed to serve as a major interdisciplinary reference work and a seminal text, both rigorous and accessible, to assist students and scholars in understanding one of the major nations of the world. James D. Babb is a Senior Lecturer in the School of Geography, Politics and Sociology at Newcastle University.