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Japanese Porcelain, 1800-1950

Japanese Porcelain, 1800-1950
Author: Nancy Schiffer
Publisher: Schiffer Publishing
Total Pages: 304
Release: 1986
Genre: Porcelain, Japanese
ISBN:

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Popular Japanese porcelain of the 19th and 20th centuries, including Kakiemon, Nabeshima, Arita, Hirado, Fukagawa, Imari, Kutani, Satsuma, and individual craftsmen's works. The European-influenced styles of the 20th century, such as Nippon, Noritake, and Occupied Japan, are also presented. Over 500 color photos and well researched text provide the basic reference in this field.


Imari, Satsuma, and Other Japanese Export Ceramics

Imari, Satsuma, and Other Japanese Export Ceramics
Author: Nancy Schiffer
Publisher: Schiffer Publishing
Total Pages: 232
Release: 2000
Genre: Antiques & Collectibles
ISBN:

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The popularity of Japanese ceramics in the West caused a vast and delightful variety of wares to be made in the late nineteenth century for export. Colourful Imari porcelain in deep blue, orange-red, and gold, Fukagawa porcelain in imaginative designs, as well as the softly coloured Satsuma earthenwares, are the best known of the old Japanese exports, shown here in hundreds of variations created by skilled decorators. This new edition has an updated values reference and additional items shown in each chapter, especially early Imari wares from the period c. 1700. Also presented are the exotic Sumida and Banko wares, relative newcomers to the field whose popularity has grown steadily over the last ten years. Makers' and decorators' marks, unusual shapes, design variations, and hard-to-find examples are all shown in 600 colour photographs with identifying captions and concise text.


Imari

Imari
Author: Lisa E. Rotondo-McCord
Publisher: Univ. Press of Mississippi
Total Pages: 124
Release: 1997
Genre: Antiques & Collectibles
ISBN: 9780894940606

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Japanese Imari porcelain, with its vivid red, blue and gold palette, reached Europe in the late seventeenth century and created a sensation among collectors accustomd to the more austere palette of blue-and-white Chinese wares. Soon Imari chargers and full garnitures graced the palaces and great houses of Europe and formed significant portions of the massive collections of Asian porcelains formed by many kings and princes. When high prices and increased competition from China caused imports of Imari to slow in the mid-eignteenth century, Imari continues to exert a strong influence on both the design and palette used to create porcelains at the newly established porcelain factories both in England and on the Continent.--pg. 6.


Classic Japanese Porcelain

Classic Japanese Porcelain
Author: Takeshi Nagatake
Publisher: Kodansha International
Total Pages: 108
Release: 2003
Genre: Antiques & Collectibles
ISBN: 9784770029522

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Imari and Kakiemon wares are produced in the Arita area of Kyushu, a focus ofomestic porcelain production since the 17th century. In addition to theophisticated potting techniques and cobalt/celadon underglaze decorationearned from Korea, Japanese potters learned Chinese overglaze enamelechniques and the brilliant porcelains of Kyushu appeared almost overnight.hese porcelains were shipped through the port of Imari, and hence becamenown by that name. Wares from the Kakiemon kilns are well known for theirright yet subtle red enamel, the delicate balance between decorated andhite areas, and the painstaking care directed to every step from refininghe clay to the enamel firing.;This book provides a visual overview of theistory, techniques and distinguishing features of both Imari and Kakiemonares.


Japanese Porcelain

Japanese Porcelain
Author: Egan Mew
Publisher:
Total Pages:
Release: 2019
Genre:
ISBN: 9780243645046

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Japanese Porcelain

Japanese Porcelain
Author: Egan Mew
Publisher:
Total Pages: 144
Release: 1909
Genre: ANTIQUES & COLLECTIBLES
ISBN:

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Westerners have been fascinated with Japanese porcelain since it was first exported by the Dutch East India Company in 1650. This book gives an account of the most popular Japanese exported porcelain including, Kakiemon, Imari and Hirado.


The Early Porcelain Kilns of Japan

The Early Porcelain Kilns of Japan
Author: Oliver R. Impey
Publisher:
Total Pages: 248
Release: 1996
Genre: Antiques & Collectibles
ISBN:

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This is the first book in English to document what Japanese porcelain was like before it was "discovered" in Europe, and thereafter made with a view to foreign, rather than Japanese, tastes. It is also the first in-depth study of the working practices of the pottery kilns of the seventeenth century. Impey assesses the individual kilns at Arita and reconstructs a detailed and fascinating picture of how these beautiful, little-known objects were made.


Figural Japanese Export Ceramics

Figural Japanese Export Ceramics
Author: Nancy Schiffer
Publisher: Schiffer Pub Limited
Total Pages: 224
Release: 2002-01
Genre: Antiques & Collectibles
ISBN: 9780764315039

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Figures of courtesans, gods, demons, special characters, and animals in Japanese export ceramics of the late 19th and early 20th centuries are highly decorative and appealing to many. This study presents an engaging text and over 265 color photographs of beautiful and amusing figures in Hirado, Imari, Kutani, Satsuma, Studio works, and Sumida wares.


Japanese Porcelain

Japanese Porcelain
Author: Mew Egan
Publisher: Andesite Press
Total Pages: 132
Release: 2015-08-09
Genre:
ISBN: 9781296632311

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.