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Japan Style

Japan Style
Author: Geeta Mehta
Publisher: Tuttle Publishing
Total Pages: 273
Release: 2019-09-24
Genre: Architecture
ISBN: 1462905951

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Enter the world of the stylish Japanese house, where every object in sight is a work of art. Japan Style introduces 20 special residences. With more than 200 color photographs, this book showcases Japanese design in the stunning beauty of old homes and reveals how they are cared for by their owners. Traditional Japanese homes, with superbly crafted fine wood, great workmanship and seasonal interior arrangements, have an aesthetic of infinite simplicity. Unlike Japanese inns and historical buildings, the Japanese architecture featured in this book is on private property not open to public viewing. Japan Style offers a rare glimpse into the intimate world of everyday Japanese culture and fascinating insight into the traditional architecture of Japan.


Japan Style

Japan Style
Author: Gian Carlo Calza
Publisher: Phaidon Press
Total Pages: 0
Release: 2015-09-14
Genre: Design
ISBN: 9780714870557

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An authoritative and wide-ranging visual essay on the aesthetics of Japan, now in a beautiful paperback edition. Japan Style, written by one of the world's most respected scholars of Japanese art and culture, defines what 'Japan style' is. It explores specific achievements in Japanese art and architecture, but also offers an in-depth analysis of the whole of Japanese culture, its vision of the world and of humankind. 'Japan style' is something recognizable to everyone: a beautifully arranged flower, an elegant piece of calligraphy or a simple rock garden, but it is also something that is very difficult to define. The book is divided into three main sections. In the first one ('Irregular Beauty'), the author delineates the different aspects of Japanese culture and draws interesting connections between art, architecture, religion, philosophy and mythology. For example, he explains the aesthetics of the tea ceremony and its relationship to Zen philosophy as well as other subjects such as the function of the void in mythology, Buddhism and the arts. The second part of the book ('A Feeling of Nature') follows a chronological path from ancient times to the present explaining more specifically how to interpret the different forms of Japanese art (literature, painting, sculpture, etc.). The third part of the book ('Art Masters') contains short monographs on Japanese masters in the history of Japanese art and culture: Zeami Moto, the creator of No theatre; Hokusai, the master of woodblock printing; Yasunai Kawabata and Mishima Yukio, the writers; and the graphic designer, Tanaka Ikko. Calza's groundbreaking and insightful text is accompanied by 150 colour images of a great variety of examples from Japanese art and culture.


Ametora

Ametora
Author: W. David Marx
Publisher: Basic Books
Total Pages: 299
Release: 2015-12-01
Genre: Design
ISBN: 0465073875

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The story of how Japan adopted and ultimately revived traditional American fashion Look closely at any typically "American" article of clothing these days, and you may be surprised to see a Japanese label inside. From high-end denim to oxford button-downs, Japanese designers have taken the classic American look—known as ametora, or "American traditional"—and turned it into a huge business for companies like Uniqlo, Kamakura Shirts, Evisu, and Kapital. This phenomenon is part of a long dialogue between Japanese and American fashion; in fact, many of the basic items and traditions of the modern American wardrobe are alive and well today thanks to the stewardship of Japanese consumers and fashion cognoscenti, who ritualized and preserved these American styles during periods when they were out of vogue in their native land. In Ametora, cultural historian W. David Marx traces the Japanese assimilation of American fashion over the past hundred and fifty years, showing how Japanese trendsetters and entrepreneurs mimicked, adapted, imported, and ultimately perfected American style, dramatically reshaping not only Japan's culture but also our own in the process.


Japan Style Sheet

Japan Style Sheet
Author: Society of Writers, Editors and Translators, Tokyo
Publisher: Stone Bridge Press
Total Pages: 82
Release: 2008-09-01
Genre: Reference
ISBN: 1880656302

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A Chicago Style Manual-type guide for anyone working on English-language publications about Japan. Primarily for nonspecialists, it also contains advice and lists of resources for translators and researchers.


Parting the Mists

Parting the Mists
Author: Aida Yuen Wong
Publisher: University of Hawaii Press
Total Pages: 246
Release: 2006-02-28
Genre: Art
ISBN: 9780824829520

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In Parting the Mists, Aida Yuen Wong makes a convincing argument that the forging of a national tradition in modern China was frequently pursued in association with rather than in rejection of Japan. The focus of her book is on Japan’s integral role in the invention of "national-style painting," or guohua, in early-twentieth-century China. Guohua, referring to brush paintings on traditional formats, is often misconstrued as a residual conservatism from the dynastic age that barricaded itself within classical traditions. Wong places this art form at the forefront of cross-cultural exchange. Notable proponents of guohua (e.g., Chen Hengke, Jin Cheng, Fu Baoshi, and Gao Jianfu) are discussed in connection with Japan, where they discovered stylistic and ideological paradigms consonant with the empowering of "Asian/Oriental" cultural practices against the backdrop of encroaching westernization. Not just a "window on the West," Japan stood as an informant of China modernism in its own right. The first book in English devoted to Sino-Japanese dialogues in modern art, Parting the Mists explores the sensitive phenomenon of Japanism in the practice and theory of Chinese painting. Wong carries out a methodologically agile study that sheds light on multiple spheres: stylistic and iconographic innovations, history writing, art theory, patronage and the market, geopolitics, the creation of artists’ societies, and exhibitions. Without avoiding the dark history of Japanese imperialism, she provides a nuanced reading of Chinese views about Japan and the two countries’ convergent, and often colliding, courses of nationalism.


Style Shifting in Japanese

Style Shifting in Japanese
Author: Kimberly Jones
Publisher: John Benjamins Publishing
Total Pages: 350
Release: 2008
Genre: Language Arts & Disciplines
ISBN: 9027254257

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This innovative and interdisciplinary book on style shifting in Japanese brings together a wide range of perspectives and methodologies—including discourse analysis, sociolinguistics, cognitive linguistics, and functional linguistics—to look at a variety of types of style shifting in both spoken and written Japanese discourse. Though diverse in approach, the contributions all reflect the belief that language use is inextricably linked to both context and language structure in mutually constitutive relationships. Topics covered include shifting between "polite" and "plain" styles, the emergence of a "semi-polite" style, speakers' strategic use of gendered styles or regional dialects, shifting between different deictic expressions, and prosodic shifting. This careful and detailed examination advances our understanding of the complex phenomenon of style shifting not only in Japanese, but also more generally, and will be of interest to researchers and students in fields such as linguistics, linguistic anthropology, communication studies, and second language acquisition and teaching.


Japan Style: Contemporary Japanese Ceramics

Japan Style: Contemporary Japanese Ceramics
Author: Gregory Howell
Publisher: Lulu.com
Total Pages: 38
Release: 2017
Genre: Art
ISBN: 1365969282

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JAPAN STYLE - Contemporary Japanese Ceramics. Featuring the works of Kato Takahiko, Hashimoto Machiko, and Tanoue Shinya. This exhibition features works by three contemporary Japanese ceramic artists who have drawn inspiration from not only the diverse ceramic traditions of their country, but have managed to unfold the unique story behind their own passions and values in life. It is this birth of contemporary creativity that enables the artist to draw inspiration from beauty and create powerful works of form and function. Among the 18 objects in this presentation, you will find works associated with Japan's most ancient kilns which have been producing functional stoneware vessels for daily use for nearly a millennium and for the celebrated tea ceremony for 400 years. You will discover tea cups and bowls, flower vases, serving plates, and even an owl, which combine ancient materials and techniques with new forms and styles.


Making Modern Japanese-Style Painting

Making Modern Japanese-Style Painting
Author: Chelsea Foxwell
Publisher: University of Chicago Press
Total Pages: 296
Release: 2015-07-20
Genre: Art
ISBN: 022611080X

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Introduction. Nihonga and the historical inscription of the modern -- Exhibitions and the making of modern Japanese painting -- In search of images -- The painter and his audiences -- Decadence and the emergence of Nihonga style -- Naturalizing the double reading -- Transmission and the historicity of Nihonga -- Conclusion.


Japan

Japan
Author: Pepin Van Roojen
Publisher:
Total Pages: 0
Release: 2016-03-15
Genre:
ISBN: 9789460094217

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LABEL & STICKER BOOKS 32 sheets with stickers, labels & tapes (17.2 x 24.10 cm)


Rhetoric in Modern Japan

Rhetoric in Modern Japan
Author: Massimiliano Tomasi
Publisher: University of Hawaii Press
Total Pages: 288
Release: 2004-07-31
Genre: Language Arts & Disciplines
ISBN: 9780824827984

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Rhetoric in Modern Japan is the first volume to discuss the role of Western rhetoric in the creation of a modern Japanese oral and narrative style. It considers the introduction of Western rhetoric, clarifying its interactions with the forces and synergies that shaped Japanese literature and culture in the late nineteenth and early twentieth centuries. Focusing on the Meiji and Taishō years (1868-1926), it challenges the prevailing view among contemporary scholars that rhetoric did not play a significant role in the literary developments of the period. Massimiliano Tomasi chronicles the blooming of scholarship in the field in the early 1870s, providing the first descriptive analysis and cogently articulated critique of the major rhetorical treatises of the time. In discussing the rise of public speaking in early Meiji society, he unveils the existence of crucial links between the study of rhetoric and the social and literary events of the time, underscoring the key role played by oratory both as a tool for social modernization and as an effective platform for the reappraisal of the spoken language. The collusion and conflicts characterizing rhetoric and its relationship with the genbun itchi movement, which sought to unify spoken and written language, are explored, demonstrating that their perceived antagonism was the uh_product of a misguided notion of rhetoric and the process of rhetorical signification rather than a true theoretical conflict. Tomasi makes a convincing argument that, in fact, Western rhetoric mediated between these equally compelling pursuits and paved the way toward an acceptable compromise between classical and colloquial written styles.