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Jacob Van Ruisdael

Jacob Van Ruisdael
Author: Seymour Slive
Publisher: Yale University Press
Total Pages: 278
Release: 2005
Genre: Art
ISBN: 9781903973240

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A richly illustrated celebration of Ruisdael's achievements as the greatest and most versatile of seventeenth-century Dutch landscape painters


Jacob Van Ruisdael

Jacob Van Ruisdael
Author: Seymour Slive
Publisher: Yale University Press
Total Pages: 797
Release: 2001-01-01
Genre: Art
ISBN: 0300089724

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If you know the 26 letters of the alphabet and can count to 99 -- or are just learning -- you'll love Tana Hoban's brilliant creation. This innovative concept book is two books in one!


Jacob Van Ruisdael

Jacob Van Ruisdael
Author: Seymour Slive
Publisher:
Total Pages: 280
Release: 1981
Genre: Art
ISBN:

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Jacob Van Ruisdael

Jacob Van Ruisdael
Author: Seymour Slive
Publisher: Getty Publications
Total Pages: 130
Release: 2011-06-07
Genre: Art
ISBN: 1606060554

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Windmills were ubiquitous in seventeenth-century Holland and they remain the best-known symbol of the Dutch landscape. Jacob van Ruisdael first depicted them as a precocious teenager and continued to represent all types in various settings until his very last years. Water mills, in contrast, were scarce in the new Dutch Republic, found mainly in the eastern provinces, particularly near the border with Germany. Ruisdael discovered them in the early 1650s and was the first artist to make water mills the principal subject of a landscape. His most celebrated painting, Windmill at Wijk bij Duurstede at the Rijksmuseum, and the J. Paul Getty Museum's Two Undershot Water Mills with an Open Sluice are the centerpieces of this overview of the artist's depictions of windmills and water mills. Both depended upon forces of nature for their operation, but their use in the Netherlands and their place in seventeenth-century Dutch art differed considerably. This book examines their role in Holland and introduces readers to the pleasure of studying Ruisdael's images of them, a joy conveyed by the English landscapist John Constable in a letter written to his dearest friend after seeing a Ruisdael painting of a water mill in a London shop: “It haunts my mind and clings to my heart.”


Jacob Van Ruisdael and the Perception of Landscape

Jacob Van Ruisdael and the Perception of Landscape
Author: E. John Walford
Publisher:
Total Pages: 243
Release: 1991
Genre: Art, Dutch
ISBN: 9780300049947

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Jacob van Ruisdael is widely acknowledged as one of the great Dutch landscape artists of the 17th century. This major study aims to provide a comprehensive overview of the artist's work and critical reception.


Art in History/History in Art

Art in History/History in Art
Author: David Freedberg
Publisher: Getty Publications
Total Pages: 458
Release: 1996-07-11
Genre: Art
ISBN: 0892362014

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Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.


Goethe on Art

Goethe on Art
Author: Johann Wolfgang von Goethe
Publisher: Univ of California Press
Total Pages: 276
Release: 1980-01-01
Genre: Art
ISBN: 9780520039964

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Landscape and Religion from Van Eyck to Rembrandt

Landscape and Religion from Van Eyck to Rembrandt
Author: Boudewijn Bakker
Publisher: Routledge
Total Pages: 394
Release: 2017-07-05
Genre: Art
ISBN: 1351561138

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Offering a corrective to the common scholarly characterization of seventeenth-century Dutch landscape painting as modern, realistic and secularized, Boudewijn Bakker here explores the long history and purpose of landscape in Netherlandish painting. In Bakker's view, early Netherlandish as well as seventeenth-century Dutch painting can be understood only in the context of the intellectual climate of the day. Concentrating on landscape painting as the careful depiction of the visible world, Bakker's analysis takes in the thought of figures seldom consulted by traditional art historians, such as the fifteenth-century philosopher Dionysius the Carthusian, the sixteenth-century religious reformer John Calvin, the geographer Abraham Ortelius and the seventeenth-century poet Constantijn Huygens. Probing their conception of nature as 'the first Book of God' and art as its representation, Bakker identifies a world view that has its roots in the traditional Christian perceptions of God and creation. Landscape and Religion from Van Eyck to Rembrandt imposes a new layer of interpretation on the richly varied landscapes of the great masters. In so doing it adds a new dimension to the insights offered by modern art-historical research. Further, Bakker's explorations of early modern art and literature provide essential background for any student of European intellectual history.


Great Works

Great Works
Author: Tom Lubbock
Publisher:
Total Pages: 216
Release: 2013-03-01
Genre: Art criticism
ISBN: 9780711233904

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The best of Tom Lubbock, one of Britain's most intelligent, outspoken and revelatory art critics, is collected here. Ranging with passionate perspicacity over 800 years of Western art, Tom Lubbock writes with immediacy and authority about the 50 works which most gripped his imagination.


Rembrandt's Jews

Rembrandt's Jews
Author: Steven Nadler
Publisher: University of Chicago Press
Total Pages: 279
Release: 2015-08-04
Genre: Art
ISBN: 022636061X

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There is a popular and romantic myth about Rembrandt and the Jewish people. One of history's greatest artists, we are often told, had a special affinity for Judaism. With so many of Rembrandt's works devoted to stories of the Hebrew Bible, and with his apparent penchant for Jewish themes and the sympathetic portrayal of Jewish faces, it is no wonder that the myth has endured for centuries. Rembrandt's Jews puts this myth to the test as it examines both the legend and the reality of Rembrandt's relationship to Jews and Judaism. In his elegantly written and engrossing tour of Jewish Amsterdam—which begins in 1653 as workers are repairing Rembrandt's Portuguese-Jewish neighbor's house and completely disrupting the artist's life and livelihood—Steven Nadler tells us the stories of the artist's portraits of Jewish sitters, of his mundane and often contentious dealings with his neighbors in the Jewish quarter of Amsterdam, and of the tolerant setting that city provided for Sephardic and Ashkenazic Jews fleeing persecution in other parts of Europe. As Nadler shows, Rembrandt was only one of a number of prominent seventeenth-century Dutch painters and draftsmen who found inspiration in Jewish subjects. Looking at other artists, such as the landscape painter Jacob van Ruisdael and Emmanuel de Witte, a celebrated painter of architectural interiors, Nadler is able to build a deep and complex account of the remarkable relationship between Dutch and Jewish cultures in the period, evidenced in the dispassionate, even ordinary ways in which Jews and their religion are represented—far from the demonization and grotesque caricatures, the iconography of the outsider, so often found in depictions of Jews during the Middle Ages and the Renaissance. Through his close look at paintings, etchings, and drawings; in his discussion of intellectual and social life during the Dutch Golden Age; and even through his own travels in pursuit of his subject, Nadler takes the reader through Jewish Amsterdam then and now—a trip that, under ever-threatening Dutch skies, is full of colorful and eccentric personalities, fiery debates, and magnificent art.