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Italian Gothic Horror Films, 1980-1989

Italian Gothic Horror Films, 1980-1989
Author: Roberto Curti
Publisher: McFarland
Total Pages: 233
Release: 2019-02-15
Genre: Performing Arts
ISBN: 1476635242

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The Italian Gothic horror genre underwent many changes in the 1980s, with masters such as Mario Bava and Riccardo Freda dying or retiring and young filmmakers such as Lamberto Bava (Macabro, Demons) and Michele Soavi (The Church) surfacing. Horror films proved commercially successful in the first half of the decade thanks to Dario Argento (both as director and producer) and Lucio Fulci, but the rise of made-for-TV products has resulted in the gradual disappearance of genre products from the big screen. This book examines all the Italian Gothic films of the 1980s. It includes previously unpublished trivia and production data taken from official archive papers, original scripts and interviews with filmmakers, actors and scriptwriters. The entries include a complete cast and crew list, plot summary, production history and analysis. Two appendices list direct-to-video releases and made-for-TV films.


Italian Gothic Horror Films, 1980-1989

Italian Gothic Horror Films, 1980-1989
Author: Roberto Curti
Publisher: McFarland
Total Pages: 233
Release: 2019-02-21
Genre: Performing Arts
ISBN: 1476672431

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The Italian Gothic horror genre underwent many changes in the 1980s, with masters such as Mario Bava and Riccardo Freda dying or retiring and young filmmakers such as Lamberto Bava (Macabro, Demons) and Michele Soavi (The Church) surfacing. Horror films proved commercially successful in the first half of the decade thanks to Dario Argento (both as director and producer) and Lucio Fulci, but the rise of made-for-TV products has resulted in the gradual disappearance of genre products from the big screen. This book examines all the Italian Gothic films of the 1980s. It includes previously unpublished trivia and production data taken from official archive papers, original scripts and interviews with filmmakers, actors and scriptwriters. The entries include a complete cast and crew list, plot summary, production history and analysis. Two appendices list direct-to-video releases and made-for-TV films.


Italian Gothic Horror Films, 1957-1969

Italian Gothic Horror Films, 1957-1969
Author: Roberto Curti
Publisher: McFarland
Total Pages: 221
Release: 2015-03-27
Genre: Performing Arts
ISBN: 1476619891

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The "Gothic" style was a key trend in Italian cinema of the 1950s and 1960s because of its peculiar, often strikingly original approach to the horror genre. These films portrayed Gothic staples in a stylish and idiosyncratic way, and took a daring approach to the supernatural and to eroticism, with the presence of menacing yet seductive female witches, vampires and ghosts. Thanks to such filmmakers as Mario Bava (Black Sunday), Riccardo Freda (The Horrible Dr. Hichcock), and Antonio Margheriti (Castle of Blood), as well the iconic presence of actress Barbara Steele, Italian Gothic horror went overseas and reached cult status. The book examines the Italian Gothic horror of the period, with an abundance of previously unpublished production information drawn from official papers and original scripts. Entries include a complete cast and crew list, home video releases, plot summary and the author's analysis. Excerpts from interviews with filmmakers, scriptwriters and actors are included. The foreword is by film director and scriptwriter Ernesto Gastaldi.


Italian Gothic Horror Films, 1970-1979

Italian Gothic Horror Films, 1970-1979
Author: Roberto Curti
Publisher: McFarland
Total Pages: 255
Release: 2017-09-11
Genre: Performing Arts
ISBN: 1476629609

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Italian Gothic horror films of the 1970s were influenced by the violent giallo movies and adults-only comics of the era, resulting in a graphic approach to the genre. Stories often featured over-the-top violence and nudity and pushed the limits of what could be shown on the screen. The decade marked the return of specialist directors like Mario Bava, Riccardo Freda and Antonio Margheriti, and the emergence of new talents such as Pupi Avati (The House with the Laughing Windows) and Francesco Barilli (The Perfume of the Lady in Black). The author examines the Italian Gothic horror of the period, providing previously unpublished details and production data taken from official papers, original scripts and interviews with filmmakers, scriptwriters and actors. Entries include complete cast and crew lists, plot summaries, production history and analysis. An appendix covers Italian made-for-TV films and mini-series.


Italian Horror

Italian Horror
Author:
Publisher:
Total Pages:
Release: 2015
Genre:
ISBN: 9780993054167

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Bleeding Skull

Bleeding Skull
Author: Annie Choi
Publisher: Fantagraphics Books
Total Pages: 270
Release: 2021-03-23
Genre: Performing Arts
ISBN: 1683961862

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A celebration of the most obscure, bizarre, and brain-busting movies ever made, this film guide features 250 in-depth reviews that have escaped the radar of people with taste and the tolerance of critics ― Goregasm! I Was a Teenage Serial Killer! Satan Claus!Die Hard Dracula! Curated by the enthusiastic minds behind BleedingSkull.com, this book gets deep into gutter-level, no-budget horror, from shot-on-VHS revelations (Eyes of the Werewolf) to forgotten outsider art hallucinations (Alien Beasts). Jam-packed with rare photographs, advertisements, and VHS sleeves (most of which have never been seen before), Bleeding Skull is an edifying, laugh-out-loud guide to the dusty inventory of the greatest video store that never existed.


Horror Film and Psychoanalysis

Horror Film and Psychoanalysis
Author: Steven Jay Schneider
Publisher: Cambridge University Press
Total Pages: 319
Release: 2004-06-28
Genre: Performing Arts
ISBN: 1139453688

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Psychoanalytic theory has been the subject of attacks from philosophers, cultural critics and scientists who have questioned the cogency of its reasoning as well as the soundness of its premises. Nevertheless, when used to shed light on horror cinema, psychoanalysis in its various forms has proven to be a fruitful and provocative interpretative tool. This volume seeks to find the proper place of psychoanalytic thought in critical discussion of cinema in a series of essays that debate its legitimacy, utility and validity as applied to the horror genre. It distinguishes itself from previous work in this area through the self-consciousness with which psychoanalytic concepts are employed and the theorization that coexists with interpretations of particular horror films and subgenres.


Vampires in Italian Cinema, 1956-1975

Vampires in Italian Cinema, 1956-1975
Author: Michael Guarneri
Publisher: Edinburgh University Press
Total Pages: 232
Release: 2020-05-28
Genre: Performing Arts
ISBN: 1474458130

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Demonstrates how and why the transnational figure of the vampire was appropriated by Italian genre filmmakers between 1956 and 1975.


Diabolika

Diabolika
Author: Roberto Curti
Publisher:
Total Pages: 266
Release: 2016
Genre: Performing Arts
ISBN: 9781936168606

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DIABOLIKA lists the Italian films and TV series based on (or inspired by) comics, graphic novels and photonovels, as well as movies not directly adapted from comic books sport a distinct comics feel in style, characters and plot.


Italian Horror Film Directors

Italian Horror Film Directors
Author: Louis Paul
Publisher: McFarland
Total Pages: 377
Release: 2015-06-08
Genre: Performing Arts
ISBN: 0786487496

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There is no cinema with such effect as that of the hallucinatory Italian horror film. From Riccardo Freda's I Vampiri in 1956 to Il Cartaio in 2004, this work recounts the origins of the genre, celebrates at length ten of its auteurs, and discusses the noteworthy films of many others associated with the genre. The directors discussed in detail are Dario Argento, Lamberto Bava, Mario Bava, Ruggero Deodato, Lucio Fulci, Umberto Lenzi, Antonio Margheriti, Aristide Massaccesi, Bruno Mattei, and Michele Soavi. Each chapter includes a biography, a detailed career account, discussion of influences both literary and cinematic, commentary on the films, with plots and production details, and an exhaustive filmography. A second section contains short discussions and selected filmographies of other important horror directors. The work concludes with a chapter on the future of Italian horror and an appendix of important horror films by directors other than the 50 profiled. Stills, posters, and behind-the-scenes shots illustrate the book.