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Islam and the Divine Comedy

Islam and the Divine Comedy
Author: Miguel Asín Palacios
Publisher:
Total Pages: 334
Release: 1926
Genre: Comparative literature
ISBN:

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Dante and Islam

Dante and Islam
Author: Jan M. Ziolkowski
Publisher: Fordham Univ Press
Total Pages: 384
Release: 2014-12-01
Genre: Literary Criticism
ISBN: 0823263886

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Dante put Muhammad in one of the lowest circles of Hell. At the same time, the medieval Christian poet placed several Islamic philosophers much more honorably in Limbo. Furthermore, it has long been suggested that for much of the basic framework of the Divine Comedy Dante was indebted to apocryphal traditions about a “night journey” taken by Muhammad. Dante scholars have increasingly returned to the question of Islam to explore the often surprising encounters among religious traditions that the Middle Ages afforded. This collection of essays works through what was known of the Qur’an and of Islamic philosophy and science in Dante’s day and explores the bases for Dante’s images of Muhammad and Ali. It further compels us to look at key instances of engagement among Muslims, Jews, and Christians.


Inferno: The Divine Comedy I

Inferno: The Divine Comedy I
Author: Dante
Publisher: Penguin UK
Total Pages: 722
Release: 2006-03-30
Genre: Poetry
ISBN: 0141916443

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Describing Dante's descent into Hell midway through his life with Virgil as a guide, Inferno depicts a cruel underworld in which desperate figures are condemned to eternal damnation for committing one or more of seven deadly sins. As he descends through nine concentric circles of increasingly agonising torture, Dante encounters doomed souls including the pagan Aeneas, the liar Odysseus, the suicide Cleopatra, and his own political enemies, damned for their deceit. Led by leering demons, the poet must ultimately journey with Virgil to the deepest level of all. For it is only by encountering Satan, in the heart of Hell, that he can truly understand the tragedy of sin.


The Venetian Qur'an

The Venetian Qur'an
Author: Pier Mattia Tommasino
Publisher: University of Pennsylvania Press
Total Pages: 318
Release: 2018-03-26
Genre: History
ISBN: 0812294971

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An anonymous book appeared in Venice in 1547 titled L'Alcorano di Macometto, and, according to the title page, it contained "the doctrine, life, customs, and laws [of Mohammed] . . . newly translated from Arabic into the Italian language." Were this true, L'Alcorano di Macometto would have been the first printed direct translation of the Qur'an in a European vernacular language. The truth, however, was otherwise. As soon became clear, the Qur'anic sections of the book—about half the volume—were in fact translations of a twelfth-century Latin translation that had appeared in print in Basel in 1543. The other half included commentary that balanced anti-Islamic rhetoric with new interpretations of Muhammad's life and political role in pre-Islamic Arabia. Despite having been discredited almost immediately, the Alcorano was affordable, accessible, and widely distributed. In The Venetian Qur'an, Pier Mattia Tommasino uncovers the volume's mysterious origins, its previously unidentified author, and its broad, lasting influence. L'Alcorano di Macometto, Tommasino argues, served a dual purpose: it was a book for European refugees looking to relocate in the Ottoman Empire, as well as a general Renaissance reader's guide to Islamic history and stories. The book's translation and commentary were prepared by an unknown young scholar, Giovanni Battista Castrodardo, a complex and intellectually accomplished man, whose commentary in L'Alcorano di Macometto bridges Muhammad's biography and the text of the Qur'an with Machiavelli's The Prince and Dante's Divine Comedy. In the years following the publication of L'Alcorano di Macometto, the book was dismissed by Arabists and banned by the Catholic Church. It was also, however, translated into German, Hebrew, and Spanish and read by an extended lineage of missionaries, rabbis, renegades, and iconoclasts, including such figures as the miller Menocchio, Joseph Justus Scaliger, and Montesquieu. Through meticulous research and literary analysis, The Venetian Qur'an reveals the history and legacy of a fascinating historical and scholarly document.


Islam and the Divine Comedy

Islam and the Divine Comedy
Author: Miguel Asín Palacios
Publisher:
Total Pages: 334
Release: 1926
Genre: Ascension (in religion, folklore, etc.)
ISBN:

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The legend of the nocturnal journey and ascension of Mahomet compared with the Divine comedy ; The Divine comedy compared with other Moslem legends on the after-life ; Moslem features in the Christian legends precursory of the Divine comedy ; Probability of the transmission of Islamic models to Christian Europe and particularly to Dante.


The Doré Illustrations for Dante's Divine Comedy

The Doré Illustrations for Dante's Divine Comedy
Author: Gustave Doré
Publisher: Courier Corporation
Total Pages: 145
Release: 2012-09-21
Genre: Art
ISBN: 0486129934

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These 135 fantastic scenes depict the passion and grandeur of Dante's masterpiece — from the depths of hell onto the mountain of purgatory and up to the empyrean realms of paradise.


The Comedy

The Comedy
Author: Dante Alighieri
Publisher:
Total Pages: 292
Release: 1836
Genre:
ISBN:

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Hell, the Devil, and Karma

Hell, the Devil, and Karma
Author: Samael Aun Weor
Publisher: Glorian Publishing
Total Pages:
Release: 2011
Genre: Religion
ISBN: 1934206652

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For thousands of years, people believed the Earth was flat. Similarly, everything we believe about hell, the devil and karma is based on centuries of dogma, illogical beliefs and foolish theories. In this book, Samael Aun Weor demonstrates how to confirm for yourself the reality of the inferior levels of life, and how to avoid them. Although modern culture laughs at the mere mention of the devil and hell while simultaneously indulging deeply in them via popular music, movies, and television, the practical reality remains completely unknown to the general public. Samael Aun Weor discusses his personal, conscious experiences of the inferior worlds and the beings who reside there. By application of ancient techniques preserved by the Gnostic tradition, anyone can confirm with certainty what exists in the subtle dimensions of nature, whether above or below. Learn the true identity of both the Devil and Lucifer, and how to harness the forces of nature in order to be propelled towards a higher way of life. Dispels centuries of beliefs and theories, while explaining the essential truths hidden in ancient symbols Provides practical steps towards acquiring your own experience of the truth Supported by solid science and authentic spiritual traditions


What Is Islam?

What Is Islam?
Author: Shahab Ahmed
Publisher: Princeton University Press
Total Pages: 624
Release: 2015-11-17
Genre: Religion
ISBN: 1400873584

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What is Islam? How do we grasp a human and historical phenomenon characterized by such variety and contradiction? What is "Islamic" about Islamic philosophy or Islamic art? Should we speak of Islam or of islams? Should we distinguish the Islamic (the religious) from the Islamicate (the cultural)? Or should we abandon "Islamic" altogether as an analytical term? In What Is Islam?, Shahab Ahmed presents a bold new conceptualization of Islam that challenges dominant understandings grounded in the categories of "religion" and "culture" or those that privilege law and scripture. He argues that these modes of thinking obstruct us from understanding Islam, distorting it, diminishing it, and rendering it incoherent. What Is Islam? formulates a new conceptual language for analyzing Islam. It presents a new paradigm of how Muslims have historically understood divine revelation—one that enables us to understand how and why Muslims through history have embraced values such as exploration, ambiguity, aestheticization, polyvalence, and relativism, as well as practices such as figural art, music, and even wine drinking as Islamic. It also puts forward a new understanding of the historical constitution of Islamic law and its relationship to philosophical ethics and political theory. A book that is certain to provoke debate and significantly alter our understanding of Islam, What Is Islam? reveals how Muslims have historically conceived of and lived with Islam as norms and truths that are at once contradictory yet coherent.


Idols in the East

Idols in the East
Author: Suzanne Conklin Akbari
Publisher: Cornell University Press
Total Pages: 337
Release: 2012-04-05
Genre: Literary Criticism
ISBN: 0801464978

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Representations of Muslims have never been more common in the Western imagination than they are today. Building on Orientalist stereotypes constructed over centuries, the figure of the wily Arab has given rise, at the dawn of the twenty-first century, to the "Islamist" terrorist. In Idols in the East, Suzanne Conklin Akbari explores the premodern background of some of the Orientalist types still pervasive in present-day depictions of Muslims—the irascible and irrational Arab, the religiously deviant Islamist—and about how these stereotypes developed over time. Idols in the East contributes to the recent surge of interest in European encounters with Islam and the Orient in the premodern world. Focusing on the medieval period, Akbari examines a broad range of texts including encyclopedias, maps, medical and astronomical treatises, chansons de geste, romances, and allegories to paint an unusually diverse portrait of medieval culture. Among the texts she considers are The Book of John Mandeville, The Song of Roland, Parzival, and Dante's Divine Comedy. From them she reveals how medieval writers and readers understood and explained the differences they saw between themselves and the Muslim other. Looking forward, Akbari also comes to terms with how these medieval conceptions fit with modern discussions of Orientalism, thus providing an important theoretical link to postcolonial and postimperial scholarship on later periods. Far reaching in its implications and balanced in its judgments, Idols in the East will be of great interest to not only scholars and students of the Middle Ages but also anyone interested in the roots of Orientalism and its tangled relationship to modern racism and anti-Semitism.