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| Author | : Deanna Shemek |
| Publisher | : Medieval & Renais Text Studies |
| Total Pages | : |
| Release | : 2017 |
| Genre | : Literary Collections |
| ISBN | : 9780866985727 |
| Author | : Lorenzo Bonoldi |
| Publisher | : Guaraldi |
| Total Pages | : 99 |
| Release | : 2016-01-21T14:45:00+01:00 |
| Genre | : Architecture |
| ISBN | : 8869272427 |
Isabella d’Este (Ferrara 1474 – Mantua 1539) was already defined in her lifetime as “The first lady of the world”, and emains today one of the most brilliant characters of the Italian Renaissance. The first-born daughter of Duke Ercole of Ferrara and Eleonora of Aragon, at only six years of age was betrothed to Francesco II Gonzaga, heir of the Lords of Mantua. At sixteen, when she arrived in Mantua, she created one of the most culturally refined courts of the Renaissance. Driven by her insatiable desire for all things of antiquity, she collected in her Studiolo a precious assortment of classical artifacts. Fully aware of her extraordinary virtues, both physical and intellectual, she trusted the most illustrious artist of her time to represent her, and was portrayed by both Leonardo da Vinci and Titian – a privilege ot bestowed upon any king, Pope, or Emperor. A demanding and discerning patron, she entrusted Andrea Mantegna, Lorenzo Costa, Pietro Perugino and Correggio to create a cycle of paintings forher Studiolo. As a refined trend-setter, she formed the fashion of her time according to her own tastes, and became a point of reference not only for all of the Italian courts, but also for aristocrats throughout Europe. From her astrological chart and emblems to her portraits and the canvases created specifically for her Studiolo, this book contains several clear and original perspectives that highlight and better define the profile of Isabella. Here we have a new view of a Renaissance woman.
| Author | : Julia Cartwright |
| Publisher | : |
| Total Pages | : 478 |
| Release | : 1932 |
| Genre | : Italy |
| ISBN | : |
| Author | : Stephen John Campbell |
| Publisher | : Yale University Press |
| Total Pages | : 430 |
| Release | : 2004-01-01 |
| Genre | : Art |
| ISBN | : 9780300117530 |
The Renaissance studiolo was a space devoted in theory to private reading. The most famous studiolo of all was that of Isabella d'Este, marchioness of Mantua. This work explores the function of the mythological image within a Renaissance culture of collectors.
| Author | : George Richard Marek |
| Publisher | : |
| Total Pages | : 296 |
| Release | : 1976 |
| Genre | : Renaissance |
| ISBN | : |
"Brilliant, vain, generous, calculating, Isabella D'Este played the Renaissance game with an expertise that outflanked Popes and Emperors, using her brains, her charm, and her unswerving purpose to psych her opponents. An accomplished flirt, an astute statesman, she kept Mantua, the state ostensibly ruled by her husband, intact and safe from a series of powerful predators: Cesare Borgia, the Republic of Venice, a succession of Popes, the King of Naples, two Kings of France. Toward the end of her life, she turned over to her son one of the few independent principalities of sixteenth-century Italy"--from front jacket flap.
| Author | : Carolyn James |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 221 |
| Release | : 2020-02-20 |
| Genre | : History |
| ISBN | : 019968121X |
The marriage of Isabella d'Este, one of the most famous figures of the Italian Renaissance, and Francesco Gonzaga, ruler of the small northern Italian principality of Mantua (r.1484-1519) offers a fascinating portrait of political marriage in the early modern period. A Renaissance Marriage shows an aristocratic couple who, within several years of their wedding, had to deal with the political challenges posed by the first decades of the Italian Wars (1494-1559) and, later, the scourge of the Great Pox, humanising a relationship that was organised for entirely strategic reasons, but had to be inhabited emotionally if it was to produce the political and dynastic advantages that had inspired the match. Carolyn James draws on unpublished correspondence between Isabella and Francesco over twenty-nine years, as well as their correspondence with relatives and courtiers, to show how their personal rapport evolved and how they cooperated in the governance of a princely state. Hitherto examined mainly from literary and religious perspectives, and on the basis of legal evidence and prescriptive literature, early modern marriage emerges here in vivid detail, offering the reader access to aspects of the lived experience of an elite Renaissance marital relationship. The study also contributes to our understanding of the history of emotions, of politics and military conflict, of childbirth, childhood and family life, and of the history of disease and medicine.
| Author | : Christine Shaw |
| Publisher | : |
| Total Pages | : 312 |
| Release | : 2019 |
| Genre | : History |
| ISBN | : 9780429400568 |
"Isabella d'Este, Marchioness of Mantua (1474-1539), is one of the most studied figures of Renaissance Italy, as an epitome of Renaissance court culture, and as a woman having an unusually prominent role in the politics of her day. This biography provides a rounded account of the full range of her activities and interests, from her childhood to her final years as a dowager and considers Isabella d'Este not as an icon but as a woman of her time and place in the world"--
| Author | : Sheryl E. Reiss |
| Publisher | : Penn State Press |
| Total Pages | : 365 |
| Release | : 2001 |
| Genre | : Art patronage |
| ISBN | : 0271097620 |
| Author | : Christine Shaw |
| Publisher | : Routledge |
| Total Pages | : 235 |
| Release | : 2019-03-01 |
| Genre | : History |
| ISBN | : 0429683065 |
Isabella d’Este, Marchioness of Mantua (1474-1539), is one of the most studied figures of Renaissance Italy, as an epitome of Renaissance court culture and as a woman having an unusually prominent role in the politics of her day. This biography provides a well-rounded account of the full range of her activities and interests from her childhood to her final years as a dowager, and considers Isabella d’Este not as an icon but as a woman of her time and place in the world. It covers all aspects of her life including her relationship with her parents and siblings as well as with her husband and children; her interest in literature and music, painting and antiquities; her political and diplomatic activities; her concern with fashion and jewellery; her relations with other women; and her love of travel. In this book, grounded in an understanding of the context of the Italy of her day, the typical interests and behaviour of women of Isabella d’Este’s status within Renaissance Italy are distinguished from those that were unique to her, such as the elaborate apartments that she created for herself and her extensive surviving correspondence, which provides insights into all aspects of life in the major courts of northern Italy, centres of Renaissance culture. Providing fresh perspectives on one of the most famous figures of Renaissance Italy, Isabella d’Este will be of great interest to undergraduates and graduates of early modern history, gender studies, renaissance studies and art history.
| Author | : Ramie Targoff |
| Publisher | : Macmillan + ORM |
| Total Pages | : 390 |
| Release | : 2018-04-17 |
| Genre | : Biography & Autobiography |
| ISBN | : 0374713847 |
A biography of Vittoria Colonna, confidante of Michelangelo, scion of one of the most powerful families of her era, and a pivotal figure in the Italian Renaissance Ramie Targoff’s Renaissance Woman tells of the most remarkable woman of the Italian Renaissance: Vittoria Colonna, Marchesa of Pescara. Vittoria has long been celebrated by scholars of Michelangelo as the artist’s best friend—the two of them exchanged beautiful letters, poems, and works of art that bear witness to their intimacy—but she also had close ties to Charles V, Pope Clement VII and Pope Paul III, Pietro Bembo, Baldassare Castiglione, Pietro Aretino, Queen Marguerite de Navarre, Reginald Pole, and Isabella d’Este, among others. Vittoria was the scion of an immensely powerful family in Rome during that city’s most explosively creative era. Art and literature flourished, but political and religious life were under terrific strain. Personally involved with nearly every major development of this period—through both her marriage and her own talents—Vittoria was not only a critical political actor and negotiator but also the first woman to publish a book of poems in Italy, an event that launched a revolution for Italian women’s writing. Vittoria was, in short, at the very heart of what we celebrate when we think about sixteenth-century Italy; through her story the Renaissance comes to life anew.
