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Irish Drama, 1900-1980

Irish Drama, 1900-1980
Author: Cóilín Owens
Publisher: CUA Press
Total Pages: 772
Release: 1990
Genre: Drama
ISBN: 9780813207056

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"This superb collection of eighteen plays has long been needed. It provides a sound and solid introduction to the rich field of modern Irish drama, and should be as delightful to the private reader as it will be useful for university classes."--Journal of Irish Literature Contents: Spreading the News and The Gaol Gate-- Lady Gregory; On Baile's Strand and the Only Jealousy of Emer--W.B. Yeats; The Land--Padraic Colum; The Playboy of the Western World--J.M. Synge; Maurice Harr--T. C. Murray; The Magic Glasses--George Fitzmaurice; Juno and the Paycock- -Sean O'Casey; The Big House--Lennox Robinson; The Old Lady Says "No "--Denis Johnston; As the Crow Flies--Austin Clarke; The Paddy Pedlar--M. J. Malloy; The Vision of Mac Conglinne--Padraic Fallon; The Quare Fellow--Brendan Behan; All that Fall--Samuel Becket; Da--Hugh Leonard; Translations--Brian Friel


Irish Drama 1896-1928

Irish Drama 1896-1928
Author: Andrew E. Malone
Publisher:
Total Pages: 0
Release: 1929
Genre: English drama
ISBN:

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Twentieth-Century Irish Drama

Twentieth-Century Irish Drama
Author: Christopher Murray
Publisher: Syracuse University Press
Total Pages: 292
Release: 2000-05-01
Genre: Literary Criticism
ISBN: 9780815606437

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This work provides an overview of Irish theatre, read in the light of Ireland's self-definition. Mediating between history and its relations with politics and art, it attempts to do justice to the enabling and mirroring preoccupations of Irish drama.


Buffoonery in Irish Drama

Buffoonery in Irish Drama
Author: Kathleen Heininge
Publisher: Peter Lang
Total Pages: 204
Release: 2009
Genre: Drama
ISBN: 9781433105463

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Generations of Irish playwrights have tried to assert the reputation of the stage Irish figure as other than comic, but each effort was in its turn assailed as buffoonery. Using post-colonial and performative theory, Buffoonery in Irish Drama demonstrates the ways the Irish struggled to create a sense of identity in a colonial structure, and it explores the distortion and appropriation of that new identity that elicit further calls to eradicate negative stereotypes. Demonstrating the pervasiveness of the reclamation efforts, Buffoonery in Irish Drama covers a wide range of well-known and obscure plays to show the trajectory of twentieth-century drama that brings us into a globalized twenty-first-century Ireland.


A Critical History of Modern Irish Drama 1891-1980

A Critical History of Modern Irish Drama 1891-1980
Author: D. E. S. Maxwell
Publisher: CUP Archive
Total Pages: 276
Release: 1984-11-22
Genre: Drama
ISBN: 9780521295390

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A critical history of Irish drama from the founding of the Irish Literary Theatre to the nineteen-eighties.


Irish Drama and Wars in the Twentieth Century

Irish Drama and Wars in the Twentieth Century
Author: Wei H. Kao
Publisher: Cambridge Scholars Publishing
Total Pages: 316
Release: 2022-09-08
Genre: History
ISBN: 1527588653

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This book delves into how playwrights, whether canonical or less frequently discussed in the academic sphere, have critically and creatively engaged with the Anglo-Irish War, the Irish Civil War, the Easter Rising, the Northern Ireland Troubles and other conflicts. It not only approaches their plays—some of which have not been subject to much study—in relevant historical contexts, but also explores how Irish dramatists have observed humanity and resilience in war and given their insights into republican, unionist and denominational divides. It also reveals the dynamic mechanism connecting playwrights, performing venues, critics and audience members. As a whole, this book will be of interest to Irish studies scholars, theatre practitioners and historians, and people who would like to have a systematic understanding of twentieth-century Irish drama focusing on nation formation, war, revolution and humanity.


Modern Irish Theatre

Modern Irish Theatre
Author: Mary Trotter
Publisher: John Wiley & Sons
Total Pages: 244
Release: 2013-05-08
Genre: Literary Criticism
ISBN: 0745654479

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Analysing major Irish dramas and the artists and companies that performed them, Modern Irish Theatre provides an engaging and accessible introduction to twentieth-century Irish theatre: its origins, dominant themes, relationship to politics and culture, and influence on theatre movements around the world. By looking at her subject as a performance rather than a literary phenomenon, Trotter captures how Irish theatre has actively reflected and shaped debates about Irish culture and identity among audiences, artists, and critics for over a century. This text provides the reader with discussion and analysis of: Significant playwrights and companies, from Lady Gregory to Brendan Behan to Marina Carr, and from the Abbey Theatre to the Lyric Theatre to Field Day; Major historical events, including the war for Independence, the Troubles, and the social effects of the Celtic Tiger economy; Critical Methodologies: how postcolonial, diaspora, performance, gender, and cultural theories, among others, shed light on Irish theatre’s political and artistic significance, and how it has addressed specific national concerns. Because of its comprehensiveness and originality, Modern Irish Theatre will be of great interest to students and general readers interested in theatre studies, cultural studies, Irish studies, and political performance.


Screening Modern Irish Fiction and Drama

Screening Modern Irish Fiction and Drama
Author: R. Barton Palmer
Publisher: Springer
Total Pages: 272
Release: 2016-12-01
Genre: Performing Arts
ISBN: 331940928X

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This book offers the first comprehensive discussion of the relationship between Modern Irish Literature and the Irish cinema, with twelve chapters written by experts in the field that deal with principal films, authors, and directors. This survey outlines the influence of screen adaptation of important texts from the national literature on the construction of an Irish cinema, many of whose films because of cultural constraints were produced and exhibited outside the country until very recently. Authors discussed include George Bernard Shaw, Oscar Wilde, Liam O’Flaherty, Christy Brown, Edna O’Brien, James Joyce, and Brian Friel. The films analysed in this volume include THE QUIET MAN, THE INFORMER, MAJOR BARBARA, THE GIRL WITH GREEN EYES, MY LEFT FOOT, THE PICTURE OF DORIAN GRAY, THE SNAPPER, and DANCING AT LUGHNASA. The introduction features a detailed discussion of the cultural and political questions raised by the promotion of forms of national identity by Ireland’s literary and cinematic establishments.