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Ireland Stage by Stage

Ireland Stage by Stage
Author: Rodney McComb
Publisher:
Total Pages: 0
Release: 2015
Genre: Automobile rallies
ISBN: 9781780730707

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Having spent a lifetime officiating for the Circuit of Ireland and Ulster Automobile Club, Rodney McComb has collated stories from those who drove, navigated, marshalled and spectated at Irish rallying events. Only in Ireland have the roads, normally only open to the public, be driven by the worlds top rally drivers and teams.


Ireland on Stage

Ireland on Stage
Author: Hiroko Mikami
Publisher: Peter Lang
Total Pages: 212
Release: 2007
Genre: Drama
ISBN: 9781904505235

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Essays on Irish theatre in the second half of the twentieth century


Ireland on the World Stage

Ireland on the World Stage
Author: William Crotty
Publisher: Routledge
Total Pages: 225
Release: 2014-06-03
Genre: Political Science
ISBN: 1317875451

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For 2nd and 3rd year courses in Irish Politics, European Politics, or Comparative Politics, International Relations or Economic Development. This book provides an up-to-date analysis of Ireland's place on the world stage, exploring its international relations, evolving economic power, changing relationship with the EU, its political role in the world and its changing relationship with England and Northern Ireland. The book traces Ireland's development from a rural and isolated country to one that has emerged as an influential player on the international stage. It looks at the continuing difficulties with the North, Ireland's role of prominence in Europe and the way in which it has benefited from economic globalisation.


A Century of Irish Drama

A Century of Irish Drama
Author: Stephen Watt
Publisher: Indiana University Press
Total Pages: 366
Release: 2000
Genre: History
ISBN: 9780253214195

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This book traces a significant shift in 20th century Irish theatre from the largely national plays produced in Dublin to a more expansive international art form. Confirmed by the recent success outside of Ireland of the "third wave" of Irish playwrights writing in the 1990s, the new Irish drama has encouraged critics to reconsider both the early national theatre and the dramatic tradition it fostered. On the occasion of the centenary of the first professional production of the Irish Literary Theatre, the contributors to this volume investigate contemporary Irish drama's aesthetic features and socio-political commitments and re-read the plays produced earlier in the century. Although these essayists cover a wide range of topics, from the productions and objectives of the Abbey Theatre's first rivals to mid-century theatre festivals, to plays about the "Troubles" in the North, they all reassess the oppositions so commonplace in critical discussions of Irish drama: nationalism vs. internationalism, high vs. low culture, urban experience vs. rural or peasant life. A Century of Irish Drama includes essays on such figures as W. B. Yeats, Lady Gregory, J. M. Synge, Sean O'Casey, Brendan Behan, Samuel Beckett, Marina Carr, Brian Friel, Frank McGuinness, Christina Read, Martin McDonagh, and many more. Stephen Watt is Professor of English and Cultural Studies at Indiana University-Bloomington, and author of Postmodern/Drama: Reading the Contemporary Stage, Joyce, O'Casey, and the Irish Popular Theatre, and essays on Irish and Irish-American culture. He has also written extensively on higher education, most recently Academic Keywords: A Devil's Dictionary for Higher Education (with Cary Nelson). Eileen M. Morgan is a lecturer in English and Irish Studies at the University of Michigan, Ann Arbor. She is currently working on Sean O'Faolain's biographies of De Valera and on Edna O'Brien's 1990s trilogy, and is preparing a book-length study on the influence of radio in Ireland. Shakir Mustafa is a Visiting Instructor in the English department at Indiana University. His work has appeared in such journals as New Hibernia Review and The Canadian Journal of Irish Studies, and he is now translating Arabic short stories into English. Drama and Performance Studies--Timothy Wiles, general editor


Ireland on the World Stage

Ireland on the World Stage
Author: William Crotty
Publisher: Routledge
Total Pages: 299
Release: 2014-06-03
Genre: Political Science
ISBN: 1317875443

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For 2nd and 3rd year courses in Irish Politics, European Politics, or Comparative Politics, International Relations or Economic Development. This book provides an up-to-date analysis of Ireland's place on the world stage, exploring its international relations, evolving economic power, changing relationship with the EU, its political role in the world and its changing relationship with England and Northern Ireland. The book traces Ireland's development from a rural and isolated country to one that has emerged as an influential player on the international stage. It looks at the continuing difficulties with the North, Ireland's role of prominence in Europe and the way in which it has benefited from economic globalisation.


The Formation, Existence, and Deconstruction of the Catholic Stage Guild of Ireland

The Formation, Existence, and Deconstruction of the Catholic Stage Guild of Ireland
Author: Alex Cahill
Publisher: Cambridge Scholars Publishing
Total Pages: 202
Release: 2018-06-11
Genre: Biography & Autobiography
ISBN: 1527512169

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In 1945, the Irish Catholic Church began a unique relationship with the entertainment industry through an organization known as the Catholic Stage Guild of Ireland. This Guild, whose members included Jimmy O’Dea, Noel Purcell, Cyril Cusack, and Gabriel Fallon, acted as a microcosm of twentieth-century Ireland, dramatically depicting the heartaches and successes of the Irish Catholics. This unprecedented study of the Catholic Stage Guild begins an investigation on the contemporary relationship between the Irish Catholic Church and theatre that, until now, has rarely been examined. Written for those interested in theatre studies, Catholic studies, and Irish studies, the Catholic Stage Guild of Ireland’s persuasion over the theatre population both within and outside the country’s borders proposes a story long overdue to be told – until now.


The Dublin Stage, 1720-1745

The Dublin Stage, 1720-1745
Author: John C. Greene
Publisher: Lehigh University Press
Total Pages: 492
Release: 1993
Genre: Performing Arts
ISBN: 9780934223225

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"The Dublin Stage, 1720-1745 is a comprehensive documentary history and calendar of Dublin Ireland's theatres from 1720, the year of Joseph Ashbury's death, to 1745, when Thomas Sheridan assumed the management of the united Smock Alley/Aungier Street companies and ushered in the "Golden Age" of early Dublin theatre. During the eighteenth century, Dublin was second only to London in the number of theatres it supported and in the number and quality of productions. Winner of Lehigh University Press's eighteenth-century studies prize, this work details for the first time evidence of nearly 1,400 stage performances in eight competing theatres and theatrical booths and hundreds of performers, many previously unnoticed. Programs are listed in a detailed calendar, which is organized by theatrical season and provides a day-by-day account of the plays, afterpieces, dances, music, and songs that were performed, as well as the many other forms of entertainment that were staged at the public theatres, such as rope-dancing, animal acts, and equilibres." "The actors who performed and their named roles are listed, as well as the recipients of benefits, the titles of all songs, dances, and other entr'acte entertainments. Each entry also incorporates all available contemporary commentary about each performance, financial information, and supplies locations of rare texts." "In the analytical introduction to the calendar, the authors discuss the physical characteristics and locations of the theatres; their acoustics and capacities; the Dublin theatre season; composition, administration, and management of the companies of performers; management styles and techniques; actors' contractual arrangements, conditions, and salaries; ticket prices; benefit and command performances; the composition of the repertory; costumes, scenery, wardrobe, and machinery, and much else. Special attention is paid to areas that have been neglected by previous histories, such as dance and dancers, and prologues and epilogues." "In addition to a general index, The Dublin Stage, 1720-1745 provides indexes of all mainpieces and afterpieces performed during the period in Dublin, cross-referenced with the venue and date of performance; an author/play index; and an alphabetical listing of all personnel associated with the Dublin stage at this time, as well as a selected bibliography." "Incorporating into their book the work of recent eighteenth-century theatre scholarship, the authors bring to light much that is new about a fascinating period of theatre history and greatly expand our knowledge about the plays and entertainments enjoyed by Dublin audiences, and about the identities of the stage personnel active in Dublin."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


The Early Irish Stage

The Early Irish Stage
Author: William Smith Clark
Publisher:
Total Pages: 633
Release: 1955
Genre:
ISBN:

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The Early Years Foundation Stage

The Early Years Foundation Stage
Author: Ioanna Palaiologou
Publisher: SAGE Publications
Total Pages: 265
Release: 2009-11-25
Genre: Education
ISBN: 1848601271

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Palaiologou has chosen essays for this collection which will stimulate critical awareness and discussion of the early years foundation stage. She provides an interesting background to the politics, policy and legislation which underpin and inform the EYFS. This book covers policy and pedagogy, assessment, communication and more.


The Irish Stage

The Irish Stage
Author: W. N. Osborough
Publisher:
Total Pages: 0
Release: 2015
Genre: Censorship
ISBN: 9781846825286

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Drama, opera, ballet, circuses, concerts, and puppet-shows: down the years, all these species of live entertainment faced innumerable difficulties in Ireland. The challenges that are the focus in this unusual study are those that touched on matters of law. Assorted venues encountered episodes of censorship and of riot. Safety of buildings, performers' contracts, dramatic authors' performing rights, liquor licensing all merit attention too, as, indeed, necessarily must the issue of the lawfulness of any 'theatrical' activity itself, given the ill-defined powers of the Irish Master of the Revels (1638-1830) and the controls exerciseable under the Dublin Stage Regulation Act (1786-1997). (Series: Irish Legal History Society - Vol. 24) [Subject: Irish Studies, Legal History, Drama]