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Investigations Into the Phenomenology and the Ontology of the Work of Art

Investigations Into the Phenomenology and the Ontology of the Work of Art
Author: Peer F. Bundgaard
Publisher: Springer
Total Pages: 264
Release: 2015-06-22
Genre: Philosophy
ISBN: 3319140906

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​This book investigates the nature of aesthetic experience and aesthetic objects. Written by leading philosophers, psychologists, literary scholars and semioticians, the book addresses two intertwined issues. The first is related to the phenomenology of aesthetic experience: The understanding of how human beings respond to artworks, how we process linguistic or visual information, and what properties in artworks trigger aesthetic experiences. The examination of the properties of aesthetic experience reveals essential aspects of our perceptual, cognitive, and semiotic capacities. The second issue studied in this volume is related to the ontology of the work of art: Written or visual artworks are a specific type of objects, containing particular kinds of representation which elicit a particular kind of experience. The research question explored is: What properties in artful objects trigger this type of experience, and what characterizes representation in written and visual artworks? The volume sets the scene for state-of-the-art inquiries in the intersection between the psychology and ontology of art. The investigations of the relation between the properties of artworks and the characteristics of aesthetic experience increase our insight into what art is. In addition, they shed light on essential properties of human meaning-making in general.


The Literary Work of Art

The Literary Work of Art
Author: Roman Ingarden
Publisher: Universidad Iberoamericana
Total Pages: 468
Release: 1973
Genre: Literature
ISBN: 9789681903992

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An Ontology of Art

An Ontology of Art
Author: Gregory Currie
Publisher: Springer
Total Pages: 154
Release: 1989-07-03
Genre: Art
ISBN: 1349200387

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The Literary Work of Art

The Literary Work of Art
Author: Roman Ingarden
Publisher: Northwestern University Press
Total Pages: 504
Release: 1973
Genre: Literary Criticism
ISBN: 9780810105379

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This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. The Literary Word of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the basic general structure of all lliterary works can be determined. This "essential anatomy" makes basic tools and concepts available for rigorous and subtle aesthetic analysis.


The Phenomenology of Aesthetic Experience

The Phenomenology of Aesthetic Experience
Author: Mikel Dufrenne
Publisher: Northwestern University Press
Total Pages: 652
Release: 1973
Genre: Philosophy
ISBN: 9780810105911

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The Phenomenology of Aesthetic Experience (Fr. Ph nom nologie de l'exp rience esth tique) was first published in 1953. In the first of four parts, Dufrenne distinguishes the "aesthetic object" from the "work of art." In the second, he elucidates types of works of art, especially music and painting. He devotes his third section to aesthetic perception. In the fourth, he describes a Kantian critique of aesthetic experience. A perennial classic in the SPEP series, the work is rounded out by a detailed "Translator's Foreword" especially helpful to readers in aesthetics interested in the context and circumstances around which the original was published as well as the phenomenological background of the book.


Aesthetics as Phenomenology

Aesthetics as Phenomenology
Author: Günter Figal
Publisher: Indiana University Press
Total Pages: 289
Release: 2015-02-02
Genre: Philosophy
ISBN: 0253015650

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Connecting aesthetic experience with our experience of nature or with other cultural artifacts, Aesthetics as Phenomenology focuses on what art means for cognition, recognition, and affect—how art changes our everyday disposition or behavior. Günter Figal engages in a penetrating analysis of the moment at which, in our contemplation of a work of art, reaction and thought confront each other. For those trained in the visual arts and for more casual viewers, Figal unmasks art as a decentering experience that opens further possibilities for understanding our lives and our world.


The Paradoxes of Art

The Paradoxes of Art
Author: Alan Paskow
Publisher: Cambridge University Press
Total Pages: 286
Release: 2004-01-15
Genre: Art
ISBN: 9780521828338

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In this study, Alan Paskow first asks why fictional characters, such as Hamlet and Anna Karenina, matter to us and how they are able to emotionally affect us. He then applies these questions to painting, demonstrating that paintings beckon us to view their contents as real. What we visualise in paintings, he argues, is not simply in our heads but in our world. Paskow also situates the phenomenological approach to the experience of painting in relation to methodological assumptions and claims in analytic aesthetics as well as in contemporary schools of thought, particularly Marxist, feminist, and deconstructionist.


Phenomenologies of Art and Vision

Phenomenologies of Art and Vision
Author: Paul Crowther
Publisher: A&C Black
Total Pages: 209
Release: 2013-01-03
Genre: Philosophy
ISBN: 1441130675

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Contemporary discussions of the image like to emphasize art's societal functions. Few studies come close to answering why pictures and sculptures fascinate and intrigue regardless of any practical functions they might serve. In this original, thought-provoking study, Paul Crowther reveals the intrinsic significance of pictures and sculptures. To address the question of how painting becomes an art, Crowther uses the analytic philosophy of Richard Wollheim as a starting point. But to sufficiently answer the question, he makes an important link to a tradition much more successful in giving voice to the deeper ontology of visual art - existential phenomenology. The result is a work that demonstrates the reciprocal relationship between phenomenology and analytic aesthetics. To expand its ontological scope and solve the problem of expression, analytic aesthetics needs phenomenology; while to develop a sustained, critically balanced, and intellectually available ontology, phenomenology needs the discursive force and lucidity of analytic philosophy. This convincing case for a post-analytic phenomenology of art is an important advancement of contemporary discussions of the philosophy of art.


Diagrammatology

Diagrammatology
Author: Frederik Stjernfelt
Publisher: Springer Science & Business Media
Total Pages: 514
Release: 2007-06-20
Genre: Philosophy
ISBN: 1402056524

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Diagrammatology investigates the role of diagrams for thought and knowledge. Based on the general doctrine of diagrams in Charles Peirce's mature work, Diagrammatology claims diagrams to constitute a centerpiece of epistemology. This book reflects Peirce's work on the issue in Husserl's contemporaneous doctrine of categorical intuition and charts the many unnoticed similarities between Peircean semiotics and early Husserlian phenomenology.


The Book of Evidence

The Book of Evidence
Author: John Banville
Publisher: Vintage
Total Pages: 224
Release: 2012-03-07
Genre: Fiction
ISBN: 0307817121

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John Banville’s stunning powers of mimicry are brilliantly on display in this engrossing novel, the darkly compelling confession of an improbable murderer. Freddie Montgomery is a highly cultured man, a husband and father living the life of a dissolute exile on a Mediterranean island. When a debt comes due and his wife and child are held as collateral, he returns to Ireland to secure funds. That pursuit leads to murder. And here is his attempt to present evidence, not of his innocence, but of his life, of the events that lead to the murder he committed because he could. Like a hero out of Nabokov or Camus, Montgomery is a chillingly articulate, self-aware, and amoral being, whose humanity is painfully on display.