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| Author | : |
| Publisher | : BRILL |
| Total Pages | : 488 |
| Release | : 2019-06-07 |
| Genre | : History |
| ISBN | : 9004395717 |
Mindful of already existing publications, the editors determined to foreground scholarly expertise and approaches to stained glass, as well as up-to-date bibliographies.
| Author | : Meredith P. Lillich |
| Publisher | : Pindar Press |
| Total Pages | : 596 |
| Release | : 2001 |
| Genre | : Art |
| ISBN | : |
Professor Lillich has studied medieval stained glass - the major painting medium of the Gothic era - for forty years. The articles in this volume discuss the development of stained glass in France from many perspectives, such as the glaziers who produced it, specific glazing techniques and formats of design, evidence of the use of cartoons, types and uses of grisaille and its stylistic development, regional traditions in style, iconography and hagiography, as well as patrons and patronage, often with a particular focus on specifically monastic characteristics, requirements and achievements. Also considered are displaced panels, those dispersed to museums as well as spolia reused in later glazing campaigns and the reasons for such recycling. Of particular interest is the development of stained glass in the late Capetian period, from the aftermath of the High Gothic ensembles of Chartres and Bourges until the introduction of the revolutionizing technique of silver stain in the early fourteenth century. Areas of special importance are those that developed in parallel to the royal style associated with the Ile- de-France: the western French regions of Normandy and Aquitaine as well as, to the east, Lorraine at the francophone border and the county of Champagne.
| Author | : Conrad Rudolph |
| Publisher | : John Wiley & Sons |
| Total Pages | : 1040 |
| Release | : 2019-05-07 |
| Genre | : Art |
| ISBN | : 1119077729 |
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
| Author | : Pascal Richet |
| Publisher | : John Wiley & Sons |
| Total Pages | : 1573 |
| Release | : 2021-03-16 |
| Genre | : Technology & Engineering |
| ISBN | : 1118799429 |
A comprehensive and up-to-date encyclopedia to the fabrication, nature, properties, uses, and history of glass The Encyclopedia of Glass Science, Technology, History, and Culture has been designed to satisfy the needs and curiosity of a broad audience interested in the most varied aspects of material that is as old as the universe. As described in over 100 chapters and illustrated with 1100 figures, the practical importance of glass has increased over the ages since it was first man-made four millennia ago. The old-age glass vessels and window and stained glass now coexist with new high-tech products that include for example optical fibers, thin films, metallic, bioactive and hybrid organic-inorganic glasses, amorphous ices or all-solid-state batteries. In the form of scholarly introductions, the Encyclopedia chapters have been written by 151 noted experts working in 23 countries. They present at a consistent level and in a self-consistent manner these industrial, technological, scientific, historical and cultural aspects. Addressing the most recent fundamental advances in glass science and technology, as well as rapidly developing topics such as extra-terrestrial or biogenic glasses, this important guide: Begins with industrial glassmaking Turns to glass structure and to physical, transport and chemical properties Deals with interactions with light, inorganic glass families and organically related glasses Considers a variety of environmental and energy issues And concludes with a long section on the history of glass as a material from Prehistory to modern glass science The Encyclopedia of Glass Science, Technology, History, and Culture has been written not only for glass scientists and engineers in academia and industry, but also for material scientists as well as for art and industry historians. It represents a must-have, comprehensive guide to the myriad aspects this truly outstanding state of matter.
| Author | : Richard Marks |
| Publisher | : Psychology Press |
| Total Pages | : 301 |
| Release | : 1993 |
| Genre | : History |
| ISBN | : 9780415033459 |
Stained glass is arguably the most appealing of the achievements of the medieval craftsman, synthesizing monumental painting with the best of medieval architecture, but it is also the least-understood of the medieval arts. Drawing upon recent research in English medieval art-historical studies, English Medieval Stained Glass is a comprehensive survey of the art and business of producing stained glass windows, intended to both stimulate further research and to heighten awareness of the need to preserve this fragile art form. It considers stained glass in relation to architecture and other arts and, by examining contemporary documents, it throws valuable light on workshop organization, prices, patronage and iconography. Stained glass attracted outstanding craftsmen who were in the forefront of the main artistic innovations in English medieval art. Their significance is highlighted in this study which also makes use of the plentiful documentary material which throws light on workshop organization and practice, the role of patrons and the important contribution made by stained glass to our knowledge of medieval religions, beliefs and cults.
| Author | : Kathleen Nolan |
| Publisher | : Routledge |
| Total Pages | : 329 |
| Release | : 2016-12-05 |
| Genre | : Art |
| ISBN | : 1351956892 |
The touchstones of Gothic monumental art in France - the abbey church of Saint-Denis and the cathedrals of Chartres, Reims, and Bourges - form the core of this collection dedicated to the memory of Anne Prache. The essays reflect the impact of Prache’s career, both as a scholar of wide-ranging interests and as a builder of bridges between the French and American academic communities. Thus the authors include scholars in France and the United States, both academics and museum professionals, while the thematic matrix of the book, divided into architecture, stained glass, and sculpture, reflects the multiple media explored by Prache during her long career. The essays employ a varied range of methodologies to explore Gothic monuments. The chapters in the architectural section include an intensive archeological analysis of the foundations of Reims Cathedral, the close reading of a late medieval literary text for a symbolic understanding of Paris, and essays that explore the medieval use of practical geometry in designing entire buildings and their components. Saint-Denis, Reims, and Chartres, all monuments studied by Prache, are discussed in the next part, on stained glass. These chapters demonstrate how old problems can be clarified by new evidence, whether from the accessibility of previously unknown archival information, for Reims, or through revelations that arise from restoration, at Chartres. These essays also include a study showing the complexity of making attributions for the storied glass of Saint-Denis. The final set of essays likewise takes different approaches to sculpture, whether constructing links to the liturgy at Reims, or discussing the meaning of a sculptural ensemble studied by Prache early in her career, the cloister of Notre-Dame-en-Vaux in Châlons-en-Champagne, or scrupulously examining the façade sculpture at Bourges Cathedral for insights into the design process. As a whole, the volume provides a window onto key directions in the study of
| Author | : Barbara Butts |
| Publisher | : Getty Publications |
| Total Pages | : 346 |
| Release | : 2001-03-01 |
| Genre | : Art |
| ISBN | : 089236579X |
The names Albrecht Dürer and Hans Holbein the Younger evoke the dazzling accomplishments of Renaissance panel painting and printmaking, but they may not summon images of stained glass. Nevertheless, Dürer, Holbein, and their southern German and Swiss contemporaries designed some of the most splendid works in the history of the medium. This lavish volume is a comprehensive survey of the contribution to stained glass made by these extraordinarily gifted draftsmen and the equally talented glass painters who rendered their compositions in glass. Included are discussions of both monumental church windows and smaller-scale stained-glass panels made for cloisters, civic buildings, residences, and private chapels. The subjects of these rarely seen drawings and panels range from religious topics to secular themes, including love, planets, hunts, and battles. Focusing on stained glass produced in Germany and Switzerland from about 1495 to 1530, Painting on Light includes drawings by Dürer, Holbein, Albrecht Altdorfer, Hans Baldung Grien, Jörg Breu the Elder, Hans Burgkmair, Urs Graf, Hans von Kulmbach, Hans Leu the Younger, Niklaus Manuel Deutsch, Hans Schäufelein, Hans Weiditz, and others. This informative book is published in conjunction with an exhibition at the Getty Museum from July 11 through September 24, 2000, and from November 7, 2000, to January 4, 2001, at the Saint Louis Art Museum.
| Author | : Michael Watt Cothren |
| Publisher | : |
| Total Pages | : 276 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : 9780691120805 |
The cathedral of Saint-Pierre in Beauvais, France, is most famous as a failure--its choir vaults came crashing down in 1284--and only secondarily for its soaring beauty. This lavishly illustrated and elegantly written book represents the first serious look at the stunning collection of Gothic stained glass windows that has always dominated the experience of those who enter Beauvais Cathedral. Chapter by chapter, Michael Cothren traces the glazing through four successive campaigns that bridged the century between the 1240s and the 1340s. The reader is transported back in history, gaining fascinating insight into what the glazing of Beauvais actually would have looked like as well as what it would have communicated to those who frequented the cathedral. Contrary to the widespread assumption that these windows are heavily restored, Cothren shows that they are in fact surprisingly well preserved, especially in light of the cathedral's infamous history of architectural disaster. More importantly, Cothren goes far to dismantle a long-held misconception about medieval painted windows, and indeed monumental medieval pictorial art in general: the notion that it was conceived and produced as a substitute text for ignorant, illiterate folks, providing for them a "Bible of the Poor." Indeed, Cothren shows us that stained glass windows, rich with shaded meanings, functioned more like sermon than scripture. As an ensemble, they created a radiant interpretive backdrop that explicated and situated the performance of the Mass in this giant liturgical theater.
| Author | : Madeline E. Caviness |
| Publisher | : ABRAMS |
| Total Pages | : 160 |
| Release | : 1989-08-01 |
| Genre | : |
| ISBN | : 9780810940222 |
| Author | : Julian Henderson |
| Publisher | : Psychology Press |
| Total Pages | : 351 |
| Release | : 2000 |
| Genre | : Archaeological chemistry |
| ISBN | : 0415199336 |
This volume provides a clear and up-to-date description of how the materials were exploited, modified and manufactured in prehistoric and historic periods.
