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| Author | : Myles Brand |
| Publisher | : MIT Press (MA) |
| Total Pages | : 332 |
| Release | : 1984 |
| Genre | : Philosophy |
| ISBN | : |
In this book, Myles Brand ushers in a third exciting stage, linking the philosophical with the scientific study of action, with psychology and artificial intelligence.
| Author | : Uta Hagen |
| Publisher | : John Wiley & Sons |
| Total Pages | : 243 |
| Release | : 2009-05-04 |
| Genre | : Performing Arts |
| ISBN | : 0470730188 |
Respect for Acting "This fascinating and detailed book about acting is Miss Hagen's credo, the accumulated wisdom of her years spent in intimate communion with her art. It is at once the voicing of her exacting standards for herself and those she [taught], and an explanation of the means to the end." --Publishers Weekly "Hagen adds to the large corpus of titles on acting with vivid dicta drawn from experience, skill, and a sense of personal and professional worth. Her principal asset in this treatment is her truly significant imagination. Her 'object exercises' display a wealth of detail with which to stimulate the student preparing a scene for presentation." --Library Journal "Uta Hagen's Respect for Acting . . . is a relatively small book. But within it, Miss Hagen tells the young actor about as much as can be conveyed in print of his craft." --Los Angeles Times "There are almost no American actors uninfluenced by Uta Hagen." --Fritz Weaver "This is a textbook for aspiring actors, but working thespians can profit much by it. Anyone with just a casual interest in the theater should also enjoy its behind-the-scenes flavor." --King Features Syndicate
| Author | : Bruce Miller |
| Publisher | : Limelight Editions |
| Total Pages | : 536 |
| Release | : 2012-01-01 |
| Genre | : Performing Arts |
| ISBN | : 1458471535 |
(Book). The Actor as Storyteller is intended for serious beginning actors. It opens with an overview, explaining the differences between theater and its hybrid mediums, the part an actor plays in each of those mediums. It moves on to the acting craft itself, with a special emphasis on analysis and choice-making, introducing the concept of the actor as storyteller, then presents the specific tools an actor works with. Next, it details the process an actor can use to prepare for scene work and rehearsals, complete with a working plan for using the tools discussed. The book concludes with a discussion of mental preparation, suggestions for auditioning, a process for rehearsing a play, and an overview of the realities of show business. Included in this updated edition are: A detailed examination of script analysis of the overall play and of individual scenes; A sample of an actor's script, filled with useful script notations; Two new short plays, one written especially for this text; Updated references, lists of plays, and recommended further reading
| Author | : J. Adam Carter |
| Publisher | : Oxford University Press |
| Total Pages | : 320 |
| Release | : 2017-11-10 |
| Genre | : Philosophy |
| ISBN | : 0191025615 |
'Knowledge-First' constitutes what is widely regarded as one of the most significant innovations in contemporary epistemology in the past 25 years. Knowledge-first epistemology is the idea that knowledge per se should not be analysed in terms of its constituent parts (e.g., justification, belief), but rather that these and other notions should be analysed in terms of the concept of knowledge. This volume features a substantive introduction and 13 original essays from leading and up-and-coming philosophers on the topic of knowledge-first philosophy. The contributors' essays range from foundational issues to applications of this project to other disciplines including the philosophy of mind, the philosophy of perception, ethics and action theory. Knowledge First: Approaches in Epistemology and Mind aims to provide a relatively open-ended forum for creative and original scholarship with the potential to contribute and advance debates connected with this philosophical project.
| Author | : Aaron Tuttle |
| Publisher | : |
| Total Pages | : |
| Release | : 2016-08-05 |
| Genre | : |
| ISBN | : 9781465296771 |
| Author | : Robert Woods |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 241 |
| Release | : 2021-07-15 |
| Genre | : Law |
| ISBN | : 1493059106 |
Everyday Law for Actors is a resource and reference book, providing both professional working actors, and those who aspire to be, with clear, easy-to-read information about the everyday laws they need to know. The book is intended for actors just starting out, for those who have been making a living at acting for a long time, and for every actor in between. All actors can benefit from knowing more about the everyday law that affects their trade. Even well-established "stars" with a full team of lawyers, agents, managers, and business managers will still find this book useful because they can learn all about that "legalese" and "business mumbo jumbo" that maybe they never fully understood. Everyday Law for Actors features short chapters, numerous examples of legal principles in plain, understandable language, practical explanations about contract provisions and how to negotiate them, and useful and concise information about actors' unions, working with agents and managers, employment laws, landlord-tenant laws, and more. Actors are artists. But actors must also be smart business people. They don’t call it "show business" for nothing. With this book in hand, actors will be much better prepared to work the "business" side of "show business," and will have easy reference in one manageable volume to the wide variety of legal information they need to advance their careers.
| Author | : David Shoemaker |
| Publisher | : OUP Oxford |
| Total Pages | : 289 |
| Release | : 2015-09-17 |
| Genre | : Philosophy |
| ISBN | : 0191062294 |
Oxford Studies in Agency and Responsibility is a series of volumes presenting outstanding new work on a set of connected themes, investigating such questions as: · What does it mean to be an agent? · What is the nature of moral responsibility? Of criminal responsibility? What is the relation between moral and criminal responsibility (if any)? · What is the relation between responsibility and the metaphysical issues of determinism and free will? · What do various psychological disorders tell us about agency and responsibility? · How do moral agents develop? How does this developmental story bear on questions about the nature of moral judgment and responsibility? · What do the results from neuroscience imply (if anything) for our questions about agency and responsibility? OSAR thus straddles the areas of moral philosophy and philosophy of action, but also draws from a diverse range of cross-disciplinary sources, including moral psychology, psychology proper (including experimental and developmental), philosophy of psychology, philosophy of law, legal theory, metaphysics, neuroscience, neuroethics, political philosophy, and more. It is unified by its focus on who we are as deliberators and (inter)actors, embodied practical agents negotiating (sometimes unsuccessfully) a world of moral and legal norms.
| Author | : Carolina Sartorio |
| Publisher | : Oxford University Press |
| Total Pages | : 135 |
| Release | : 2023-09-07 |
| Genre | : Philosophy |
| ISBN | : 0192874721 |
In this volume, Carolina Sartorio makes the case for big-picture causalism: a naturalistic conception of agency and free agency that unifies the two phenomena under a common thesis. This is the thesis that actions/free actions are behaviors that have the right kinds of causes or explanations. The book discusses how a causalist view of action and free action fit together--the latter as a natural extension of the former--and how they are motivated by similar considerations having to do with causal control. The result is a compelling "package deal" view of our practical agency, one that is put forth as the default view (the view that deserves to be regarded as the starting point of our theorizing). Sartorio examines both the skeleton of the causalist view as well as potential enrichments that result from exploiting the grounds of the relevant causal facts. The discussion is enriched by an account of the role played in causalism by key metaphysical notions such as causation, grounding, absences, and powers.
| Author | : Thomas Hurka |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 235 |
| Release | : 1993 |
| Genre | : Philosophy |
| ISBN | : 0195101162 |
Perfectionism is one of the leading moral views of the Western tradition. Defined broadly, it holds that what is right is whatever most promotes certain objective human goods such as knowledge, achievement, and deep personal relations.
| Author | : Rosary O'Neill |
| Publisher | : Harcourt Brace College Publishers |
| Total Pages | : 0 |
| Release | : 1992 |
| Genre | : Acting |
| ISBN | : 9780030731426 |
"Provides techniques for use in both classroom and production situations. Primarily intended for an initial acting course, the book will provide a resource when you begin to operate completely on your own. It should serve as a guide to your expressiveness onstage."--Preface, page vii.
