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| Author | : Melissa M. Littlefield |
| Publisher | : JHU Press |
| Total Pages | : 175 |
| Release | : 2018-03 |
| Genre | : Medical |
| ISBN | : 1421424657 |
By contextualizing and analyzing EEG wearables, Instrumental Intimacy provides a crucial intervention in an emergent consumer market and in the scholarly fields of STS, critical neuroscience, and the history of technology.
| Author | : Zack Stiegler |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 177 |
| Release | : 2023-08-10 |
| Genre | : Music |
| ISBN | : 1501372270 |
Discourse on popular music frequently describes artists' recordings and performances as “intimate.” Yet that discourse often stops short of elucidating how a mass-produced commodity such as popular music is able to elicit feelings of intimacy with and among its audience. Through detailed analysis of popular music's composition, performance, production, and promotion, Musical Intimacy examines how intimacy is constructed and perceived in popular music via its affective and technological affordances. From the recording studio to the concert stage, from collective experience to individual listening and perception, this book presents a working understanding of musical intimacy.
| Author | : Simon P. Keefe |
| Publisher | : Boydell & Brewer |
| Total Pages | : 232 |
| Release | : 2007 |
| Genre | : Music |
| ISBN | : 1843833190 |
A study of stylistic re-invention, a practically - and empirically-based theory that explains how innovative, putatively inspired ideas take shape in Mozart's works and lead to stylistic re-formulation. From close examination of a variety of works, this work shows that stylistic re-invention is a consistent manifestation of stylistic development.
| Author | : Harry White |
| Publisher | : OUP Oxford |
| Total Pages | : 280 |
| Release | : 2008-11-13 |
| Genre | : Literary Criticism |
| ISBN | : 0191563161 |
Harry White examines the influence of music in the development of the Irish literary imagination from 1800 to the present day. He identifies music as a preoccupation which originated in the poetry of Thomas Moore early in the nineteenth century. He argues that this preoccupation decisively influenced Moore's attempt to translate the 'meaning' of Irish music into verse, and that it also informed Moore's considerable impact on the development of European musical romanticism, as in the music of Berlioz and Schumann. White then examines how this preoccupation was later recovered by W.B. Yeats, whose poetry is imbued with music as a rival presence to language. In its readings of Yeats, Synge, Shaw and Joyce, the book argues that this striking musical awareness had a profound influence on the Irish literary imagination, to the extent that poetry, fiction and drama could function as correlatives of musical genres. Although Yeats insisted on the synonymous condition of speech and song in his poetry, Synge, Shaw and Joyce explicitly identified opera in particular as a generic prototype for their own work. Synge's formal musical training and early inclinations as a composer, Shaw's perception of himself as the natural successor to Wagner, and Joyce's no less striking absorption of a host of musical techniques in his fiction are advanced in this study as formative (rather than incidental) elements in the development of modern Irish writing. Music and the Irish Literary Imagination also considers Beckett's emancipation from the oppressive condition of words in general (and Joyce in particular) through the agency of music, and argues that the strong presence of Mendelssohn, Chopin and Janácek in the works of Brian Friel is correspondingly essential to Friel's dramatisation of Irish experience in the aftermath of Beckett. The book closes with a reading of Seamus Heaney, in which the poet's own preoccupation with the currency of established literary forms is enlisted to illuminate Heaney's abiding sense of poetry as music.
| Author | : Penny Dick |
| Publisher | : Edward Elgar Publishing |
| Total Pages | : 207 |
| Release | : 2024-01-18 |
| Genre | : Business & Economics |
| ISBN | : 1802207384 |
This is an open access title available under the terms of a CC BY-NC-ND 4.0 License. It is free to read, download and share on Elgaronline.com. In this thoughtful book, Penny Dick challenges orthodox views of gender inequality. Combining post-structuralist thinking with process ontology, the author presents a novel conceptual approach to rethinking gender inequalities in organizations and management settings.
| Author | : Laurens Schlicht |
| Publisher | : Springer Nature |
| Total Pages | : 283 |
| Release | : 2020-04-04 |
| Genre | : Social Science |
| ISBN | : 3030394190 |
This book provides a genealogical perspective on various forms of mind reading in different settings. We understand mind reading in a broad sense as the twentieth-century attempt to generate knowledge of what people held in their minds – with a focus on scientifically-based governmental practices. This volume considers the techniques of mind reading within a wider perspective of discussions about technological innovation within neuroscience, the juridical system, “occult” practices and discourses within the wider field of parapsychology and magical beliefs. The authors address the practice of, and discourses on, mind reading as they form part of the consolidation of modern governmental techniques. The collected contributions explore the question of how these techniques have been epistemically formed, institutionalized, practiced, discussed, and how they have been used to shape forms of subjectivities – collectively through human consciousness or individually through the criminal, deviant, or spiritual subject. The first part of this book focuses on the technologies and media of mind reading, while the second part addresses practices of mind reading as they have been used within the juridical sphere. The volume is of interest to a broad scholarly readership dealing with topics in interdisciplinary fields such as the history of science, history of knowledge, cultural studies, and techniques of subjectivization.
| Author | : Laura Seddon |
| Publisher | : Routledge |
| Total Pages | : 249 |
| Release | : 2016-04-15 |
| Genre | : Music |
| ISBN | : 1317171349 |
This is the first full-length study of British women's instrumental chamber music in the early twentieth century. Laura Seddon argues that the Cobbett competitions, instigated by Walter Willson Cobbett in 1905, and the formation of the Society of Women Musicians in 1911 contributed to the explosion of instrumental music written by women in this period and highlighted women's place in British musical society in the years leading up to and during the First World War. Seddon investigates the relationship between Cobbett, the Society of Women Musicians and women composers themselves. The book’s six case studies - of Adela Maddison (1866-1929), Ethel Smyth (1858-1944), Morfydd Owen (1891-1918), Ethel Barns (1880-1948), Alice Verne-Bredt (1868-1958) and Susan Spain-Dunk (1880-1962) - offer valuable insight into the women’s musical education and compositional careers. Seddon’s discussion of their chamber works for differing instrumental combinations includes an exploration of formal procedures, an issue much discussed by contemporary sources. The individual composers' reactions to the debate instigated by the Society of Women Musicians, on the future of women's music, is considered in relation to their lives, careers and the chamber music itself. As the composers in this study were not a cohesive group, creatively or ideologically, the book draws on primary sources, as well as the writings of contemporary commentators, to assess the legacy of the chamber works produced.
| Author | : Juan Chattah |
| Publisher | : Taylor & Francis |
| Total Pages | : 309 |
| Release | : 2023-12-22 |
| Genre | : Music |
| ISBN | : 0429996942 |
Film Music: Cognition to Interpretation explores the dynamic counterpoint between a film’s soundtrack, its visuals and narrative, and the audience’s perception and construction of meaning. Adopting a holistic approach covering both the humanities and the sciences—blending cognitive psychology, musical analysis, behavioral neuroscience, semiotics, linguistics, and other related fields—the author examines the perceptual and cognitive processes that elicit musical meaning in film and breathe life into our cinematic experiences. A clear and engaging writing style distills complex concepts, theories, and analytical methodologies into explanations accessible to readers from diverse disciplinary backgrounds, making it an indispensable companion for scholars and students of music, film studies, and cognition. Across ten chapters, extensive appendices, and hundreds of film references, Film Music: Cognition to Interpretation offers a new mode of analysis, inviting readers to unlock a deeper understanding of the expressive power of film music.
| Author | : Lawrence Kramer |
| Publisher | : Univ of California Press |
| Total Pages | : 315 |
| Release | : 1995 |
| Genre | : Music |
| ISBN | : 0520207009 |
"In this pathbreaking new book, Lawrence Kramer extends the theoretical and scholarly frontiers of musicology with every chapter, each of which explores a different case study in depth. In short, [he] demonstrates repeatedly that classical music is a far more significant force in history than its champions (who want music to transcend 'mere' social formations) usually allow."—Susan McClary, author of Feminine Endings: Music, Gender, and Sexuality "Kramer continues his project to steer the criticism of Western art music onto the paths of contemporary intellectual discourse. No one is better equipped for the task: Kramer's range is extraordinary, his scholarship impeccable, his arguments incisive. But above all, his values are humane. He cares passionately about this precious musical heritage, and his commitment can be felt on every page, including the dazzling performative and postmodern epilogue."—Walter Frisch, author of The Early Works of Arnold Schoenberg, 1893-1908 "This book will (I hope) be one of the foundational moments of a thriving and much-needed discourse. Kramer demonstrates the power to interpret that comes with fully integrating up-to-date critical literary theory with musical analysis. The risks he takes are absolutely necessary to our discipline if it is not, along with the music it professes to enshrine, to fade away into total cultural irrelevance and oblivion. Those scholars to whom postmodernism is a liberating and not a frightening concept will welcome this book with uncommon interest."—Robert Fink, founding editor of Repercussions: Critical and Alternative Viewpoints on Music and Scholarship
| Author | : Richard Mackey |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 204 |
| Release | : 1995-06-30 |
| Genre | : Education |
| ISBN | : 0313018618 |
Based on in-depth interviews by skilled clinicians with husbands and wives who have been married more than 20 years, Mackey and O'Brien explore how spouses adapt to each other from the early years of marriage, through the parenting years, and into the post-parenting or empty-nest years. Purposively selected for inclusion were spouses representing religious, ethnic, racial, and educational diversity. Given increased life expectancies, couples who stay together will remain together for longer periods of time. As longevity extends into the seventies, eighties, and beyond, it is critical to identify the significant dynamics which contribute to satisfaction among couples in stable marriages. This book responds to this need. Each chapter focuses on an important theme in these long-term marital relationships. Mackey and O'Brien first explore the beginnings of the relationships and the recollections of how respondents were attracted initially. The next chapters focus on dimensions of marriage as they evolve over time. Collective themes emerging from the interviews are explored in relationship to gender, ethnicity, religion, and education. In view of increased life expectancies, couples who stay together will remain together for longer periods of time. As longevity extends into the seventies, eighties, and beyond, it is critical to identify the significant dynamics which contribute to satisfaction among couples in stable marriages. This book responds to this need among sociologists, psychologists, social workers, marriage and family counselors, and general adult readers interested in gender, cultural differences, and interpersonal relationships.
