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Instructor's Edition-Acting

Instructor's Edition-Acting
Author: MVC LIBRARY.
Publisher:
Total Pages:
Release: 2008-05-01
Genre:
ISBN: 9780495507598

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The Great Acting Teachers and Their Methods

The Great Acting Teachers and Their Methods
Author: Richard Brestoff
Publisher: Smith & Kraus
Total Pages: 0
Release: 2010
Genre: Acting
ISBN: 9781575257709

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The Great Acting Teachers and Their Methods, Volume 2 features the innovative ideas and theories of: ¿ André Antoine ¿ Jacques Copeau ¿ Michel Saint-Denis ¿ Elia Kazan ¿ Uta Hagen ¿ David Mamet ¿ Anne Bogart ¿ Keith Johnstone BOOK SYNOPSIS In this follow-up to his first volume that has become an essential classroom text, Brestoff examines all new teachers and exposes the origin of today¿s ideas and exercises that acting students are practicing. What is the rationale behind the lesson? Why is it useful? Whether they can be called revolutionary or evolutionary, the conflicting theories of these teachers result from outrage and disgust. Andre Antoine, Jacques Copeau and Michel Saint-Denis represent a virtually unacknowledged yet powerful French influence on acting and actor training in the United States and abroad. American Realist teachers known as the passionate questioners, such as Elia Kazan, who is disgusted with Broadway¿s commercialism, Uta Hagen and David Mamet, and two influential ¿outside-the-box¿ teachers, Anne Bogart with her Viewpoints work and Keith Johnstone, creator of Theatre Sports, are also featured. While differences among the various acting theories and practices are noted and analyzed, so too are exciting and unexpected connections among them revealed. RICHARD BRESTOFF is Associate Professor of Drama and Associate Head of Acting University of California, Irvine. He is the author of four best-selling books for Smith and Kraus, including The Great Acting Teachers and Their Methods, The Camera Smart Actor, The Actor's Wheel of Connection and Acting Under the Circumstances. He has acted on Broadway and off, in Regional Theater and on camera, appearing on the 1991 Emmy Ballot for his Guest-Star performance on the CBS television series, thirtysomething. Richard holds an MFA in Acting form NYU where his teachers included Olympia Dukakis, Peter Kass, Joe Chaikin and Kristin Linklater.


The Art of Teaching Acting

The Art of Teaching Acting
Author: Dean Carey
Publisher: World Scientific Publishing Company
Total Pages: 0
Release: 2021
Genre: Acting
ISBN: 9789811238949

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WHAT do actors need to learn at this precise moment?WHY do they need to learn it at this precise moment?HOW best can I provide them with the most beneficial practical experience and deepest level of understanding?Using these fundamental questions as a base line, master acting teacher Dean Carey shares his most tried and true methods. These are the results of over four decades of his experience teaching, coaching, and mentoring on the international stage. He provides insight into the philosophy and classroom culture he knows to be optimal for unleashing the greatest potential of students and professionals alike.Containing fifteen of what he considers to be the most transformative acting exerises, this book is every acting teacher's essential field manual. It delivers the 'what, why and how' of teaching drama in a practial, no-nonsense manner, helping to facilitiate and enhance the process of teaching acting in order to allow each member of the class to do their best.


I Don't Need an Acting Class

I Don't Need an Acting Class
Author: Milton Justice
Publisher: Rowman & Littlefield
Total Pages: 217
Release: 2021-11-01
Genre: Performing Arts
ISBN: 1493061267

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I Don't Need an Acting Class explores critical aspects of the technique of acting, utilizing conversations via email with countless actors. Some are aspiring students, others are seasoned professionals. The conversations document the challenges these diverse actors face as they digest what they have learned in a class or rehearsal while exploring in practical terms how to use their growing technique. Milton Justice first began receiving emails from actors in 2008. In this book, Justice brings together email conversations between teacher and student, along with observations and commentary about acting technique and craft. Not all of the emails in the book are overly thought-out or complete. Quite the contrary, they are meant to capture the feeling of a living, breathing process as it happens. When an actor sends a teacher or director an email with a problem, be it a simple comment or confusion, it is evidence of a creative artist exploring new ground. Many years ago, Stella Adler sent Justice a letter in response to a panicked note he had written to her while lost in the weeds during rehearsals for a new play. She set a tone for him as she succinctly defined the problem and reminded him of its elegant solution. He was overwhelmed by the care she had given him. That letter still hangs over his desk, perfectly demonstrating the power of a written exchange between a teacher and a student.


Acting

Acting
Author: Terry Schreiber
Publisher:
Total Pages:
Release: 2008
Genre:
ISBN:

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Acting Action

Acting Action
Author: Hugh O'Gorman
Publisher: Rowman & Littlefield
Total Pages: 291
Release: 2021-06-07
Genre: Performing Arts
ISBN: 1538139308

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“What is it that we’re doing, when we’re acting well?” This is the question famously posed by Earle Gister, the legendary head of the acting department at Yale School of Drama from 1979 to 1999. In Acting Action, actor, director, and teaching artist Hugh O’Gorman invites readers to explore the question in detail. Focusing on playing action—one of the essential components of acting passed on to renowned acting teachers Earle Gister and Lloyd Richards by Paul Mann—Acting Action is divided into two parts: context and practice. The first section provides a thorough examination of the theory behind the core elements of playing action. The second section presents a step-by-step rehearsal guide for actors to integrate playing action into their preparation process. Acting Action offers a foundation for how to get started and build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of playing action, addressing a void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of acting.


Acting Skills for Teachers

Acting Skills for Teachers
Author: Robert Swerdlow
Publisher: Complete Teacher Academy LLC
Total Pages: 105
Release: 2013-06-18
Genre: Education
ISBN: 0988862069

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Teachers Today Must Wear Many Hats! Professional and subject knowledge has long been part of the teacher education curriculum. However, skill training in the areas of acting, managing, developing and selling appears to have been overlooked in most programs. Research shows that some of our best teachers are also pretty good ACTORS! They possess skills relating to vocal expression, bodily actions, role-playing, and the use of space and props. And they have also mastered techniques for generating surprise, creating suspense, and using humor in their classrooms. Acting Skills for Teachers will contribute to the professional development of both new and experienced teachers by providing training in the acting skills that are desired. Complete Teacher Handbooks To help meet the needs of both new and experienced teachers, we now offer a series of interactive eTextbooks. These include: Acting Skills for Teachers Managing Skills for Teachers Developing Skills for Teachers Selling Skills for Teachers Skill acquisition for each of the above-mentioned titles is performance-based and evaluation is criterion-referenced. Both teachers and teacher wannabes will benefit from the use of these very practical, self-study materials. Together with professional and subject knowledge instruction, these titles should help to provide a more realistic approach for delivering practical training in the complete praxis of teaching. Â Acting Skills for Teachers runs on all tablets, smartphones and computers. This eTextbook can be downloaded at our newly designed web site ? www.completeteacher.com


Acting in Musical Theatre

Acting in Musical Theatre
Author: Rocco Dal Vera
Publisher: Routledge
Total Pages: 429
Release: 2015-09-07
Genre: Performing Arts
ISBN: 1317911962

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Acting in Musical Theatre remains the only complete course in approaching a role in a musical. It covers fundamental skills for novice actors, practical insights for professionals, and even tips to help veteran musical performers refine their craft. Updates in this expanded and revised second edition include: A brand new companion website for students and teachers, including Powerpoint lecture slides, sample syllabi, and checklists for projects and exercises. Learning outcomes for each chapter to guide teachers and students through the book’s core ideas and lessons New style overviews for pop and jukebox musicals Extensive updated professional insights from field testing with students, young professionals, and industry showcases Full-colour production images, bringing each chapter to life Acting in Musical Theatre’s chapters divide into easy-to-reference units, each containing group and solo exercises, making it the definitive textbook for students and practitioners alike.


The Dynamics of Acting

The Dynamics of Acting
Author: Joan Moran
Publisher:
Total Pages: 43
Release: 1989
Genre: Acting
ISBN: 9780844251318

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A high school textbook analyzing such acting techniques as voice projection, movement, and ways of approaching a role. Also discusses opportunities for actors.


To Act Is To Do

To Act Is To Do
Author: Richard Alan Nichols
Publisher: 39 West Press
Total Pages: 180
Release: 2018-01-09
Genre: Performing Arts
ISBN: 1946358061

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To Act Is To Do by Richard Alan Nichols, who studied as a scholarship student for five years with Uta Hagen at the HB Studio in New York, is the ultimate guide for both actors and teachers. In six informative and interactive class sessions, Nichols details twenty exercises designed to solve most acting problems that arise while working on plays. Also included are eighteen evaluations of work (scenes, monologues, and Hagen exercises) presented by Nichols' students, with each evaluation serving as a model for teachers to follow in order to assist actors in learning how to assess their own work in an honest way. This unique exploration—the personal journey of one actor’s lifelong quest to perfect his craft while in pursuit of becoming a player—will help all actors develop the discipline necessary to fine-tune their acting instruments and discover new behaviors in themselves.