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Inscribing the Text

Inscribing the Text
Author: Walter Brueggemann
Publisher: Fortress Press
Total Pages: 244
Release: 2004-01-01
Genre: Religion
ISBN: 9781451419634

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Following his highly successful collection of prayers, "Awed to Heaven, Rooted in Earth (2003) this ia a thoughtful collection of Brueggemann's most recent sermons and prayers. Not only a leading biblical theologian, Brueggemann has long established himself as one of the country's leading preachers. His earlier collection of sermons, "The Threat of Life: Sermons on Pain, Power, and Weakness (1996) has been a source of much homiletic inspiration, as has his reflections in "Finally Comes the Poet: Daring Speech for Proclamation (1989). The collection begins with a poignant chapter on the preacher as scribe, followed by twenty-two sermons and twenty-four prayers.


Inscribing Meaning

Inscribing Meaning
Author: Sarah Adams
Publisher: 5Continents
Total Pages: 264
Release: 2007
Genre: Art
ISBN:

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Reveals Africa's contributions to the history of writing and inscription system worldwide


Inscribing Knowledge in the Medieval Book

Inscribing Knowledge in the Medieval Book
Author: Rosalind Brown-Grant
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 411
Release: 2020-01-20
Genre: Literary Criticism
ISBN: 150151332X

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This collection of essays examines how the paratextual apparatus of medieval manuscripts both inscribes and expresses power relations between the producers and consumers of knowledge in this important period of intellectual history. It seeks to define which paratextual features – annotations, commentaries, corrections, glosses, images, prologues, rubrics, and titles – are common to manuscripts from different branches of medieval knowledge and how they function in any particular discipline. It reveals how these visual expressions of power that organize and compile thought on the written page are consciously applied, negotiated or resisted by authors, scribes, artists, patrons and readers. This collection, which brings together scholars from the history of the book, law, science, medicine, literature, art, philosophy and music, interrogates the role played by paratexts in establishing authority, constructing bodies of knowledge, promoting education, shaping reader response, and preserving or subverting tradition in medieval manuscript culture.


The Materiality of Text – Placement, Perception, and Presence of Inscribed Texts in Classical Antiquity

The Materiality of Text – Placement, Perception, and Presence of Inscribed Texts in Classical Antiquity
Author:
Publisher: BRILL
Total Pages: 434
Release: 2018-10-22
Genre: History
ISBN: 9004379436

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This volume explores the significance of the physical materials and contexts of inscribed texts in Greek and Roman antiquity and their performative roles in ancient society from an anthropological and historical perspective (7th century B.C.E. to 4th century C.E.).


Writing the Past, Inscribing the Future

Writing the Past, Inscribing the Future
Author: Nancy K. Florida
Publisher: Duke University Press
Total Pages: 476
Release: 1995
Genre: History
ISBN: 9780822316220

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Located at the juncture of literature, history, and anthropology, Writing the Past, Inscribing the Future charts a strategy of how one might read a traditional text of non-Western historical literature in order to generate, with it, an opening for the future. This book does so by taking seriously a haunting work of historical prophecy inscribed in the nineteenth century by a royal Javanese exile--working through this writing of a colonized past to suggest the reconfiguration of the postcolonial future that this history itself apparently intends. After introducing the colonial and postcolonial orientalist projects that would fix the meaning of traditional writing in Java, Nancy K. Florida provides a nuanced translation of this particular traditional history, a history composed in poetry as the dream of a mysterious exile. She then undertakes a richly textured reading of the poem that discloses how it manages to escape the fixing of "tradition." Adopting a dialogic strategy of reading, Florida writes to extend--as the work's Javanese author demands--this history's prophetic potential into a more global register. Babad Jaka Tingkir, the historical prophecy that Writing the Past, Inscribing the Future translates and reads, is uniquely suited for such a study. Composing an engaging history of the emergence of Islamic power in central Java around the turn of the sixteenth century, Babad Jaka Tingkir was written from the vantage of colonial exile to contest the more dominant dynastic historical traditions of nineteenth-century court literature. Florida reveals how this history's episodic form and focus on characters at the margins of the social order work to disrupt the genealogical claims of conventional royal historiography--thus prophetically to open the possibility of an alternative future.


Inscribing the Hundred Years' War in French and English Cultures

Inscribing the Hundred Years' War in French and English Cultures
Author: Denise Nowakowski Baker
Publisher: SUNY Press
Total Pages: 292
Release: 2000-09-28
Genre: Literary Criticism
ISBN: 9780791447024

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This book explores the intersection of the Hundred Years' War and the production of vernacular literature in France and England. Reviewing a range of prominent works that address the war, including those by Deschamps, Christine de Pizan, Gower, Langland, and Chaucer, as well as anonymous texts and the records of Joan of Arc's trial, Inscribing the Hundred Years' War In French and English Cultures demonstrates the ways in which late-medieval authors responded to the immediate sociopolitical pressures and participated in the debates about the war.


Inscribing Faith in Late Antiquity

Inscribing Faith in Late Antiquity
Author: Sean V. Leatherbury
Publisher: Routledge
Total Pages: 444
Release: 2019-07-26
Genre: History
ISBN: 1000023338

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Inscribing Faith in Late Antiquity considers the Greek and Latin texts inscribed in churches and chapels in the late antique Mediterranean (c. 300–800 CE), compares them to similar texts from pagan, Jewish, and Muslim spaces of worship, and explores how they functioned both textually and visually. These texts not only recorded the names and prayers of the faithful, but were powerful verbal and visual statements of cultural values and religious beliefs, conveying meaning through their words as well as through their appearances. In fact, the two were intimately connected. All of these texts – Christian, Jewish, Muslim, and pagan – acted visually, embracing their own materiality as mosaic, paint, or carved stone. Colourful and artfully arranged, the inscriptions framed human relationships with the divine, encouraged responses from readers, and made prayers material. In the first in-depth examination of the inscriptions as words and as images, the author reimagines the range of aesthetic, cultural, and religious experiences that were possible in spaces of worship. Inscribing Faith in Late Antiquity is essential reading for those interested in Roman, late antique, and Byzantine material and visual culture, inscriptions and other texts, and religious life in the ancient Mediterranean.


The Organization of the Pyramid Texts

The Organization of the Pyramid Texts
Author: Harold M. Hays
Publisher: BRILL
Total Pages: 755
Release: 2012-06-01
Genre: Social Science
ISBN: 9004218653

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The oldest substantial body of religious texts from ancient Egypt consists of the Pyramid Texts. These are hieroglyphic religious texts inscribed upon the interior walls of the pyramid tombs of kings and queens beginning around 2345 BCE. This book explores the Pyramid Texts.


Self, Text, and Romantic Irony

Self, Text, and Romantic Irony
Author: Frederick Garber
Publisher: Princeton University Press
Total Pages: 339
Release: 2014-07-14
Genre: Poetry
ISBN: 1400859360

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Frederick Garber takes up in detail several problems of the self broached in his previous book, The Autonomy of the Self from Richardson to Huysmans (Princeton, 1982). Using patterns in Byron's canon as models, he focuses on the relations of self-making and text-making as a central Romantic issue. For Byron and many of his contemporaries, putting a text into the world meant putting a self there along with it, and it also meant that the difficulties of establishing the one inevitably reflect the parallel difficulties in the other. Professor Garber discusses some of Byron's key texts and shows how their development leads to an impasse involving both self and text. Byron's way out of these dilemmas was the mode of Romantic irony, of which he is one of the greatest exemplars. The study then moves into broader areas of Anglo-European literature, its ultimate purpose being to argue not only for the efficacy of such irony but for its position as something more than a mere alternative to Romantic organicism. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.