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| Author | : New York Public Library. Research Libraries |
| Publisher | : |
| Total Pages | : 584 |
| Release | : 1979 |
| Genre | : Library catalogs |
| ISBN | : |
| Author | : Library of Congress |
| Publisher | : |
| Total Pages | : 666 |
| Release | : 1953 |
| Genre | : Catalogs, Union |
| ISBN | : |
| Author | : New York Public Library. Art and Architecture Division |
| Publisher | : |
| Total Pages | : 754 |
| Release | : 1975 |
| Genre | : Architecture |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 616 |
| Release | : 1968 |
| Genre | : Union catalogs |
| ISBN | : |
| Author | : Library of Congress |
| Publisher | : |
| Total Pages | : 662 |
| Release | : 1955 |
| Genre | : Catalogs, Subject |
| ISBN | : |
A cumulative list of works represented by Library of Congress printed cards.
| Author | : |
| Publisher | : |
| Total Pages | : 836 |
| Release | : 1961 |
| Genre | : American literature |
| ISBN | : |
| Author | : National Gallery of Art (U.S.) |
| Publisher | : |
| Total Pages | : 328 |
| Release | : 2000 |
| Genre | : Art |
| ISBN | : |
Exhibition includes approximately 2% of the acquisitions made during the 1990s.
| Author | : Library of Congress |
| Publisher | : |
| Total Pages | : 656 |
| Release | : 1960 |
| Genre | : |
| ISBN | : |
| Author | : Jean-Auguste-Dominique Ingres |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 610 |
| Release | : 1999 |
| Genre | : Drawing, French |
| ISBN | : 0870998919 |
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
| Author | : Sigfried Giedion |
| Publisher | : Getty Publications |
| Total Pages | : 250 |
| Release | : 1995-09-01 |
| Genre | : Architecture |
| ISBN | : 0892363193 |
With Building in France, Building in Iron, Building in Ferroconcretre (1928)—published now for the first time in English—Sigfried Giedion positioned himself as an eloquent advocate of modern architecture. This was the first book to exalt Le Corbusier as the artistic champion of the new movement. It also spelled out many of the tenets of Modernism that are now regarded as myths, among them the impoverishment of nineteenth-century architectural thinking and practice, the contrasting vigor of engineering innovations, and the notion of Modernism as technologically preordained.
