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| Author | : V Alexander Stefan |
| Publisher | : Stefan University Press |
| Total Pages | : 205 |
| Release | : 2012-11-07 |
| Genre | : |
| ISBN | : |
The filmmaking in the Informmation Age.
| Author | : Robert C. Sickels |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 305 |
| Release | : 2010-12-08 |
| Genre | : Performing Arts |
| ISBN | : |
This eclectic, yet comprehensive analytical overview of the cataclysmic changes in the American film industry since 1990 shows how they have collectively resulted in a new era—The Digital Age. The American film industry has entered a new era. American Film in the Digital Age traces the industrial changes since 1990 that have brought us to this point, namely: the rise of media conglomerates, the proliferation of pornography through peripheral avenues of mainstream media, the role of star actors and directors in distributing and publicizing their own pet projects, the development of digital technology, and the death of truly independent films. Author Robert Sickels draws straight lines from the movies to music, DVDs, video games, fast food, digital-on-demand, and more, to demonstrate how all forms of media are merging into one. He explores the irony that the success of independent films essentially killed independent cinema, showing how it has become almost impossible to get a film released without the imprimatur of one of the big six media companies—Fox, Viacom, TimeWarner, Disney, General Electric, or CBS. In the end, using recent, popular films as examples, he explains not only how we got where we are, but where we're likely headed as well.
| Author | : Lucia Ricciardelli |
| Publisher | : Routledge |
| Total Pages | : 165 |
| Release | : 2014-11-20 |
| Genre | : Performing Arts |
| ISBN | : 1135036136 |
American Documentary Filmmaking in the Digital Age examines the recent challenges to the conventions of realist documentary through the lens of war documentary films by Ken Burns, Michael Moore, and Errol Morris. During the twentieth century, the invention of new technologies of audiovisual representation such as cinema, television, video, and digital media have transformed the modes of historical narration and with it forced historians to assess the impact of new visual technologies on the construction of history. This book investigates the manner in which this contemporary Western "crisis" in historical narrative is produced by a larger epistemological shift in visual culture. Ricciardelli uses the theme of war as depicted in these directors’ films to focus her study and look at the model(s) of national identity that Burns, Morris, and Moore shape through their depictions of US military actions. She examines how postcolonial critiques of historicism and the advent of digitization have affected the narrative structure of documentary film and the shaping of historical consciousness through cinematic representation.
| Author | : Institute for Advanced Physics Studies, Stefan University |
| Publisher | : Stefan University Press |
| Total Pages | : 131 |
| Release | : 2016-12-19 |
| Genre | : |
| ISBN | : |
Einstein’s Timeline and the World Friday, 11:30 a.m., March 14, 1879; Ulm, Germany—Monday, 1:15 a.m., April 18, 1955; Princeton, New Jersey, USA. Institute for Advanced Physics Studies Stefan University La Jolla, California
| Author | : Petar II Petrovich Njegosh |
| Publisher | : Stefan University Press |
| Total Pages | : 381 |
| Release | : 2008-12-08 |
| Genre | : History |
| ISBN | : 1889545848 |
The Mountain Wreath is the anathema upon the Ottomanization of some small areas of Montenegro. Njegosh dedicates the Mountain Wreath to the dust of the Father of Serbia, Karageorge Petrovich. The Mountain Wreath is the epic about the glory of the Cross of the Serbs in Montenegro. In the 19th century, Alfred Lord Tennyson, (1809—1892), referred to Montenegrins as the mighty race of the mountaineers—the defenders of Christian faith. Njegosh, our great and beloved Prince-Bishop of Montenegro was a wise judge of his time, but Time itself is the ultimate judge. Today there are some small areas in Montenegro populated by the Slavic Muslims who love their Montenegro and build it in a brotherly unity together with other Montenegrins.
| Author | : V. Alexander STEFAN |
| Publisher | : Stefan University Press |
| Total Pages | : 1058 |
| Release | : 2009-12-21 |
| Genre | : Education |
| ISBN | : |
V. Alexander STEFAN The Open World MANIFESTO Novus Ordo Scientifico-Technologicus. QUALB Coeptis New Order Scientific-Technological. QUALB Cooperates CONTENTS BOOK 1 SCIENCE AND TECHNOLOGY: A New Earth and a New Atlantis Universe: Our Very Own 393 BOOK 2 HUMAN BEINGS; OUR ID-NUMBERS; OUR CONSCIOUSNESS of TIME 558 BOOK 3 FREEDOM, DEMOCRACY, and PLURALISM: The Dawning of the Terrestrial Civilization 618 BOOK 4 THE AGE OF EDUCATION: CREATIVE EDUCATION versus DRILL EDUCATION 699 BOOK 5 HUMAN BEING and QUALB the GIVER, the SUPREME BEING: Science/Technology and Religion 754
| Author | : Mitsuyo Wada-Marciano |
| Publisher | : |
| Total Pages | : 200 |
| Release | : 2012-05-31 |
| Genre | : Art |
| ISBN | : |
This book deliberates on the role of the transnational in bringing to the mainstream what were formerly marginal Japanese B movie genres.
| Author | : Noveena Chakravorty |
| Publisher | : Adamas Knowledge City, Barasat |
| Total Pages | : 352 |
| Release | : 2023-12-30 |
| Genre | : Young Adult Nonfiction |
| ISBN | : 8196340222 |
Film has always acted as a window to the society where it brings out various essences of life. India has always shown prominence in representing its inheritance and rich cultural lineage through different layers of films. Right from “Raja Harishchandra” as a full-length feature film in 1913 to the most contemporary films released on OTT, everything and everyone embedded in any of the films made in India has some level of relevance to the time and society, therefore, they can be called contemporary while projecting some form of social message through their presence. The book “Indian Contemporary Films and Societal Reflection” presents a collection of a list of reviews based on some of the perspectives and concepts portrayed through films like commercialism, gender identity, gender representation, portrayal of power, cinema as a form of art, casteism in cinema, political discourse in cinema, inequality, resilience, relationship, oppression, animation, celluloid reverberations, propaganda and agenda planning, and many more. The twenty-six enthralling chapters from forty-nine authors are collected in this book, which would provide an extensive understanding of different perspectives of films and help identify the societal portrayal of films in various ways.
| Author | : Tony Bennett |
| Publisher | : Cambridge University Press |
| Total Pages | : 382 |
| Release | : 2001-09-03 |
| Genre | : Art |
| ISBN | : 9780521004039 |
A 2001 survey of the changing policies and priorities that are evident in a range of contemporary cultural institutions in Australia.
| Author | : Jason Sperb |
| Publisher | : Rutgers University Press |
| Total Pages | : 166 |
| Release | : 2015-12-15 |
| Genre | : Performing Arts |
| ISBN | : 0813576032 |
Whether paying tribute to silent films in Hugo and The Artist or celebrating arcade games in Tron: Legacy and Wreck-It-Ralph, Hollywood suddenly seems to be experiencing a wave of intense nostalgia for outmoded technologies. To what extent is that a sincere lament for modes of artistic production that have nearly vanished in an all-digital era? And to what extent is it simply a cynical marketing ploy, built on the notion that nostalgia has always been one of Hollywood’s top-selling products? In Flickers of Film, Jason Sperb offers nuanced and unexpected answers to these questions, examining the benefits of certain types of film nostalgia, while also critiquing how Hollywood’s nostalgic representations of old technologies obscure important aspects of their histories. He interprets this affection for the prehistory and infancy of digital technologies in relation to an industry-wide anxiety about how the digital has grown to dominate Hollywood, pushing it into an uncertain creative and economic future. Yet he also suggests that Hollywood’s nostalgia for old technologies ignores the professionals who once employed them, as well as the labor opportunities that have been lost through the computerization and outsourcing of film industry jobs. Though it deals with nostalgia, Flickers of Film is strikingly cutting-edge, one of the first studies to critically examine Pixar’s role in the film industry, cinematic representations of videogames, and the economic effects of participatory culture. As he takes in everything from Terminator: Salvation to The Lego Movie, Sperb helps us see what’s distinct about this recent wave of self-aware nostalgic films—how Hollywood nostalgia today isn’t what it used to be.
