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Indian Music in Performance

Indian Music in Performance
Author: Neil Sorrell
Publisher: Manchester University Press
Total Pages: 214
Release: 1980
Genre: Hindustani music
ISBN: 9780719007569

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Dhrupad: Tradition and Performance in Indian Music

Dhrupad: Tradition and Performance in Indian Music
Author: Ritwik Sanyal
Publisher: Taylor & Francis
Total Pages: 422
Release: 2023-02-16
Genre: Music
ISBN: 1000845435

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Dhrupad is believed to be the oldest style of classical vocal music performed today in North India. This detailed study of the genre considers the relationship between the oral tradition, its transmission from generation to generation, and its re-creation in performance. There is an overview of the historical development of the dhrupad tradition and its performance style from the sixteenth to the nineteenth centuries, and of the musical lineages that carried it forward into the twentieth century, followed by analyses of performance techniques, processes and styles. The authors examine the relationship between the structures provided by tradition and their realization by the performer to throw light on the nature of tradition and creativity in Indian music; and the book ends with an account of the ‘revival’ movement of the late twentieth century that re-established the genre in new contexts. Augmented with an analytical transcription of a complete dhrupad performance, this is the first book-length study of an Indian vocal genre to be co-authored by an Indian practitioner and a Western musicologist.


Time in Indian Music

Time in Indian Music
Author: Martin Clayton
Publisher: Oxford University Press
Total Pages: 250
Release: 2008-08-15
Genre: Music
ISBN: 0199713057

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Time in Indian Music is the first major study of rhythm, metre, and form in North Indian rag , or classical, music. Martin Clayton presents a theoretical model for the organization of time in this repertory, a model which is related explicitly to other spheres of Indian thought and culture as well as to current ideas on musical time in alternative repertoriesnullincluding that of Western music. This theoretical model is elucidated and illustrated with reference to many musical examples drawn from authentic recorded performances. These examples clarify key Indian musicological concepts such as tal (metre), lay (tempo or rhythm), and laykari (rhythmic variation).


Indian Music in Performance

Indian Music in Performance
Author: Neil Sorrell
Publisher:
Total Pages: 190
Release: 1980
Genre:
ISBN:

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Music in North India

Music in North India
Author: George Ruckert
Publisher: Oxford University Press, USA
Total Pages: 128
Release: 2004
Genre: Hindustani music
ISBN:

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Music in North India provides a representative overview of this music, discussing rhythm and drumming traditions, song composition and performance styles, and melodic and rhythmic instruments. Drawing on his experience as a sarod player, vocalist, and music teacher, author George Ruckert incorporates numerous musical exercises to demonstrate important concepts. The book ranges from the chants of the ancient Vedas to modern devotional singing and from the serious and meditative rendering of raga to the concert-hall excitement of the modern sitar, sarod, and tabla. It is framed around three major topics: the devotional component of North Indian music, the idea of fixity and spontaneity in the various styles of Indian music, and the importance of the verbal syllable to the expression of the musical aesthetic in North India.


Tellings and Texts

Tellings and Texts
Author: Francesca Orsini
Publisher: Open Book Publishers
Total Pages: 568
Release: 2015-10-05
Genre: Literary Criticism
ISBN: 1783741023

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Examining materials from early modern and contemporary North India and Pakistan, Tellings and Texts brings together seventeen first-rate papers on the relations between written and oral texts, their performance, and the musical traditions these performances have entailed. The contributions from some of the best scholars in the field cover a wide range of literary genres and social and cultural contexts across the region. The texts and practices are contextualized in relation to the broader social and political background in which they emerged, showing how religious affiliations, caste dynamics and political concerns played a role in shaping social identities as well as aesthetic sensibilities. By doing so this book sheds light into theoretical issues of more general significance, such as textual versus oral norms; the features of oral performance and improvisation; the role of the text in performance; the aesthetics and social dimension of performance; the significance of space in performance history and important considerations on repertoires of story-telling. The book also contains links to audio files of some of the works discussed in the text. Tellings and Texts is essential reading for anyone with an interest in South Asian culture and, more generally, in the theory and practice of oral literature, performance and story-telling.


Experience and Meaning in Music Performance

Experience and Meaning in Music Performance
Author: Martin Clayton
Publisher: Oxford University Press
Total Pages: 257
Release: 2013
Genre: Music
ISBN: 0199811326

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This book explores how the immediate experience of musical sound relates to processes of meaning construction and discursive mediation. A unique multi-authored work that both draws on and contributes to current debates in ethnomusicology, musicology, psychology, and cognitive science, it presents a novel and productive view of how cultural practice relates to the experience and meaning of musical performance.


Indian Music

Indian Music
Author: Bhavánráv A. Pingle
Publisher:
Total Pages: 402
Release: 1898
Genre: Music
ISBN:

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Enlightening the Listener

Enlightening the Listener
Author: Prabhā Atre
Publisher:
Total Pages: 178
Release: 2000
Genre: Music
ISBN:

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Illustrations: With an Audio Cd Description: The writings on Indian music have been mostly on theoretical aspects and mainly by theoreticians and not by practising musicians. It is still rare to find a woman performer who has written on music performance from different angles. In Enlightening the Listener, Prabha Atre, a noted vocalist examines with a liberal and holistic approach various aspects of a contemporary North Indian classical vocal music performance for a lay listener. While doing this she critically and objectively tries to seek in the context of changing times new meaning appropriate to what has come down from tradition. Her academic background, analytical mind, logical approach and communication skills put this book in a special category. This book deals with various aspects of music performance as also persons and institutions involved in 'Music making'. Dr. Atre's diverse experience as a singer, composer, teacher and thinker has lent authenticity to this work. From a point of view of a lay listener, she unfolds artistically the creative process of music making and thus gently guides the reader towards better appreciation. The accompanying cassette with illustrations is an added feature of this book. Listening to it will help the reader to identify the musical material and forms and gives an idea of the techniques involved.


War Dance

War Dance
Author: William K. Powers
Publisher: University of Arizona Press
Total Pages: 228
Release: 1993-01-01
Genre: Social Science
ISBN: 9780816513659

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Compiled from a thirty year study, this volume provides a look at the history and culture of the Plains Indians