Indian Music 1980 on Records & Musicassettes
| Author | : Gramophone Company of India |
| Publisher | : |
| Total Pages | : 476 |
| Release | : 1980 |
| Genre | : Music |
| ISBN | : |
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The Garland Encyclopedia of World Music: South Asia : the Indian subcontinent
| Author | : Bruno Nettl |
| Publisher | : Taylor & Francis |
| Total Pages | : 1126 |
| Release | : 1998 |
| Genre | : Ethnomusicology |
| ISBN | : 9780824049461 |
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First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
BollySwar: 1981 - 1990
| Author | : Param Arunachalam |
| Publisher | : Mavrix Infotech Private Limited |
| Total Pages | : 2414 |
| Release | : 2020-04-14 |
| Genre | : Music |
| ISBN | : 8193848225 |
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BollySwar is a decade-wise compendium of information about the music of Hindi films. Volume 6 chronicles the Hindi film music of the decade between 1981 and 1990. This volume catalogues more than 1000 films and 7000 songs, involving more than 1000 music directors, lyricists and singers. An overview of the decade highlights the key artists of the decade - music directors, lyricists and singers - and discusses the emerging trends in Hindi film music. A yearly review provides listings of the year's top artists and songs and describes the key milestones of the year in Hindi film music. The bulk of the book provides the song listing of every Hindi film album released in the decade. Basic information about each film's cast and crew is provided and detailed music credits are provided. Where available, music credits go beyond information regarding music directors, lyricists and singers, and include the names of assistants, arrangers, recordists, etc. Where applicable, music related awards are listed. Interesting trivia is listed for most films. This includes information about artist debuts, plagiarised or sampled songs, controversies and stories behind the making of the film and its music. This book is primarily meant as a quick reference for people looking for information related to a Hindi film or a song, but readers can also browse through the book to get an overview of the events that shaped Bollywood music in the decade. Given that Hindi films are a reflection of the Indian society, the reader can also glean insights about the country's socio-political and cultural environment from the book.
Cassette Culture
| Author | : Peter Manuel |
| Publisher | : University of Chicago Press |
| Total Pages | : 322 |
| Release | : 1993-05 |
| Genre | : Music |
| ISBN | : 0226504018 |
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In Cassette Culture, Peter Manuel tells how a new mass medium—the portable cassette player—caused a major upheaval in popular culture in the world's second-largest country. The advent of cassette technology in the 1980s transformed India's popular music industry from the virtual monopoly of a single multinational LP manufacturer to a free-for-all among hundreds of local cassette producers. The result was a revolution in the quantity, quality, and variety of Indian popular music and its patterns of dissemination and consumption. Manuel shows that the cassette revolution, however, has brought new contradictions and problems to Indian culture. While inexpensive cassettes revitalized local subcultures and community values throughout the subcontinent, they were also a vehicle for regional and political factionalism, new forms of commercial vulgarity, and, disturbingly, the most provocative sorts of hate-mongering and religious chauvinism. Cassette Culture is the first scholarly account of Indian popular music and the first case study of a technological revolution now occurring throughout the world. It will be an essential resource for anyone interested in modern India, communications theory, world popular music, or contemporary global culture.
North American Indian Music
| Author | : Richard Keeling |
| Publisher | : Routledge |
| Total Pages | : 476 |
| Release | : 2013-10-15 |
| Genre | : Music |
| ISBN | : 1135503095 |
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First Published in 1997. The present volume contains references and descriptive annotations for 1,497 sources on North American Indian and Eskimo music. As conceived here, the subject encompasses works on dance, ritual, and other aspects of religion or culture related to music, and selected "classic" recordings have also been included. The coverage is equally broad in other respects, including writings in several different languages and spanning a chronological period from 1535 to 1995. The book is intended as a reference tool for researchers, teachers, and college students. With their needs in mind, the sources are arranged in ten sections by culture area, and the introduction includes a general history of research. Finally, there are also indices by author, tribe, and subject.
Cultural Communication in India
| Author | : J. M. Ojha |
| Publisher | : Concept Publishing Company |
| Total Pages | : 180 |
| Release | : 1992 |
| Genre | : Music |
| ISBN | : 9788170223672 |
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Bollywood Sounds
| Author | : Brian Diettrich |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 265 |
| Release | : 2011 |
| Genre | : Music |
| ISBN | : 0199862540 |
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Bollywood Sounds surveys seventy years of Hindi film song as a cosmopolitan and overwhelmingly popular music of India. Author Jayson Beaster-Jones analyzes more than twenty landmark songs and provides insights into song production practices and influential music makers, showing how the industry has consistently mediated a variety of musical influences to create a robust and long-lived genre.
The Garland Encyclopedia of World Music
| Author | : Alison Arnold |
| Publisher | : Routledge |
| Total Pages | : 1126 |
| Release | : 2017-09-25 |
| Genre | : Music |
| ISBN | : 1351544381 |
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In this volume, sixty-eight of the world's leading authorities explore and describe the wide range of musics of India, Pakistan, Bangladesh, Sri Lanka, Kashmir, Nepal and Afghanistan. Important information about history, religion, dance, theater, the visual arts and philosophy as well as their relationship to music is highlighted in seventy-six in-depth articles.
War, Exile and the Music of Afghanistan
| Author | : John Baily |
| Publisher | : Routledge |
| Total Pages | : 265 |
| Release | : 2016-09-01 |
| Genre | : Music |
| ISBN | : 1315466910 |
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In the 1970s John Baily conducted extensive ethnomusicological research in Afghanistan, principally in the city of Herat but also in Kabul. Then, with Taraki’s coup in 1978, came conflict, war, and the dispersal of many musicians to locations far and wide. This new publication is the culmination of Baily’s further research on Afghan music over the 35 years that followed. This took him to Afghanistan, Pakistan, Iran, the USA, Australia and parts of Europe - London, Hamburg and Dublin. Arranged chronologically, the narrative traces the sequence of political events - from 1978, through the Soviet invasion, to the coming of the Taliban and, finally, the aftermath of the US-led invasion in 2001. He examines the effects of the ever-changing situation on the lives and works of Afghan musicians, following individual musicians in fascinating detail. At the heart of his analysis are privileged vignettes of ten musical personalities - some of friends, and some newly discovered. The result is a remarkable personal memoir by an eminent ethnomusicologist known for his deep commitment to Afghanistan, Afghan musicians and Afghan musical culture. John Baily is also an ethnographic filmmaker. Four of his films relating to his research are included on the downloadable resources that accompanies the text.
Hindi Film Songs and the Cinema
| Author | : Anna Morcom |
| Publisher | : Routledge |
| Total Pages | : 306 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351563742 |
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Since their beginnings in the 1930s, Hindi films and film songs have dominated Indian public culture in India, and have also made their presence felt strongly in many global contexts. Hindi film songs have been described on the one hand as highly standardized and on the other as highly eclectic. Anna Morcom addresses many of the paradoxes eccentricities and myths of not just Hindi film songs but also of Hindi cinema by analysing film songs in cinematic context. While the presence of songs in Hindi films is commonly dismissed aspurely commercial this book demonstrates that in terms of the production process, musical style, and commercial life, it is most powerfully the parent film that shapes and defines the film songs and their success rather than the other way round. While they constitute India‘s still foremost genre of popular music, film songs are also situational, dramatic sequences, inherently multi-media in style and conception. This book is uniquely grounded in detailed musical and visual analysis of Hindi film songs, song sequences and films as well as a wealth of ethnographic material from the Hindi film and music industries. Its findings lead to highly novel ways of viewing Hindi film songs, their key role in Hindi cinema, and how this affects their wider life in India and across the globe. It will be indispensable to scholars seeking to understand both Hindi film songs and Hindi cinema. It also forms a major contribution to popular music, popular culture, film music studies and ethnomusicology, tackling pertinent issues of cultural production, (multi-)media, and the cross-cultural use of music in Hindi cinema. The book caters for both music specialists as well as a wider audience.
