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In tlahtoli, in ohtli

In tlahtoli, in ohtli
Author: Natalio Hernández
Publisher: Plaza y Valdes
Total Pages: 212
Release: 1998
Genre: Literary Criticism
ISBN:
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In tlahtoli, in ohtli. La palabra el camino: Memoria y destino de los pueblos indiacute;genas, contiene muchas facetas del pensamiento de Natalio Hernaacute;ndez. Ayudaraacute; ala lector a entender por queacute; en gran parte de su largo camino, en gran parte de su trayectoria, su palabra ha sido tambieacute;n un llamado, una invitacioacute;n, una poderosa voz que ha convocado a todos los escritores indiacute;genas de Meacute;xico a todos los escritores indiacute;genas de Ameacute;rica. Esta capacidad de reunir a sus hermanos a sus compantilde;eros de viaje en muchas lenguas y en muchas regiones tambieacute;n el destino que fecunda su camino y enaltece su palabra. Carlos Montemayor. el libro de Natalio Hernaacute;ndez no se reduce a relatar criacute;ticamente la historia reciente de la educacioacute;n indiacute;gena en el paiacute;s. Esto lo realiza, lo hace magistralmente: documenta una etapa fundamental en el proceso educativo del paiacute;s que ha sido insuficientemente difundida. Lo interesante es que el Profesor Natalio nos ofrece una propuesta para la continuacioacute;n de esta historia hacia el futuro: nos plantea la necesidad de una nueva ruptura, fruto tanto de la diferente situacioacute;n del paiacute;s de los indiacute;genas, como del anaacute;lisis criacute;tico del desarrollo reciente de la educacioacute;n indiacute;gena en el paiacute;s. Silvia schmelkes Corresponde al la poblacioacute;n no indiacute;gena prestar oiacute;dos a la nueva palabra de los pueblos originarios. Soacute;lo dialogando con eacute;stos- y no ya intermediarios o manipuladores- podraacute;n alcanzarse las tantas veces buscadas respuestas. Los indiacute;genas lo saben. Uno de ellos, de estirpe naacute;huatl, Natalio Hernaacute;ndez, maestro normalista de profesioacute;n y funcionario puacute;blico que se mantiene atento a las demandas de su pueblo, ha expresado bellamente en un poema la idea que aquiacute; estamos considerando : corresponde al hombre indiacute;gena ser duentilde;o de su destino. Miguel Leoacute;n - Portilla.

IN TLAHTOLI, IN OHTLI, LA PALABRA, EL CAMINO

IN TLAHTOLI, IN OHTLI, LA PALABRA, EL CAMINO
Author:
Publisher: Plaza y Valdes
Total Pages: 0
Release:
Genre: Social Science
ISBN: 968856589X
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In tlahtoli, in ohtli. La palabra el camino: Memoria y destino de los pueblos indígenas, contiene muchas facetas del pensamiento de Natalio Hernández, ayudará al lector a entender por qué en gran parte de su largo camino, en gran parte de su trayectoria, su palabra ha sido también un llamado, una invitación, una poderosa voz que ha convocado a todos los escritores indígenas de México a todos los escritores indígenas de América. Esta capacidad de reunir a sus hermanos a sus compañeros de viaje en muchas lenguas y en muchas regiones también el destino que fecunda su camino y enaltece su palabra. Carlos Montemayor. El libro de Natalio Hernández no se reduce a relatar críticamente la historia reciente de la educación indígena en el país. Esto lo realiza, lo hace magistralmente: documenta una etapa fundamental en el proceso educativo del país que ha sido insuficientemente difundida. Lo interesante es que el Profesor Natalio nos ofrece una propuesta para la continuación de esta historia hacia el futuro: nos plantea la necesidad de una nueva ruptura, fruto tanto de la diferente situación del país de los indígenas, como del análisis crítico del desarrollo reciente de la educación indígena en el país. Sylvia Schmelkes Corresponde al la población no indígena prestar oídos a la nueva palabra de los pueblos originarios. Sólo dialogando con éstos —y no ya intermediarios o manipuladores— podrán alcanzarse las tantas veces buscadas respuestas. Los indígenas lo saben. Uno de ellos, de estirpe náhuatl, Natalio Hernández, maestro normalista de profesión y funcionario público que se mantiene atento a las demandas de su pueblo, ha expresado bellamente en un poema la idea que aquí estamos considerando: corresponde al hombre indígena ser dueño de su destino. Miguel León Portilla

Words of the True Peoples/Palabras de los Seres Verdaderos

Words of the True Peoples/Palabras de los Seres Verdaderos
Author: Carlos Montemayor
Publisher: University of Texas Press
Total Pages: 296
Release: 2014-05-06
Genre: Literary Collections
ISBN: 0292744757
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As part of the larger, ongoing movement throughout Latin America to reclaim non-Hispanic cultural heritages and identities, indigenous writers in Mexico are reappropriating the written word in their ancestral tongues and in Spanish. As a result, the long-marginalized, innermost feelings, needs, and worldviews of Mexico's ten to twenty million indigenous peoples are now being widely revealed to the Western societies with which these peoples coexist. To contribute to this process and serve as a bridge of intercultural communication and understanding, this groundbreaking, three-volume anthology gathers works by the leading generation of writers in thirteen Mexican indigenous languages: Nahuatl, Maya, Tzotzil, Tzeltal, Tojolabal, Tabasco Chontal, Purepecha, Sierra Zapoteco, Isthmus Zapoteco, Mazateco, Ñahñu, Totonaco, and Huichol. Volume Two contains poetry by Mexican indigenous writers. Their poems appear first in their native language, followed by English and Spanish translations. Montemayor and Frischmann have abundantly annotated the Spanish, English, and indigenous-language texts and added glossaries and essays that discuss the formal and linguistic qualities of the poems, as well as their place within contemporary poetry. These supporting materials make the anthology especially accessible and interesting for nonspecialist readers seeking a greater understanding of Mexico's indigenous peoples.

Words of the True Peoples/Palabras de Los Seres Verdaderos: Anthology of Contemporary Mexican Indigenous-Language Writers/Antología de Escritores Actuales en Lenguas Indígenas de México

Words of the True Peoples/Palabras de Los Seres Verdaderos: Anthology of Contemporary Mexican Indigenous-Language Writers/Antología de Escritores Actuales en Lenguas Indígenas de México
Author: Carlos Montemayor
Publisher: University of Texas Press
Total Pages: 296
Release: 2005-10-01
Genre: Literary Collections
ISBN: 0292706766
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This anthology gathers works by the leading generation of writers in thirteen Mexican indigenous languages: Nahuatl, Maya, Tzotzil, Tzeltal, Tojolabal, Tabasco Chontal, Purepecha, Sierra Zapoteco, Isthmus Zapoteco, Mazateco, Ñahñu, Totonaco, and Huichol. Volume 1 contains narratives and essays by Mexican indigenous writers. Their texts appear first in their native language, followed by English and Spanish translations.

Abiayalan Pluriverses

Abiayalan Pluriverses
Author: Gloria Chacón
Publisher: Amherst College Press
Total Pages: 284
Release: 2024-01-23
Genre: Art
ISBN: 1943208743
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Abiayalan Pluriverses: Bridging Indigenous Studies and Hispanic Studies looks for pathways that better connect two often siloed disciplines. This edited collection brings together different disciplinary experiences and perspectives to this objective, weaving together researchers, artists, instructors, and authors who have found ways of bridging Indigenous and Hispanic studies through trans-Indigenous reading methods, intercultural dialogues, and reflections on translation and epistemology. Each chapter brings rich context that bears on some aspect of the Indigenous Americas and its crossroads with Hispanic studies, from Canada to Chile. Such a hemispheric and interdisciplinary approach offers innovative and significant means of challenging the coloniality of Hispanic studies.

Native Voices

Native Voices
Author: Richard A. Grounds
Publisher: Lawrence : University Press of Kansas
Total Pages: 380
Release: 2003
Genre: History
ISBN:
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Native peoples of North America still face an uncertain future due to their unstable political, legal, and economic positions. Views of their predicament continue to be dominated by non-Indian writers. In response, a dozen Native American writers here reclaim their rightful role as influential "voices" in debates about Native communities. These scholars examine crucial issues of politics, law, and religion in the context of ongoing Native American resistance to the dominant culture. They particularly show how the writings of Vine Deloria, Jr., have shaped and challenged American Indian scholarship in these areas since 1960s. They provide key insights into Deloria's thought, while introducing some critical issues confronting Native nations. Collectively, these essays take up four important themes: indigenous societies as the embodiment of cultures of resistance, legal resistance to western oppression against indigenous nations, contemporary Native religious practices, and Native intellectual challenges to academia. Essays address indigenous perspectives on topics usually treated by non-Indians, such as role of women in Indian society, the importance of sacred sites to American Indian religious identity, and relationship of native language to indigenous autonomy. A closing essay by Deloria, in vintage form, reminds Native Americans of their responsibilities and obligations to one another and to past and future generations. This book argues for renewed cultivation of a Native American Studies that is more Indian-centered.

Chiapas Maya Awakening

Chiapas Maya Awakening
Author: Sean S. Sell
Publisher: University of Oklahoma Press
Total Pages: 199
Release: 2017-01-13
Genre: Fiction
ISBN: 0806157801
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Mexico’s indigenous people speak a number of rich and complex languages today, as they did before the arrival of the Spanish. Yet a common misperception is that Mayas have no languages of their own, only dialectos, and therefore live in silence. In reality, contemporary Mayas are anything but voiceless. Chiapas Maya Awakening, a collection of poems and short stories by indigenous authors from Chiapas, Mexico, is an inspiring testimony to their literary achievements. A unique trilingual edition, it presents the contributors’ works in the living Chiapas Mayan languages of Tsotsil and Tseltal, along with English and Spanish translations. As Sean S. Sell, Marceal Méndez, and Inés Hernández-Ávila explain in their thoughtful introductory pieces, the indigenous authors of this volume were born between the mid-1970s and the mid-1990s, a time of growing cultural awareness among the native communities of Chiapas. Although the authors received a formal education, their language of instruction was Spanish, and they had to pursue independent paths to learn to read and write in their native tongues. In the book’s first half, devoted to poetry, the writers consciously speak for their communities. Their verses evoke the quetzal, the moon, and the sea and reflect the identities of those who celebrate them. The short stories that follow address aspects of modern Maya life. In these stories, mistrust and desperation yield violence among a people whose connection to the land is powerful but still precarious. Chiapas Maya Awakening demonstrates that Mayas are neither a vanished ancient civilization nor a remote, undeveloped people. Instead, through their memorable poems and stories, the indigenous writers of this volume claim a place of their own within the broader fields of national and global literature.

Unwriting Maya Literature

Unwriting Maya Literature
Author: Paul M. Worley
Publisher: University of Arizona Press
Total Pages: 249
Release: 2019-05-07
Genre: Literary Criticism
ISBN: 0816539871
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Unwriting Maya Literature provides an important decolonial framework for reading Maya texts that builds on the work of Maya authors and intellectuals such as Q’anjob’al Gaspar Pedro González and Kaqchikel Irma Otzoy. Paul M. Worley and Rita M. Palacios privilege the Maya category ts’íib over constructions of the literary in order to reveal how Maya peoples themselves conceive of artistic creation. This offers a decolonial departure from theoretical approaches that remain situated within alphabetic Maya linguistic and literary creation. As ts’íib refers to a broad range of artistic production from painted codices and textiles to works composed in Latin script as well as plastic arts, the authors argue that texts by contemporary Maya writers must be read as dialoguing with a multimodal Indigenous understanding of text. In other words, ts’íib is an alternative to understanding “writing” that does not stand in opposition to but rather fully encompasses alphabetic writing, placing it alongside and in dialogue with a number of other forms of recorded knowledge. This shift in focus allows for a critical reexamination of the role that weaving and bodily performance play in these literatures, as well as for a nuanced understanding of how Maya writers articulate decolonial Maya aesthetics in their works. Unwriting Maya Literature places contemporary Maya literatures within a context situated in Indigenous ways of knowing and being. Through ts’íib, the authors propose an alternative to traditional analysis of Maya cultural production that allows critics, students, and admirers to respectfully interact with the texts and their authors. Unwriting Maya Literature offers critical praxis for understanding Mesoamerican works that encompass non-Western ways of reading and creating texts.

World Literature, Cosmopolitanism, Globality

World Literature, Cosmopolitanism, Globality
Author: Gesine Müller
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 356
Release: 2019-10-21
Genre: Literary Criticism
ISBN: 3110641305
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From today’s vantage point it can be denied that the confidence in the abilities of globalism, mobility, and cosmopolitanism to illuminate cultural signification processes of our time has been severely shaken. In the face of this crisis, a key concept of this globalizing optimism as World Literature has been for the past twenty years necessarily is in the need of a comprehensive revision. World Literature, Cosmopolitanism, Globality: Beyond, Against, Post, Otherwise offers a wide range of contributions approaching the blind spots of the globally oriented Humanities for phenomena that in one way or another have gone beyond the discourses, aesthetics, and political positions of liberal cosmopolitanism and neoliberal globalization. Departing basically (but not exclusively) from different examples of Latin American literatures and cultures in globalized contexts, this volume provides innovative insights into critical readings of World Literature and its related conceptualizations. A timely book that embraces highly innovative perspectives, it will be a mustread for all scholars involved in the field of the global dimensions of literature.

Indigenous Cosmolectics

Indigenous Cosmolectics
Author: Gloria Elizabeth Chacón
Publisher: UNC Press Books
Total Pages: 260
Release: 2018-09-28
Genre: Literary Criticism
ISBN: 1469636824
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Latin America's Indigenous writers have long labored under the limits of colonialism, but in the late twentieth and twenty-first centuries, they have constructed a literary corpus that moves them beyond those parameters. Gloria E. Chacon considers the growing number of contemporary Indigenous writers who turn to Maya and Zapotec languages alongside Spanish translations of their work to challenge the tyranny of monolingualism and cultural homogeneity. Chacon argues that these Maya and Zapotec authors reconstruct an Indigenous literary tradition rooted in an Indigenous cosmolectics, a philosophy originally grounded in pre-Columbian sacred conceptions of the cosmos, time, and place, and now expressed in creative writings. More specifically, she attends to Maya and Zapotec literary and cultural forms by theorizing kab'awil as an Indigenous philosophy. Tackling the political and literary implications of this work, Chacon argues that Indigenous writers' use of familiar genres alongside Indigenous language, use of oral traditions, and new representations of selfhood and nation all create space for expressions of cultural and political autonomy. Chacon recognizes that Indigenous writers draw from universal literary strategies but nevertheless argues that this literature is a vital center for reflecting on Indigenous ways of knowing and is a key artistic expression of decolonization.