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In Search of Russian Modernism

In Search of Russian Modernism
Author: Leonid Livak
Publisher: JHU Press
Total Pages: 392
Release: 2018-11-30
Genre: Literary Criticism
ISBN: 1421426420

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Aiming to open an overdue debate about the academic fields of Russian and transnational modernist studies, this book is intended for an audience of scholars in comparative literary and cultural studies, specialists in Russian and transnational modernism, and researchers engaged with European cultural historiography.


Metamorphoses in Russian Modernism

Metamorphoses in Russian Modernism
Author: Peter I. Barta
Publisher: Central European University Press
Total Pages: 204
Release: 2000-01-01
Genre: Literary Criticism
ISBN: 9789639116917

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Examines metamorphoses in the works of prominent representatives of the divided Russian intelligentsia: the Symbolists; the most famous emigre writer, Nabokov; Olesha, the 'fellow traveller' attempting to find his place in the Soviet state; the enthusiastic poet of the Bolshevik movement, Mayakovsky; and finally, Russia's greatest film director, Sergei Eisenstein. It is futile to try to understand Russian civilisation let alone predict its future without considering the intellectual, social and emotional reasons why it is not at rest with itself. It is to this end that this volume hopes to make a contribution.


The Icon and the Square

The Icon and the Square
Author: Maria Taroutina
Publisher: Penn State Press
Total Pages: 761
Release: 2018-11-26
Genre: Art
ISBN: 0271082550

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In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists. The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.


Modernism and Revolution

Modernism and Revolution
Author: Victor Erlich
Publisher: Harvard University Press
Total Pages: 336
Release: 1994
Genre: Education
ISBN: 9780674580701

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Now that the political rhetoric can end, Erlich (Russian literature, Yale U.) examines the impact of the 1917 revolution on Russian poetry, criticism, and artistic prose. He looks at the flirtations with modernism of the early 20th century and compares the futurists, formalists, novelists, and short-story writers of the first decade of the new social and political order. Assumes no knowledge of Russian. Annotation copyright by Book News, Inc., Portland, OR


In Search of Russian Modernism

In Search of Russian Modernism
Author: Leonid Livak
Publisher: Johns Hopkins University Press
Total Pages: 388
Release: 2018-11-30
Genre: Literary Criticism
ISBN: 1421426412

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Aiming to open an overdue debate about the academic fields of Russian and transnational modernist studies, this book is intended for an audience of scholars in comparative literary and cultural studies, specialists in Russian and transnational modernism, and researchers engaged with European cultural historiography.


Modernism and the Spiritual in Russian Art

Modernism and the Spiritual in Russian Art
Author: Louise Hardiman
Publisher: Open Book Publishers
Total Pages: 243
Release: 2017-11-13
Genre: Art
ISBN: 1783743417

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In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia. Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions.


Utopias

Utopias
Author: Catriona Kelly
Publisher: Penguin (Non-Classics)
Total Pages: 420
Release: 1999
Genre: Art
ISBN:

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Russian Modernism began with the triumph of the symbolist style and survived until the Stalinist terror of the late 1930s. It was an age bristling with visions of glorious or terrifying futures, with manifestos for new artistic movements, and with furious feuds between them. Utopias brings together Mikhail Bakhtin's celebrated analysis of "carnival culture"; reflections by painter and stage designer Leon Bakst and film director Sergei Einstein; and major texts by Isaac Babel and Mikhail Bulgakov, Vladimir Mayakovsky and Osip Mandelstam, Anna Akhmatova and Marina Tsvetaeva, Vladimir Nabokov and Boris Pasternak; as well as many works by less well-known but equally talented figures. This richly illustrated collection offers an astonishing look at one of history's most stimulating artistic eras.


Fast Forward

Fast Forward
Author: Tim Harte
Publisher: Univ of Wisconsin Press
Total Pages: 341
Release: 2009-11-24
Genre: Literary Criticism
ISBN: 0299233235

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Life in the modernist era not only moved, it sped. As automobiles, airplanes, and high-speed industrial machinery proliferated at the turn of the twentieth century, a fascination with speed influenced artists—from Moscow to Manhattan—working in a variety of media. Russian avant-garde literary, visual, and cinematic artists were among those striving to elevate the ordinary physical concept of speed into a source of inspiration and generate new possibilities for everyday existence. Although modernism arrived somewhat late in Russia, the increased tempo of life at the start of the twentieth century provided Russia’s avant-garde artists with an infusion of creative dynamism and crucial momentum for revolutionary experimentation. In Fast Forward Tim Harte presents a detailed examination of the images and concepts of speed that permeated Russian modernist poetry, visual arts, and cinema. His study illustrates how a wide variety of experimental artistic tendencies of the day—such as “rayism” in poetry and painting, the effort to create a “transrational” language (zaum’) in verse, and movements seemingly as divergent as neo-primitivism and constructivism—all relied on notions of speed or dynamism to create at least part of their effects. Fast Forward reveals how the Russian avant-garde’s race to establish a new artistic and social reality over a twenty-year span reflected an ambitious metaphysical vision that corresponded closely to the nation’s rapidly changing social parameters. The embrace of speed after the 1917 Revolution, however, paradoxically hastened the movement’s demise. By the late 1920s, under a variety of historical pressures, avant-garde artistic forms morphed into those more compatible with the political agenda of the Russian state. Experimentation became politically suspect and abstractionism gave way to orthodox realism, ultimately ushering in the socialist realism and aesthetic conformism of the Stalin years.


The Keys to Happiness

The Keys to Happiness
Author: Laura Engelstein
Publisher: Cornell University Press
Total Pages: 481
Release: 2018-08-06
Genre: History
ISBN: 1501721291

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The revolution of 1905 challenged not only the social and political structures of imperial Russia but the sexual order as well. Throughout the decade that followed-in the salons of the artistic and intellectual avant-garde, on the pages of popular romances, in the staid assemblies of physicians, psychiatrists, and legal men—the talk everywhere was of sex. This eagerly awaited book, echoing the title of a pre-World War I bestseller, The Keys to Happiness, marks the first serious attempt to understand the intense public interest in sexuality as a vital dimension of late tsarist political culture. Drawing on a strong foundation of historical sources—from medical treatises and legal codes to anti-Semitic pamphlets, commercial fiction, newspaper advertisements, and serious literature—Laura Engelstein shows how Western ideas and attitudes toward sex and gender were transformed in the Russian context as imported views on prostitution, venereal disease, homosexuality, masturbation, abortion, and other themes took on distinctively Russian hues. Engelstein divides her study into two parts, the first focusing on the period from the Great Reforms to 1905 and on the two professional disciplines most central to the shaping of a modern sexual discourse in Russia: law and medicine. The second part describes the complicated sexual preoccupations that accompanied the mobilization leading up to 1905, the revolution itself, and the aftermath of continued social agitation and intensified intellectual doubt. In chapters of astonishing richness, the author follows the sexual theme through the twists of professional and civic debate and in the surprising links between high and low culture up to the eve of the First World War. Throughout, Engelstein uses her findings to rethink the conventional wisdom about the political and cultural history of modern Russia. She maps out new approaches to the history of sexuality, and shows, brilliantly, how the study of attitudes toward sex and gender can help us to grasp the most fundamental political issues in any society.


Russia in Search of Itself

Russia in Search of Itself
Author: James H. Billington
Publisher: Woodrow Wilson Center Press
Total Pages: 252
Release: 2004-03-19
Genre: Philosophy
ISBN: 0801879760

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Billington describes the contentious discussion occurring all over Russia and across the political spectrum. He finds conflicts raging among individuals as much as between organized groups and finds a deep underlying tension between the Russians' attempts to legitimize their new, nominally democratic identity, and their efforts to craft a new version of their old authoritarian tradition. After showing how the problem of Russian identity was framed in the past, Billington asks whether Russians will now look more to the West for a place in the common European home, or to the East for a new, Eurasian identity.