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| Author | : Carl Emil Seashore |
| Publisher | : Praeger |
| Total Pages | : 416 |
| Release | : 1981-02-18 |
| Genre | : Music |
| ISBN | : |
This volume is designed as an introduction to the science of music for advanced students of music and psychology, music teachers, professional musicians, and general readers interested in the scientific approach to the understanding and appreciation of beauty in music.
| Author | : Carl Emil Seashore |
| Publisher | : |
| Total Pages | : 424 |
| Release | : 1947 |
| Genre | : Music |
| ISBN | : |
Scientific approach to musical esthetics.
| Author | : Carl E. Seashore |
| Publisher | : |
| Total Pages | : 389 |
| Release | : 2013-03-01 |
| Genre | : |
| ISBN | : 9780781296540 |
Bonded Leather binding
| Author | : Carl E Seashore |
| Publisher | : Sagwan Press |
| Total Pages | : 424 |
| Release | : 2015-08-23 |
| Genre | : |
| ISBN | : 9781340094089 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Michael Kurek |
| Publisher | : Ignatius Press |
| Total Pages | : 231 |
| Release | : 2019-10-01 |
| Genre | : Music |
| ISBN | : 1642290939 |
Music remains something of a mystery to many people—ephemeral sounds floating invisibly through the air—here, and then gone. This book begins with the basic question of what music actually is, scientifically, employing simple, clear explanations of wave theory and the acoustics of sound as part of God's natural creation. It presents accessible and fascinating explanations of some theories of the psychology of perception of music, how music speaks to the mind, emotions, and spirit. Some of these concepts have rarely been addressed outside the ivory tower and even more rarely been seen through the lens of Catholic theology. Moving from music and the individual to music in the culture and the Church, the author addresses numerous issues in the context of Catholic thought, including: immanence and transcendence in music the Real Presence and music Moral Theology, Natural Law and music ordered and disordered understandings of music as it relates to the emotions understanding the authentic meanings of "beauty" and "creativity" the real function of music in Catholic liturgy the role of music in evangelization This is a kind of "layman's handbook," a comprehensive theology of all things music, which anyone can understand, written by an internationally respected classical composer and music professor at a top secular university who is also a faithful Catholic. It sheds light on the mysteries of music and furthers the spiritual formation regarding music for Catholics of many ages and walks of life. It is groundbreaking in its comprehensive and holistic treatment of music from a Catholic perspective, and particularly timely in advocating for the renewal of the norms for music in liturgy found in the documents of Vatican II. It also presents one of the most penetrating critical examinations to be found of contemporary classical music, from an insider.
| Author | : Maureen McCarthy Draper |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2001-11-01 |
| Genre | : Music |
| ISBN | : 1573228982 |
An important book that answers how music affects your mood and how music affects your brain Music has a profound influence on our lives; affecting how we think, how we act, how we feel-even who we are. By learning more about the intimate relationship between music and ourselves, we can begin to harness that power and better our lives. A classical pianist, Draper writes about the ways in which the great works of the classical canon can help us cope with grief, give dimension to the mysteries of beauty and faith, aid us in recovery from illness, inspire us to create, or just give us a boost of energy. This unique guide includes an extensive music bibliography with selections to suit moods, calm nerves, inspire, and heal. Anyone from the novice to the aficionado will find new ways to hear music as they never have before.
| Author | : Gunther Schuller |
| Publisher | : Eastman Studies in Music |
| Total Pages | : 664 |
| Release | : 2011 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781580463423 |
The autobiography of composer and conductor Gunther Schuller and a recounting of the American musical scene through the twentieth century and into the twenty-first.
| Author | : Martha Bayles |
| Publisher | : University of Chicago Press |
| Total Pages | : 466 |
| Release | : 1996-05-15 |
| Genre | : Music |
| ISBN | : 9780226039596 |
From Queen Latifa to Count Basie, Madonna to Monk, Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music traces popular music back to its roots in jazz, blues, country, and gospel through the rise in rock 'n' roll and the emergence of heavy metal, punk, and rap. Yet despite the vigor and balance of these musical origins, Martha Bayles argues, something has gone seriously wrong, both with the sound of popular music and the sensibility it expresses. Bayles defends the tough, affirmative spirit of Afro-American music against the strain of artistic modernism she calls 'perverse.' She describes how perverse modernism was grafted onto popular music in the late 1960s, and argues that the result has been a cult of brutality and obscenity that is profoundly anti-musical. Unlike other recent critics of popular music, Bayles does not blame the problem on commerce. She argues that culture shapes the market and not the other way around. Finding censorship of popular music "both a practical and a constitutional impossibility," Bayles insists that "an informed shift in public tastes may be our only hope of reversing the current malignant mood."
| Author | : Donald A. Hodges |
| Publisher | : Routledge |
| Total Pages | : 479 |
| Release | : 2016-10-04 |
| Genre | : Music |
| ISBN | : 1317356470 |
A Concise Survey of Music Philosophy helps music students choose a philosophy that will guide them throughout their careers. The book is divided into three sections: central issues that any music philosophy ought to consider (e.g., beauty, emotion, and aesthetics); secondly, significant philosophical positions, exploring what major thinkers have had to say on the subject; and finally, opportunities for students to consider the ramifications of these ideas for themselves. Throughout the book, students are encouraged to make choices that will inform a philosophy of music and music education with which they are most comfortable to align. Frequently, music philosophy courses are taught in such a way that the teacher, as well as the textbook used, promotes a particular viewpoint. A Concise Survey of Music Philosophy presents the most current, prevalent philosophies for consideration. Students think through different issues and consider practical applications. There are numerous musical examples, each with links from the author’s home website to online video performances. Examples are largely from the Western classical canon, but also jazz, popular, and world music styles. In the last two chapters, students apply their views to practical situations and learn the differences between philosophy and advocacy. "Hodges has written an excellent resource for those wanting a short—but meaningful—introduction to the major concepts in music philosophy. Applicable to a number of courses in the music curriculum, this much-needed book is both accessible and flexible, containing musical examples, tables and diagrams, and additional readings that make it particularly useful for a student's general introduction to the topic. I especially like the emphasis on the personal development of a philosophical position, which makes the material especially meaningful for the student of music." —Peter R. Webster, Scholar-in-Residence, Thornton School of Music, University of Southern California, USA
| Author | : Kees Tazelaar |
| Publisher | : Nai010 Publishers |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Electronic music |
| ISBN | : 9789462080652 |
On the Threshold of Beauty' is an exciting and detailed reconstruction of the emergence of electronic music in the Netherlands. Author Kees Tazelaar, composer and head of the Institute of Sonology at the Royal Conservatoire in The Hague, grippingly relates its turbulent history from the earliest beginnings. This history begins around 1930 with the studio of the Philips Physics Laboratory and the plans for the Philips pavilion at Expo 58 in Brussels. The goal was a lightand- sound demonstration for the general public, but the involvement of Le Corbusier, Iannis Xenakis and Edgard Varèse gave this project a highly avant-garde turn. The result, Poème électronique, was considered by many to be much more experimental than the music of the research laboratory. In 1960 Philips divested itself of the studio. It was absorbed into a new studio at Utrecht University, where Gottfried Michael Koenig became artistic director in 1964. Tazelaar also looks in detail at the influence wielded by the Contact Organization for Electronic Music during this period. -- Publisher.
