Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download In Print PDF full book. Access full book title In Print.
| Author | : Agatha Beins |
| Publisher | : University of Georgia Press |
| Total Pages | : 224 |
| Release | : 2017 |
| Genre | : History |
| ISBN | : 0820349518 |
Introduction origins and reproductions -- Printing feminism -- Locating feminism -- Doing feminism -- Invitations to women's liberation -- Imaging and imagining revolution -- Conclusion feminism redux
| Author | : Trish Loughran |
| Publisher | : Columbia University Press |
| Total Pages | : 569 |
| Release | : 2007 |
| Genre | : History |
| ISBN | : 023113908X |
In The Republic in Print, Trish Loughran challenges a dominant narrative about nationalism: the idea that print culture produces nations. Focusing on the years between 1770 and 1870, Loughran develops two richly detailed and provocative arguments. First she argues that it was the lack of national infrastructure (rather than a tightly connected print network) that enabled the nation to be imagined between 1776 and 1790. She then describes how the increasingly connected book market of the 1830s, 1840s, and 1850s worked to exacerbate regional differences in ways that contributed to secession and civil war. Drawing on a range of literary, historical, and archival materials, The Republic in Print is a refreshing and original cultural history of the early American nation-state.
| Author | : Marcus Elmore |
| Publisher | : R. R. Bowker |
| Total Pages | : 0 |
| Release | : 2006 |
| Genre | : Academic libraries |
| ISBN | : 9780835248556 |
This seven-volume set offers a core collection of hand-selected titles in 58 curriculum-specific subject areas. Volumes are organized into broad subject areas such as Humanities, Languages and Literature, History, Social Sciences and Professional Studies, Science and Technology, and Interdisciplinary and Area Studies. The seventh volume provides helpful cross-referencing indexes which explain the relationship between RCL subject taxonomy and LC ranges. New to this edition are the inclusion of interdisciplinary subject areas and the selection of electronic resources and web sites essential for undergraduate library collections. Non-book selections will be easily identified by a graphic indicator included in the item record. All selections will be assigned an audience level marker indicating whether the title is most appropriate for lower-division undergraduate, upper-division undergraduate, faculty, or general readership. Records will also include a notation if they previously appeared in BCL3 (Books for College Libraries, 1988) or have been reviewed by Choice.
| Author | : Roger C. Parker |
| Publisher | : Ventana Communications Group |
| Total Pages | : 256 |
| Release | : 1988 |
| Genre | : Computers |
| ISBN | : |
This design resource guide outlines the design skills necessary to create attractive, effective printed materials, such as newsletters, advertisements, brochures, manuals and other documents.
| Author | : Ted Striphas |
| Publisher | : Columbia University Press |
| Total Pages | : 272 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 0231148151 |
Here, the author assesses our modern book culture by focusing on five key elements including the explosion of retail bookstores like Barnes & Noble and Borders, and the formation of the Oprah Book Club.
| Author | : Rachael Scarborough King |
| Publisher | : University of Virginia Press |
| Total Pages | : 439 |
| Release | : 2020-03-31 |
| Genre | : Literary Criticism |
| ISBN | : 0813943493 |
The eighteenth century has generally been understood as the Age of Print, when the new medium revolutionized the literary world and rendered manuscript culture obsolete. After Print, however, reveals that the story isn’t so simple. Manuscript remained a vital, effective, and even preferred forum for professional and amateur authors working across fields such as literature, science, politics, religion, and business through the Romantic period. The contributors to this book offer a survey of the manuscript culture of the time, discussing handwritten culinary recipes, the poetry of John Keats, Benjamin Franklin’s letters about his electrical experiments, and more. Collectively, the essays demonstrate that what has often been seen as the amateur, feminine, and aristocratic world of handwritten exchange thrived despite the spread of the printed word. In so doing, they undermine the standard print-manuscript binary and advocate for a critical stance that better understands the important relationship between the media. Bringing together work from literary scholars, librarians, and digital humanists, the diverse essays in After Print offer a new model for archival research, pulling from an exciting variety of fields to demonstrate that manuscript culture did not die out but, rather, may have been revitalized by the advent of printing. Contributors: Leith Davis, Simon Fraser University * Margaret J. M. Ezell, Texas A&M University * Emily C. Friedman, Auburn University * Kathryn R. King, University of Montevallo * Michelle Levy, Simon Fraser University * Marissa Nicosia, Penn State Abington * Philip S. Palmer, Morgan Library and Museum * Colin T. Ramsey, Appalachian State University * Brian Rejack, Illinois State University * Beth Fowkes Tobin, University of Georgia * Andrew O. Winckles, Adrian College
| Author | : Michiel van Groesen |
| Publisher | : BRILL |
| Total Pages | : 262 |
| Release | : 2019-09-16 |
| Genre | : History |
| ISBN | : 9004348034 |
In Imagining the Americas in Print, Michiel van Groesen reveals the variety of ways in which early modern Europe gathered information and manufactured knowledge about the Americas, and used it to further their colonial ambitions in the Atlantic world.
| Author | : Mary Elizabeth Berry |
| Publisher | : Univ of California Press |
| Total Pages | : 356 |
| Release | : 2006-02-16 |
| Genre | : History |
| ISBN | : 9780520941465 |
A quiet revolution in knowledge separated the early modern period in Japan from all previous time. After 1600, self-appointed investigators used the model of the land and cartographic surveys of the newly unified state to observe and order subjects such as agronomy, medicine, gastronomy, commerce, travel, and entertainment. They subsequently circulated their findings through a variety of commercially printed texts: maps, gazetteers, family encyclopedias, urban directories, travel guides, official personnel rosters, and instruction manuals for everything from farming to lovemaking. In this original and gracefully written book, Mary Elizabeth Berry considers the social processes that drove the information explosion of the 1600s. Inviting readers to examine the contours and meanings of this transformation, Berry provides a fascinating account of the conversion of the public from an object of state surveillance into a subject of self-knowledge. Japan in Print shows how, as investigators collected and disseminated richly diverse data, they came to presume in their audience a standard of cultural literacy that changed anonymous consumers into an "us" bound by common frames of reference. This shared space of knowledge made society visible to itself and in the process subverted notions of status hierarchy. Berry demonstrates that the new public texts projected a national collectivity characterized by universal access to markets, mobility, sociability, and self-fashioning.
| Author | : Willem De Blecourt |
| Publisher | : Manchester University Press |
| Total Pages | : 254 |
| Release | : 2018-04-30 |
| Genre | : Literary Criticism |
| ISBN | : 1526129701 |
Since the beginning of the nineteenth century folklorists, and the general public in their wake, have assumed the orality of fairy tales. Only lately have more and more specialists been arguing in favour of at least an interdependence between oral and printed distribution of stories. This book takes an extreme position in that debate: as far as Tales of magic is concerned, the initial transmission proceded exclusively through prints. From a historical perspective, this is the only viable approach; the opposite assumption of a vast unrecorded and thus inaccessible reservoir of oral stories, presents a horror vacui. Only in the course of the nineteenth century, when folklorists started collecting in the field and asked their informants for fairy tales, was this particular genre incorporated into a then feeble oral tradition. Even then story tellers regularly reverted to printed texts. Every recorded fairy tale can be shown to be dependent on previous publications, or to be a new composition, constructed on the basis of fragments of stories already in existence. Tales of magic, tales in print traces the textual history of a number of fairy tale clusters, linking the findings of literary historians on the sixteenth to eighteenth centuries to the material collected by nineteenth- and twentieth-century field workers. While it places fairy tales as a genre firmly in a European context, it also follows particular stories in their dispersion over the rest of the world.
| Author | : Wilfried Pichler |
| Publisher | : diplom.de |
| Total Pages | : 98 |
| Release | : 2002-03-07 |
| Genre | : Business & Economics |
| ISBN | : 3832451994 |
Inhaltsangabe:Abstract: Today we observe a development in which the role of language is steadily decreasing whereas the impact of pictures is increasing. This goes hand in hand with a development in which information relies more and more on visual concepts. More and more language takes the part of explaining how to read the visual presentations, more and more language takes the part of providing the background information which is necessary to understand the meaning of the visual foreground. Kress and van Leeuwen (1998) argue that Today, we seem to move towards a decrease of control over language (e.g. the greater variety of accents allowed on the public media, the increasing poblems in enforcing normative spelling), and towards an increase in codification and control over the visual (e.g. the use of image banks from which ready-made images can be drawn for the constuction of visual texts, and, generally, the effect of computer imaging technology). Although we may be aware of this tendency, we have not been taught in school how to read visual concepts and so most of us share some degree of illiteracy concerning a critical reading of information presented by images. This is remarkable because we all agree about their influence on our lives but at the same time when we do not develop analytical tools for describing what kinds of strategies, what kinds of concepts are working in visual presentations of information. We tend to overlook the importance of visual concepts simply because we generally do not know enough about their code. This paper analyses photos and language which are parts of ads, which have definitely been designed for transferring messages because they have been made to advertise one specific product. Images and the text of advertisements never are casual products like family pictures. Although the photo in the family album is coded its coding is less elaborated than the coding of pictures in ads. We have to keep in mind that many people, experts in advertising, experts in public relations were involved in the process of designing an ad before we can look at the final result. This is why ads are definitely conceptually designed because they are meant to create a specific meaning in the viewer s mind. It is a truism that no visual concept, no photo of an ad was chosen by chance. Photographs and language of ads are more likely to have been carefully constructed and selected according to the meaning they are supposed to create. This is [...]
