In Memory of Gabrielle Enthoven
Author | : Society for Theatre Research |
Publisher | : |
Total Pages | : 133 |
Release | : 1952 |
Genre | : |
ISBN | : |
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Author | : Society for Theatre Research |
Publisher | : |
Total Pages | : 133 |
Release | : 1952 |
Genre | : |
ISBN | : |
Author | : Society for Theatre Research |
Publisher | : |
Total Pages | : |
Release | : 1952 |
Genre | : Theater |
ISBN | : |
Author | : Society for Theatre Research |
Publisher | : |
Total Pages | : 0 |
Release | : 1952 |
Genre | : Theater |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 133 |
Release | : 1952 |
Genre | : |
ISBN | : |
Author | : Society for Theatre Research |
Publisher | : |
Total Pages | : 133 |
Release | : 1952 |
Genre | : Theater |
ISBN | : |
Author | : Society for Theatre Research |
Publisher | : |
Total Pages | : 133 |
Release | : 1952 |
Genre | : Theater |
ISBN | : |
Author | : Society for Theatre Research (London) |
Publisher | : |
Total Pages | : 133 |
Release | : 1952 |
Genre | : |
ISBN | : |
Author | : Gabrielle ENTHOVEN |
Publisher | : |
Total Pages | : 133 |
Release | : 1952 |
Genre | : |
ISBN | : |
Author | : Maggie B. Gale |
Publisher | : Manchester University Press |
Total Pages | : 403 |
Release | : 2019-04-08 |
Genre | : History |
ISBN | : 1526136872 |
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book presents a collection of cutting-edge historical and cultural essays in the field of women, theatre and performance. The chapters explore women’s networks of professional practice in the theatre and performance industries between 1900 and 1950, with a focus on women’s sense and experience of professional agency in an industry largely controlled by men. The book is divided into two sections: ‘Female theatre workers in the social and theatrical realm’ looks at the relationship between women’s work – on and off stage – and autobiography, activism, technique, touring, education and the law. ‘Women and popular performance’ focuses on the careers of individual artists, once household names, including Lily Brayton, Ellen Terry, radio star Mabel Constanduros and Oscar-winning film star Margaret Rutherford.
Author | : William Shakespeare |
Publisher | : Cambridge University Press |
Total Pages | : 252 |
Release | : 2004-06-17 |
Genre | : Drama |
ISBN | : 9780521534826 |
This is a detailed account of the theatre history of Shakespeare's Macbeth from 1607 to the present day. The shortest of the tragedies, Macbeth is compressed, complex and ambiguous and has been variously interpreted. The Introduction describes major productions and performers including David Garrick, Sarah Siddons, Henry Irving, Ellen Terry and Laurence Olivier. Sarah Siddons, the greatest Lady Macbeth, portrayed her as a ruthlessly ambitious woman who dominated her husband. Irving, on the other hand, saw Macbeth as 'a bloody-minded villain', unlike his wife, played by Ellen Terry, who was gentle and devoted. Ian McKellen and Judi Dench, in the most successful production of the last century, were united in their ambition and pursuit of evil. A detailed commentary alongside the New Cambridge Shakespeare text of the play describes how specific episodes and passages have been interpreted in the theatre.