Iman Issa
Author | : Diana Nawi |
Publisher | : |
Total Pages | : |
Release | : 2015-06-30 |
Genre | : |
ISBN | : 9780692479155 |
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Author | : Diana Nawi |
Publisher | : |
Total Pages | : |
Release | : 2015-06-30 |
Genre | : |
ISBN | : 9780692479155 |
Author | : SILVIA. BOADELLA |
Publisher | : Skira |
Total Pages | : 208 |
Release | : 2020-11-17 |
Genre | : Art |
ISBN | : 9788857243320 |
An intimate look at the life and career of the Dada hero known for the unique joy of her work across mediums, authored by her great-niece and buttressed with archival material Even when performing at Zurich's Cabaret Voltaire during Dada's halcyon days, Swiss artist Sophie Taeuber-Arp (1889-1943) stood out from the crowd: her choreography, paintings, sculptures, puppets and textiles were all infused with a unique joy that set her apart from her contemporaries. In this important new publication, Taeuber-Arp's great-niece pays homage to the artist's pioneering oeuvre and rich personal life. Silvia Boadella grew up with Taeuber-Arp's oeuvre to hand and draws from her memories, stories and family documents, as well as hitherto unpublished sources for this volume. Boadella provides readers for the first time with a portrait of Taeuber-Arp's personality, her private and artistic environment, connecting the phases of her life to her works, and, with the aid of numerous illustrations including photographs from the family archives, constructs a vivid experience for the reader.
Author | : Cynthia Carr |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 806 |
Release | : 2012-07-17 |
Genre | : Biography & Autobiography |
ISBN | : 1608194205 |
The first full biography of legendary East Village artist and gay activist David Wojnarowicz, whose work continues to provoke twenty years after his death 'Carr's biography is both sympathetic and compendious; it's also a many-angled account of the downtown art world of the 1980s . . . a vivid and peculiarly American story' New York Times 'A beautifully written, sympathetic, unsentimental portrait of one of the most lastingly influential late 20th century New York artists' LA Times ______________________ David Wojnarowicz was an abused child, a teen runaway who barely finished high school, but he emerged as one of the most important voices of his generation. He found his tribe in New York's East Village, a neighborhood noted in the 1970s and '80s for drugs, blight, and a burgeoning art scene. His creativity spilled out in paintings, photographs, films, texts, installations, and in his life and its recounting-creating a sort of mythos around himself. His circle of East Village artists moved into the national spotlight just as the AIDS plague began its devastating advance, and as right-wing culture warriors reared their heads. As Wojnarowicz's reputation as an artist grew, so did his reputation as an agitator-because he dealt so openly with his homosexuality, so angrily with his circumstances as a Person With AIDS, and so fiercely with his would-be censors. Fire in the Belly is the untold story of a polarizing figure at a pivotal moment in American culture-and one of the most highly acclaimed biographies of the year.
Author | : Gwen Allen |
Publisher | : MIT Press |
Total Pages | : 377 |
Release | : 2015-08-21 |
Genre | : Art |
ISBN | : 026252841X |
How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists' Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others. Among the magazines Allen examines are Aspen (1965–1971), a multimedia magazine in a box—issues included Super-8 films, flexi-disc records, critical writings, artists' postage stamps, and collectible chapbooks; Avalanche (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions; and Real Life (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, do-it-yourself quality against the slickness of an Artforum, and they created work that defied the formalist orthodoxy of the day. Artists' Magazines, featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium.
Author | : Jane Panetta |
Publisher | : Yale University Press |
Total Pages | : 321 |
Release | : 2019-01-01 |
Genre | : Art |
ISBN | : 0300242751 |
Showcasing the work of an exciting group of contemporary artists, this book reflects the trends shaping art in the United States today.
Author | : Aram Moshayedi |
Publisher | : Prestel |
Total Pages | : 280 |
Release | : 2018 |
Genre | : Art |
ISBN | : |
"Exhibition catalogue, Hammer Museum, Los Angeles, January 28-May 6, 2018"--
Author | : Iman Issa |
Publisher | : |
Total Pages | : |
Release | : 2011 |
Genre | : |
ISBN | : |
Author | : Jan Verwoert |
Publisher | : Sternberg Press |
Total Pages | : 312 |
Release | : 2010 |
Genre | : Art |
ISBN | : 9781934105146 |
This first compilation of writings by art critic Jan Verwoert galvanizescentral themes he has been developing in pursuit of a language todescribe art's transformative potential in conceptual, performative andemotional terms. He analyzes the power of public gestures toconstitute communities as well as the pressure to perform that governsthe sphere of creative labor, in order to show how particular artistsperform gestures and invoke community differently. Exploring theemotional power games that shape social relations, Verwoert looks foran alternative ethos of action and feeling, asking: How can a modernistapproach to artistic form as a means of social critique be expandedto fully avow its subliminal affective undercurrents, and produce apleasurably crooked form of criticality in art and writing?
Author | : Mai Abu ElDahab |
Publisher | : Sternberg Press |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Art |
ISBN | : 9783956793288 |
An important collection of interviews with contemporary artists, musicians and writers in dialogue with Beirut and Cairo today, These Are the Tools of the Present is not an overview of the art scenes in these cities, but a picture of how artists think about being active in the contexts of these two cities. It offers insight into the circumstances that structure their stories, and the often-accidental influences that shaped the development of their practices. Published on the occasion of Meeting Points 8, Both Sides of the Curtain, a biannual international multidisciplinary arts event taking the Arab world as a starting point to pose questions about art. Contributions by Lawrence Abu Hamdan, Haig Aivazian, Mounira Al Solh, Doa Aly, Andeel, Mirene Arsanios, Malak Helmy, Iman Issa, Mahmoud Khaled, Maurice Louca, Jasmina Metwaly, Joe Namy, Nile Sunset Annex, November Paynter, Roy Samaha, Sharif Sehnaoui, Rania Stephan, Christophe Wavelet and Lauren Wetmore.
Author | : Anselm Franke |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2021-08-24 |
Genre | : Art |
ISBN | : 3956795083 |
An examination of the use of modernism in the twentieth-century battle for US hegemony, through the activities of the CIA-funded Congress for Cultural Freedom. Parapolitics confronts the contemporary fate of intellectual autonomy and artistic freedom by revisiting the use of modernism in the twentieth-century battle for US hegemony. It builds on a major exhibition at Haus der Kulturen der Welt (2017–18) that took as its starting point the Congress for Cultural Freedom (CCF)—an organization covertly funded by the Central Intelligence Agency in order to steer the Left away from its remaining commitment to communism. Paying particular attention to CCF activities in the non-European world during a period of decolonization and the Civil Rights Movement, Parapolitics assembles archival documentation from five continents alongside a selection of historical artworks to explore the context in which artists negotiated the framing and meaning of their work. A rich reference book for future researchers and everybody interested in the legacy of modernism, the publication also presents more than thirty newly commissioned contributions by contemporary artists and scholars.