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| Author | : Clive Gabay |
| Publisher | : Cambridge University Press |
| Total Pages | : 283 |
| Release | : 2018-11-22 |
| Genre | : Business & Economics |
| ISBN | : 1108473601 |
While challenging traditional postcolonial accounts, Gabay places racial anxiety at the heart of imaginaries of Africa and international order.
| Author | : Hopeton S. Dunn |
| Publisher | : Springer Nature |
| Total Pages | : 390 |
| Release | : 2021-01-30 |
| Genre | : Social Science |
| ISBN | : 303054169X |
This book advances alternative approaches to understanding media, culture and technology in two vibrant regions of the Global South. Bringing together scholars from Africa and the Caribbean, it traverses the domains of communication theory, digital technology strategy, media practice reforms, and corporate and cultural renewal. The first section tackles research and technology with new conceptual thinking from the South. The book then looks at emerging approaches to community digital networks, online diaspora entertainment, and video gaming strategies. The volume then explores reforms in policy and professional practice, including in broadcast television, online newspapers, media philanthropy, and business news reporting. Its final section examines the role of village-based folk media, the power of popular music in political opposition, and new approaches to overcoming neo-colonial propaganda and external corporate hegemony. This book therefore engages critically with the central issues of how we communicate, produce, entertain, and build communities in 21st-century Africa and the Caribbean.
| Author | : Carola Lentz |
| Publisher | : Indiana University Press |
| Total Pages | : 294 |
| Release | : 2022-05-03 |
| Genre | : Family & Relationships |
| ISBN | : 0253060184 |
What keeps a family together? In Imagining Futures, authors Carola Lentz and Isidore Lobnibe offer a unique look at one extended African family, currently comprising over five hundred members in Northern Ghana and Burkina Faso. Members of this extended family, like many others in the region, find themselves living increasingly farther apart and working in diverse occupations ranging from religious clergy and civil service to farming. What keeps them together as a family? In their groundbreaking work, Lentz and Lobnibe argue that shared memories, rather than only material interests, bind a family together. Imagining Futures explores the changing practices of remembering in an African family and offers a unique contribution to the growing field of memory studies, beyond the usual focus of Europe and America. Lentz and Lobnibe explore how, in an increasingly globalized, postcolonial world, memories themselves are not static accounts of past events but are actually malleable and shaped by both current concerns and imagined futures.
| Author | : Clive Gabay |
| Publisher | : Cambridge University Press |
| Total Pages | : 283 |
| Release | : 2018-11-22 |
| Genre | : History |
| ISBN | : 1108698719 |
There has been a long history of idealism concerning the potential of economic and political developments in Africa, the latest iteration of which emerged around the time of the 2007–8 global financial crisis. Here, Clive Gabay takes a historical approach to questions concerning change and international order as these apply to Africa in Western imaginaries. Challenging traditional postcolonial accounts that see the West imagine itself as superior to Africa, he argues that the centrality of racial anxieties concerning white supremacy make Africa appear, at moments of Western crisis, as the saviour of Western ideals, specifically democracy, bureaucracy, and neoclassical economic order. Uncommonly, this book turns its lens as much inwards as outwards, interrogating how changing attitudes to Africa over the course of the twentieth and early twenty-first centuries correspond to shifting anxieties concerning whiteness, and the growing hope that Africa will be the place where the historical genius of whiteness might be saved and perpetuated.
| Author | : Sidney J. Lemelle |
| Publisher | : Verso |
| Total Pages | : 388 |
| Release | : 1994-12-17 |
| Genre | : History |
| ISBN | : 9780860915850 |
This collection of original essays brilliantly interrogates the often ambivalent place of Africa in the imaginations, cultures and politics of its “New World” descendants. Combining literary analysis, history, biography, cultural studies, critical theory and politics, Imagining Home offers a fresh and creative approach to the history of Pan-Africanism and diasporic movements. A critical part of the book’s overall project is an examination of the legal, educational and political institutions and structures of domination over Africa and the African diaspora. Class and gender are placed at center stage alongside race in the exploration of how the discourses and practices of Pan-Africanism have been shaped. Other issues raised include the myriad ways in which grassroots religious and cultural movements informed Pan-Africanist political organizations; the role of African, African-American and Caribbean intellectuals in the formation of Pan-African thought—including W.E.B. DuBois, C.L.R. James and Adelaide Casely Hayford; the historical, ideological and institutional connections between African-Americans and South Africans; and the problems and prospects of Pan-Africanism as an emancipatory strategy for black people throughout the Atlantic.
| Author | : Josef Gugler |
| Publisher | : Indiana University Press |
| Total Pages | : 220 |
| Release | : 2003 |
| Genre | : History |
| ISBN | : 9780253216434 |
In African Film: Re-imagining a Continent, Josef Gugler provides an introduction to African cinema through an analysis of 15 films made by African filmmakers. These directors set out to re-image Africa; their films offer Western viewers the opportunity to re-imagine the continent and its people. As a point of comparison, two additional films on Africa--one from Hollywood, the other from apartheid South Africa--serve to highlight African directors' altogether different perspectives. Gugler's interpretation considers the financial and technical difficulties of African film production, the intended audiences in Africa and the West, the constraints on distribution, and the critical reception of the films.
| Author | : African Studies Association of Australasia and the Pacific. Annual Conference |
| Publisher | : Nova Publishers |
| Total Pages | : 244 |
| Release | : 2001 |
| Genre | : History |
| ISBN | : 9781590331002 |
This book provides a plethora of insights and perspectives that take up and challenge prevailing points of view about today's Africa. The chapters examine a number of different media and topics: from African theatre to poetry, from accounts of personal history to South Africa's language policy and publishing practices. Their unifying theme is a search for tomorrow's cultural trends in an ever-changing Africa.
| Author | : William Beinart |
| Publisher | : Cambridge University Press |
| Total Pages | : 419 |
| Release | : 2021-05-20 |
| Genre | : History |
| ISBN | : 1108837085 |
An innovative three hundred year exploration of the social and political contexts of science and the scientific imagination in South Africa.
| Author | : David Johnson |
| Publisher | : Edinburgh University Press |
| Total Pages | : 232 |
| Release | : 2011-11-30 |
| Genre | : Literary Criticism |
| ISBN | : 0748650873 |
This volume explores how the Cape Colony was imagined as a political community by considering a variety of writers, from major European literati and intellectuals (Camoes, Southey, Rousseau, Adam Smith), to well-known travel writers like Francois Levaillant and Lady Anne Barnard, to figures on the margins of colonial histories, like settler rebels, slaves and early African nationalists. Complementing the analyses of these primary texts are discussions of the many subsequent literary works and histories of the Cape Colony.
| Author | : Candace M. Keller |
| Publisher | : Indiana University Press |
| Total Pages | : 486 |
| Release | : 2021-07-06 |
| Genre | : Photography |
| ISBN | : 0253057213 |
Imaging Culture is a sociohistorical study of the meaning, function, and aesthetic significance of photography in Mali, West Africa, from the 1930s to the present. Spanning the dynamic periods of colonialism, national independence, socialism, and democracy, its analysis focuses on the studio and documentary work of professional urban photographers, particularly in the capital city of Bamako and in smaller cities such as Mopti and Ségu. Featuring the work of more than twenty-five photographers, it concentrates on those who have been particularly influential for the local development and practice of the medium as well as its international popularization and active participation in the contemporary art market. Imaging Culture looks at how local aesthetic ideas are visually communicated in the photographers' art and argues that though these aesthetic arrangements have specific relevance for local consumers, they transcend geographical and cultural boundaries to have value for contemporary global audiences as well. Imaging Culture is an important and visually interesting book which will become a standard source for those who study African photography and its global impact.
