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Images of Quattrocento Florence

Images of Quattrocento Florence
Author: Stefano Ugo Baldassarri
Publisher: Yale University Press
Total Pages: 436
Release: 2000-01-01
Genre: History
ISBN: 9780300080520

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This anthology provides a panoramic view of fifteenth-century Florence in the words of the city's own citizens and visitors. The fifty-one selections offer glimpses into Renaissance thought. Together, the documents demonstrate the social, political, religious, and cultural impact Florence had in shaping the Italian and European Renaissance, and they reveal how Florence created, developed, and diffused the mythology of its own origins and glory. The documents point up the divergences in quattrocento accounts of the origins of Florence, and they reveal the importance of the city's economy, social life, and military success to the formation of its image. The book includes sources that elaborate on the city's accomplishments in literature and the visual arts, others that present major trends in Florentine religious life, and still others that attest to the acclaim and admiration that Florence evoked from foreign visitors. The editors also provide an informative introduction, a detailed chronology of fifteenth-century Italy, maps, photographs, an annotated bibliography, and a biographical sketch of the author of each document.


Images and Identity in Fifteenth-century Florence

Images and Identity in Fifteenth-century Florence
Author: Patricia Lee Rubin
Publisher: Yale University Press
Total Pages: 456
Release: 2007-01-01
Genre: Art
ISBN: 9780300123425

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An exploration of ways of looking in Renaissance Florence, where works of art were part of a complex process of social exchange Renaissance Florence, of endless fascination for the beauty of its art and architecture, is no less intriguing for its dynamic political, economic, and social life. In this book Patricia Lee Rubin crosses the boundaries of all these areas to arrive at an original and comprehensive view of the place of images in Florentine society. The author asks an array of questions: Why were works of art made? Who were the artists who made them, and who commissioned them? How did they look, and how were they looked at? She demonstrates that the answers to such questions illuminate the contexts in which works of art were created, and how they were valued and viewed. Rubin seeks out the meeting places of meaning in churches, in palaces, in piazzas--places of exchange where identities were taken on and transformed, often with the mediation of images. She concentrates on questions of vision and visuality, on "seeing and being seen." With a blend of exceptional illustrations; close analyses of sacred and secular paintings by artists including Fra Angelico, Fra Filippo Lippi, Filippino Lippi, and Botticelli; and wide-ranging bibliographic essays, the book shines new light on fifteenth-century Florence, a special place that made beauty one of its defining features.


Learning through Images in the Italian Renaissance

Learning through Images in the Italian Renaissance
Author: Federico Botana
Publisher: Cambridge University Press
Total Pages: 673
Release: 2020-07-02
Genre: Art
ISBN: 1108853099

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For the affluent merchant class of fifteenth-century Florence, the education of future generations was a fundamental matter. Together with texts, images played an important role in the development of the young into adult citizens. In this book, Federico Botana demonstrates how illustrated manuscripts of vernacular texts read by the Florentine youth facilitated understanding and memorisation of basic principles and knowledge. They were an important means of acquiring skills then considered necessary to gain the respect of others, to prosper as merchants, and to participate in civic life. Botana focuses on illustrated texts that were widely read in Quattrocento Florence: the Fior di virtù (a moral treatise including a bestiary), the Esopo volgarizzato (Aesop's Fables in Tuscan), the Sfera by Goro Dati (a poem on cosmology and geography), and mathematical manuals known as libri d'abbaco. He elucidates, in light of original sources and medieval and modern cognitive theory, the mechanisms that empowered illustrations to transmit knowledge in the Italian Renaissance.


Changing Patrons: Social Identity and the Visual Arts in Renaissance Florence

Changing Patrons: Social Identity and the Visual Arts in Renaissance Florence
Author:
Publisher: Penn State Press
Total Pages: 304
Release:
Genre: Art
ISBN: 9780271048147

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To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.


Renaissance Florence

Renaissance Florence
Author: Roger J. Crum
Publisher: Cambridge University Press
Total Pages: 30
Release: 2006-04-03
Genre: Art
ISBN: 0521846935

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This book examines the social history of Florence from the fourteenth through to sixteenth centuries.


Painting and Illumination in Early Renaissance Florence, 1300-1450

Painting and Illumination in Early Renaissance Florence, 1300-1450
Author: Laurence B. Kanter
Publisher: Metropolitan Museum of Art
Total Pages: 406
Release: 1994
Genre: Illumination of books and manuscripts, Italian
ISBN: 0870997254

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. By way of introduction to the objects themselves are three essays. The first, by Laurence B. Kanter, presents an overview of Florentine illumination between 1300 and 1450 and thumbnail sketches of the artists featured in this volume. The second essay, by Barbara Drake Boehm, focuses on the types of books illuminators helped to create. As most of them were liturgical, her contribution limns for the modern reader the medieval religious ceremonies in which the manuscripts were utilized. Carl Brandon Strehlke here publishes important new material about Fra Angelico's early years and patrons - the result of the author's recent archival research in Florence.


The Art of Sculpture in Fifteenth-Century Italy

The Art of Sculpture in Fifteenth-Century Italy
Author: Amy R. Bloch
Publisher: Cambridge University Press
Total Pages: 350
Release: 2020-01-31
Genre: Art
ISBN: 9781108428842

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Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture during a century of intense creativity and development. Here, nineteen historians of Quattrocento Italian sculpture chart the many competing forces that led makers, patrons, and viewers to invest sculpture with such heightened importance in this time and place. Methodologically wide-ranging, the essays, specially commissioned for this volume, explore the vast range of techniques and media (stone, metal, wood, terracotta, and stucco) used to fashion works of sculpture. They also examine how viewers encountered those objects, discuss varying approaches to narrative, and ponder the increasing contemporary interest in the relationship between sculpture and history.


The Ugly Renaissance

The Ugly Renaissance
Author: Alexander Lee
Publisher: Anchor
Total Pages: 595
Release: 2014-10-07
Genre: History
ISBN: 0385536607

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A fascinating and counterintuitive portrait of the sordid, hidden world behind the dazzling artwork of Michelangelo, Leonardo da Vinci, Botticelli, and more Renowned as a period of cultural rebirth and artistic innovation, the Renaissance is cloaked in a unique aura of beauty and brilliance. Its very name conjures up awe-inspiring images of an age of lofty ideals in which life imitated the fantastic artworks for which it has become famous. But behind the vast explosion of new art and culture lurked a seamy, vicious world of power politics, perversity, and corruption that has more in common with the present day than anyone dares to admit. In this lively and meticulously researched portrait, Renaissance scholar Alexander Lee illuminates the dark and titillating contradictions that were hidden beneath the surface of the period’s best-known artworks. Rife with tales of scheming bankers, greedy politicians, sex-crazed priests, bloody rivalries, vicious intolerance, rampant disease, and lives of extravagance and excess, this gripping exploration of the underbelly of Renaissance Italy shows that, far from being the product of high-minded ideals, the sublime monuments of the Renaissance were created by flawed and tormented artists who lived in an ever-expanding world of inequality, dark sexuality, bigotry, and hatred. The Ugly Renaissance is a delightfully debauched journey through the surprising contradictions of Italy’s past and shows that were it not for the profusion of depravity and degradation, history’s greatest masterpieces might never have come into being.


Florence and the Renaissance

Florence and the Renaissance
Author: Alain J. Lemaître
Publisher: Stewart, Tabori, & Chang
Total Pages: 223
Release: 1993
Genre: Art
ISBN: 9782879390680

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Reproductions and text explore the flowering of architecture, sculpture, and painting in 15th century Florence.