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| Author | : C. S. Lewis |
| Publisher | : Cambridge University Press |
| Total Pages | : 395 |
| Release | : 2013-11-14 |
| Genre | : Literary Collections |
| ISBN | : 1107639271 |
New collection of literary-critical essays and reviews of C. S. Lewis, including previously unpublished and long-unavailable works.
| Author | : Christos Lynteris |
| Publisher | : Springer Nature |
| Total Pages | : 309 |
| Release | : 2021-07-29 |
| Genre | : Science |
| ISBN | : 3030723046 |
This edited collection brings together new research by world-leading historians and anthropologists to examine the interaction between images of plague in different temporal and spatial contexts, and the imagination of the disease from the Middle Ages to today. The chapters in this book illuminate to what extent the image of plague has not simply reflected, but also impacted the way in which the disease is experienced in different historical periods. The book asks what is the contribution of the entanglement between epidemic image and imagination to the persistence of plague as a category of human suffering across so many centuries, in spite of profound shifts in our medical understanding of the disease. What is it that makes plague such a visually charismatic subject? And why is the medical, religious and lay imagination of plague so consistently determined by the visual register? In answering these questions, this volume takes the study of plague images beyond its usual, art-historical framework, so as to examine them and their relation to the imagination of plague from medical, historical, visual anthropological, and postcolonial perspectives.
| Author | : Alan J. Rocke |
| Publisher | : University of Chicago Press |
| Total Pages | : 403 |
| Release | : 2010-05-15 |
| Genre | : Science |
| ISBN | : 0226723356 |
Nineteenth-century chemists were faced with a particular problem: how to depict the atoms and molecules that are beyond the direct reach of our bodily senses. In visualizing this microworld, these scientists were the first to move beyond high-level philosophical speculations regarding the unseen. In Image and Reality, Alan Rocke focuses on the community of organic chemists in Germany to provide the basis for a fuller understanding of the nature of scientific creativity. Arguing that visual mental images regularly assisted many of these scientists in thinking through old problems and new possibilities, Rocke uses a variety of sources, including private correspondence, diagrams and illustrations, scientific papers, and public statements, to investigate their ability to not only imagine the invisibly tiny atoms and molecules upon which they operated daily, but to build detailed and empirically based pictures of how all of the atoms in complicated molecules were interconnected. These portrayals of “chemical structures,” both as mental images and as paper tools, gradually became an accepted part of science during these years and are now regarded as one of the central defining features of chemistry. In telling this fascinating story in a manner accessible to the lay reader, Rocke also suggests that imagistic thinking is often at the heart of creative thinking in all fields. Image and Reality is the first book in the Synthesis series, a series in the history of chemistry, broadly construed, edited by Angela N. H. Creager, John E. Lesch, Stuart W. Leslie, Lawrence M. Principe, Alan Rocke, E.C. Spary, and Audra J. Wolfe, in partnership with the Chemical Heritage Foundation.
| Author | : Reindert Leonard Falkenburg |
| Publisher | : Brepols Publishers |
| Total Pages | : 528 |
| Release | : 2007 |
| Genre | : History |
| ISBN | : |
One of the central and defining beliefs in late-medieval and early-modern spirituality was the notion of the formability of the religious self. Identified with the soul, the self was conceived, indeed experienced, not as an abstraction, but rather as an essential spiritual persona, as well as the intellectual and sensory center of a human being. This volume investigates the role played by images construed as formal and semantic variables - mental images, visual tropes and figures, pictorial and textual representations - in generating and sustaining processes of meditation that led the viewer or reader from outward perception to various forms of inward perception and spiritual discernment. The fifteen articles address the history of the soul as a cultural construct, an internal locus of self-formation where the divine is seen to dwell and the person may experience her/himself as a place inhabited by the spirit of God. Three central questions are approached from various disciplines: first, how was the self-contained soul created in God's likeness, yet stained by sin and as such susceptible both to destructive and redemptive forces, refashioned as a porous and malleable entity susceptible to metaphysical effects and human practices, such as self-investigation, meditative prayer, and other techniques of inwardness? Second, how did such practices constitutive of an inner liturgy prepare the soul - the anima, bride - for an encounter with God that trains, purifies, moulds, shapes, and transforms the religious self? Finally, in this process of self-reformation, how were images of place and space mobilized, how were loci found, and how did the soul come to see itself situated within these places mapped upon itself?
| Author | : Colin Renfrew |
| Publisher | : McDonald Institute Monographs |
| Total Pages | : 376 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : |
The dawn of art is sometimes equated with the birth of the human spirit. But when and how did figuration - sculpture, painting, drawing - actually begin? And did these first figurative creations coincide with the emergence of our own species, Homo sapiens ? Is figuration a general and fundamental feature of the human condition? In this challenging volume leading experts review the evidence now available from the worldwide practice of prehistoric archaeology, and go on to formulate some important conclusions. The scope of this work is global. It sets out to explore the first stirrings of artistic endeavour and of figurative imagery on each continent, and to consider the social context in which they arose. It will be a fundamental resource for all those seeking to understand the origins of art and the beginnings of human spirituality.
| Author | : Juhani Pallasmaa |
| Publisher | : John Wiley & Sons |
| Total Pages | : 155 |
| Release | : 2011-05-16 |
| Genre | : Architecture |
| ISBN | : 0470711906 |
The Embodied Image The Embodied Image: Imagination and Imagery in Architecture Juhani Pallasmaa All artistic and architectural effects are evoked, mediated and experienced through poeticised images. These images are embodied and lived experiences that take place in ‘the flesh of the world’, becoming part of us, at the same time that we unconsciously project aspects of ourselves on to a conceived space, object or event. Artistic images have a life and reality of their own and they develop through unexpected associations rather than rational and causal logic. Images are usually thought of as retinal pictures but profound poetic images are multi-sensory and they address us in an embodied and emotive manner. Architecture is usually analysed and taught as a discipline that articulates space and geometry, but the mental impact of architecture arises significantly from its image quality that integrates the various aspects and dimensions of experience into a singular, internalised and remembered entity. The material reality is fused with our mental and imaginative realm. The book is organised into five main parts that look at in turn: the image in contemporary culture; language, thought and the image; the many faces of the image; the poetic image; and finally the architectural image. The Embodied Image is illustrated with over sixty images in pairs, which are diverse in subject. They range from scientific images to historic artistic and architectural masterpieces. Artworks span Michelangelo and Vermeer to Gordon Matta- Clark and architecture takes in Modern Masters such as Mies van der Rohe, Le Corbusier and Alvar Aalto, as well as significant contemporary works by Steven Holl and Daniel Libeskind.
| Author | : John Loengard |
| Publisher | : Chronicle Books |
| Total Pages | : 90 |
| Release | : 2007-09-13 |
| Genre | : Art |
| ISBN | : 9780811861328 |
Photographic portraits taken in 1966 and 1967 of O'Keefe and her New Mexico surroundings are paired with reproductions of her some of her paintings.
| Author | : Charles Taliaferro |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 224 |
| Release | : 2013-06-06 |
| Genre | : Religion |
| ISBN | : 1441148825 |
A philosophical inquiry into the strengths and weaknesses of theism and naturalism in accounting for the emergence of consciousness, the visual imagination and aesthetic values. The authors begin by offering an account of modern scientific practice which gives a central place to the visual imagination and aesthetic values. They then move to test the explanatory power of naturalism and theism in accounting for consciousness and the very visual imagination and aesthetic values that lie behind and define modern science. Taliaferro and Evans argue that evolutionary biology alone is insufficient to account for consciousness, the visual imagination and aesthetic values. Insofar as naturalism is compelled to go beyond evolutionary biology, it does not fare as well as theism in terms of explanatory power.
| Author | : Amos Morris-Reich |
| Publisher | : Routledge |
| Total Pages | : 241 |
| Release | : 2019-10-08 |
| Genre | : Photography |
| ISBN | : 0429853424 |
As the prototypical exemplar of modern visual technology, photography was once viewed as a way to enable vision to bypass imagination, producing more reliable representations of reality. But as an achievement of technological modernity, photography can also be seen as a way to realize a creation of the imagination more vividly than can painting or drawing. Photography and Imagination investigates, from diverse points of view focusing on both theory and practice, the relation between these two terms. The book explores their effect on photography’s capacity, through various forms and modalities of imaginative investments and displacements, to affect even reality itself.
| Author | : Kerry Dearborn |
| Publisher | : Routledge |
| Total Pages | : 242 |
| Release | : 2016-04-15 |
| Genre | : Religion |
| ISBN | : 1317176251 |
The imagination has been called, 'the principal organ for knowing and responding to disclosures of transcendent truth'. This book probes the theological sources of the imagination, which make it a vital tool for knowing and responding to such disclosures. Kerry Dearborn approaches areas of theology and imagination through a focus on the nineteenth century theologian and writer George MacDonald. MacDonald can be seen as an icon whose life and work open a window to the intersection of word, flesh and image. He communicated the gospel through narrative and image-rich forms which honour truth and address the intellectual, imaginative, spiritual, and emotional needs of his readers. MacDonald was also able to speak prophetically in a number of areas of contemporary concern, such as the nature of suffering, aging and death, environmental degradation, moral imagination and gender issues. Dearborn explores influences which shaped him, along with the wisdom he has offeredin the formation of significant Christian writers in both the nineteenth and twentieth centuries. Authors such as C.S. Lewis, G.K. Chesterton, Dorothy Sayers, J.R.R. Tolkien, W.H. Auden, Frederick Buechner and others attribute to MacDonald key paradigm shifts and insights in their own lives. A study of MacDonald does not offer a formulaic approach to theology and the imagination, but the possibility of gleaning from his rich harvest relevant nourishment for our own day. It also provides a context in which to assess potential weaknesses in imaginative approaches to theology.
