Illuminated Manuscripts in Hungary
Author | : Ilona Berkovits |
Publisher | : |
Total Pages | : 0 |
Release | : 1969 |
Genre | : |
ISBN | : |
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Author | : Ilona Berkovits |
Publisher | : |
Total Pages | : 0 |
Release | : 1969 |
Genre | : |
ISBN | : |
Author | : Ilona Berkovits |
Publisher | : |
Total Pages | : 206 |
Release | : 1969 |
Genre | : Illumination of books and manuscripts, Hungarian |
ISBN | : |
Author | : John Block Friedman |
Publisher | : Syracuse University Press |
Total Pages | : 458 |
Release | : 1995-08-01 |
Genre | : Literary Criticism |
ISBN | : 9780815626497 |
In addition to historians and manuscript specialists, this book will have a strong appeal to antiquarians and bibliophiles of the English language.
Author | : Thomas de Wesselow |
Publisher | : Penguin |
Total Pages | : 497 |
Release | : 2013-03-05 |
Genre | : Religion |
ISBN | : 0452299039 |
How did a first-century Jew called Jesus manage to spark a new religion? Christianity was born nearly two thousand years ago and has won untold millions of followers. Yet, historians still cannot say how it really began. The Sign finally provides the answer. Traditionally, the birth of Christianity has been explained via the miracle of the Resurrection, but historians have been unable to account for Christianity’s remarkable success without the Resurrection to spark it. If no one really saw the Risen Jesus, how were people convinced that he was their immortal Messiah? Art historian Thomas de Wesselow has spent the last seven years deducing the answer to this puzzle. Reassessing a much-misunderstood historical source and reinterpreting critical biblical passages, de Wesselow shows that the solution has been staring us in the face for more than a century. The Shroud of Turin, widely thought to be a fake, is, in fact, authentic. And it holds the key to the greatest mystery in human history.
Author | : Ian Wilson |
Publisher | : Random House |
Total Pages | : 514 |
Release | : 2010-03-24 |
Genre | : Religion |
ISBN | : 1409094707 |
Two decades after radiocarbon dating declared the Turin Shroud a mediaeval fake, brand-new historical discoveries strongly suggest that this famous cloth, with its extraordinary photographic imprint, is genuinely Christ's shroud after all. In 1978 in his international bestseller The Turin Shroud Ian Wilson ignited worldwide public debate with his compelling case endorsing the shroud's authenticity. Now, 30 years later, he has completely rewritten and updated his earlier book to provide fresh evidence to support his original argument. Shroud boldly challenges the current post-radiocarbon dating view - that it is a fake. By arguing his case brilliantly and provocatively, Ian Wilson once more throws the matter into the public arena for further debate and controversy.
Author | : |
Publisher | : |
Total Pages | : 672 |
Release | : 1986 |
Genre | : Hungary |
ISBN | : |
Author | : Library of Congress. Copyright Office |
Publisher | : Copyright Office, Library of Congress |
Total Pages | : 1830 |
Release | : 1972 |
Genre | : Copyright |
ISBN | : |
Author | : Victoria and Albert Museum |
Publisher | : |
Total Pages | : 112 |
Release | : 1967 |
Genre | : Art, Hungarian |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 420 |
Release | : 1980 |
Genre | : Books |
ISBN | : |
Issues for Feb. 1957-July 1959 include a Checklist of the Vatican manuscript codices available for consultation at the Knights of Columbus Vatican Film Library at St. Louis University, pts. 1-8.
Author | : Jan Białostocki |
Publisher | : |
Total Pages | : 354 |
Release | : 1976 |
Genre | : Art |
ISBN | : |
"Little has been written about the influence of Italian Renaissance art in eastern Europe, even though the Florentine artists who were invited to Buda or Cracow brought with them a more refined and more original form of their art than the Lombards took to France and Germany. This handsome volume, which contains more than 350 illustrations, describes how Hungary, Bohemia, and Poland succumbed to the irrepressible new style. Concerned primarily with architecture, sculpture, and architectural decoration, Professor Białostocki concentrates on the direct impact of Tuscan and North Italian artists known to have worked in various eastern European cities and courts. Taking a functionalist approach, he considers the historical background of patronage and humanism, and he discusses the most typical artistic projects of the time: the castle, the chapel, the tomb, and the town. His concluding chapter deals with the period when late Renaissance, mannerism, and early baroque coexisted to form a hybrid style. A comprehensive bibliography offers previously uncollected material in several eastern European languages. An outstanding contribution to Renaissance studies, this book should not only encourage the exploration of new areas of comparative study but also make enlightening reading for nonexperts interested in the art of the Renaissance." --