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Interpreting the Renaissance

Interpreting the Renaissance
Author: Manfredo Tafuri
Publisher: Yale University Press
Total Pages: 580
Release: 2006-01-01
Genre: History
ISBN: 9780300111583

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"Tafuri studies the theory and practice of Renaissance architecture, offering new and compelling readings of its various social, intellectual, and cultural contexts while providing a broad understanding of uses of representation that shaped the entire era. He synthesizes the history of architectural ideas and projects through discussions of the great centers of architectural innovation in Italy (Florence, Rome, and Venice), key patrons from the middle of the fifteenth century (Pope Nicholas V) to the early sixteenth century (Pope Leo X), and crucial figures such as Leon Battista Alberti, Filippo Brunelleschi, Lorenzo de'Medici, Raphael, Baldassare Castiglione, and Giulio Romano. Interpreting the Renaissance is an essential book for anyone interested in the architecture and culture of fifteenth- and sixteenth-century Italy."--BOOK JACKET.


Italian Foreign Policy

Italian Foreign Policy
Author: Federico Chabod
Publisher: Princeton University Press
Total Pages: 643
Release: 2014-07-14
Genre: History
ISBN: 1400864224

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Federico Chabod (1901-1960) was one of Italy's best-known historians, noted for his study of Italian history in a European context. This is the first English translation of his most important book. Although he carried out his extensive archival research for this work from 1936 until 1943, the fall of fascism and Chabod's active participation in the Resistance delayed its completion. When it was published in 1951, it was immediately hailed as a masterpiece. Chabod intended to write a new kind of diplomatic history-- one in which political history is seen as part of a larger historical whole. He does not present a detailed chronological account of Italian foreign policy during the period studied, but rather the "moral and material" underpinnings of that policy. In fact, he crafts a highly developed portrait of an age, with the real subjects being the Italian state and society, the ruling class and political culture. This work offers readers a superb picture of post-Risorgimento Italy and an outstanding example of Chabod's historiographical method. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


The Reception of Walter Pater in Europe

The Reception of Walter Pater in Europe
Author: Stephen Bann
Publisher: Bloomsbury Publishing
Total Pages: 328
Release: 2004-11-28
Genre: Literary Criticism
ISBN: 1847144330

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Just over a century after his death, Walter Pater's critical reputation now stands as high as it has ever been. In the English-speaking world, this has involved recovery from the widespread neglect and indifference which attended his work in the first half of the twentieth century. In Europe, however, enthusiastic disciples such as Hugo von Hofmannsthal in the German-speaking world and Charles Du Bos in France, helped to fuel a growing awareness of his writings as central to the emergence of modernist literature. Translations of works like Imaginary Portraits, established his distinctive voice as an aesthetic critic and his novel, Marius the Epicurean, was enthusiastically received in Paris in the 1920s and published in Turin on the eve of the Second World War. This collection traces the fortunes of Pater's writings in these three major literatures and their reception in Spain, Portugal, Poland, Hungary, and the Czech Republic.


Naviguer, commercer, gouverner

Naviguer, commercer, gouverner
Author: Claire Judde de Larivière
Publisher: BRILL
Total Pages: 376
Release: 2008-11-30
Genre: History
ISBN: 9047424034

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This book illuminates the complexity of the changes in commercial shipping in Renaissance Venice. The study of the actors and of their practices reveals the mechanisms, motivations and consequences of the abandonment of the medieval system of the convoys of public galleys.


Italia: Civilta e Cultura

Italia: Civilta e Cultura
Author: Paola Lorenzi
Publisher: University Press of America
Total Pages: 220
Release: 2009-03-16
Genre: Foreign Language Study
ISBN: 0761843469

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Italia: Civilta e Cultura offers a comprehensive description of historical and cultural development on the Italian peninsula. This project was developed to provide students and professors with a flexible and easy-to-read reference book about Italian civilization and cultural studies, also appropriate for cinema and Italian literature classes. This text is intended for students pursuing a minor or a major in Italian studies and serves as an important learning tool with its all-inclusive vision of Italy. Each chapter includes thematic itineraries to promote active class discussion and textual comprehension check-questions to guide students through the reading and understanding of the subject matter.


Men of Empire

Men of Empire
Author: Monique O'Connell
Publisher: JHU Press
Total Pages: 264
Release: 2009-04-27
Genre: History
ISBN: 0801891450

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The city-state of Venice, with a population of less than 100,000, dominated a fragmented and fragile empire at the boundary between East and West, between Latin Christian, Greek Orthodox, and Muslim worlds. In this institutional and administrative history, Monique O’Connell explains the structures, processes, practices, and laws by which Venice maintained its vast overseas holdings. The legal, linguistic, religious, and cultural diversity within Venice’s empire made it difficult to impose any centralization or unity among its disparate territories. O’Connell has mined the vast archival resources to explain how Venice’s central government was able to administer and govern its extensive empire. O’Connell finds that successful governance depended heavily on the experience of governors, an interlocking network of noble families, who were sent overseas to negotiate the often conflicting demands of Venice’s governing council and the local populations. In this nexus of state power and personal influence, these imperial administrators played a crucial role in representing the state as a hegemonic power; creating patronage and family connections between Venetian patricians and their subjects; and using the judicial system to negotiate a balance between local and imperial interests. In explaining the institutions and individuals that permitted this type of negotiation, O’Connell offers a historical example of an early modern empire at the height of imperial expansion.


Communication and Conflict

Communication and Conflict
Author: Isabella Lazzarini
Publisher: Oxford Studies in Medieval Eur
Total Pages: 337
Release: 2015
Genre: History
ISBN: 0198727410

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Diplomacy has never been a politically-neutral research field, even when it was confined to merely reconstructing the backgrounds of wars and revolutions. In the nineteenth century, diplomacy was integral to the grand narrative of the building of the modern 'nation-State'. This is the first overall study of diplomacy in Early Renaissance Italy since Garrett Mattingly's pioneering work in 1955. It offers an innovative approach to the theme of Renaissance diplomacy, sidestepping the classic dichotomy between medieval and early modern, and re-considering the whole diplomatic process without reducing it to the 'grand narrative' of the birth of resident embassies. Communication and Conflict situates and explains the growth of diplomatic activity from a series of perspectives - political and institutional, cognitive and linguistic, material and spatial - and thus offers a highly sophisticated and persuasive account of causation, change, and impact in respect of a major political and cultural form. The volume also provides the most complete account to date of how it was that specifically Italian forms of diplomacy came to play such a central role, not only in the development of international relations at the European level, but also in the spread and application of humanism and of the new modes of political thinking and political discussion associated with the generations of Machiavelli and Guicciardini.


Luigi Moretti

Luigi Moretti
Author: Roberto Podda
Publisher: Taylor & Francis
Total Pages: 320
Release: 2024-08-01
Genre: Architecture
ISBN: 1040091032

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Luigi Moretti: Lessons of SPAZIO focuses on the theoretical work of the Italian architect Luigi Moretti (Rome, 1906–1973). It does so selectively, focusing on the editorials he published between 1950 and 1953 as editor-in-chief of the magazine SPAZIO, as well as a further essay on parametric architecture, published in 1971–1972, in the first issue of the magazine MOEBIUS, directed by his friend Giulio Roisecco. This book rediscovers Moretti's personal impact on international architectural theory through thoughtful comments that shed light on the architect's modernity and original approach. Although Moretti is an architect renowned for his projects and buildings, his theoretical essays are less well-known. The aim of this book is therefore to explore Moretti's theoretical work, which covers many topics, including pictorial art, sculpture, architecture, urban planning, music, cinema, poetry, mathematics, computer science, parametricity. In addition to the translation from Italian to English, the book contains reproductions of the original articles, accompanied by a series of essays of critical commentary and updated interpretations that show new ways of approaching, reading, and understanding the foundations of current architectural theory and its progress over the last 50 years. This book approaches Moretti's thought from a new perspective, with the aim of reconsidering the originality of this brilliant and visionary architect who was intellectually ostracised for many years due to political and ideological contingencies, even though he personified the ideal of the 'Renaissance man' in modern times. A re-reading of Moretti's work is more justified today than has ever been before, both to reconnect the threads with contemporaneity and to make his intensity and farsightedness of vision known to researchers, teachers, and students working in the areas of architecture and design theory, technology, and art today.


Charters, Cartularies and Archives

Charters, Cartularies and Archives
Author: Commission internationale de diplomatique
Publisher: PIMS
Total Pages: 204
Release: 2002
Genre: History
ISBN: 9780888448170

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A distinguished international group of diplomatists address thirteen cases of transmission and preservation of medieval documents. A recurrent theme in this volume is the actual preservation of individual original charters, but the content of originals was transmitted in other ways as well. Several chapters discuss questions relating to recopied originals, cartularies, and a range of other archival practices for retaining documents during the Middle Ages. Many of the authors focus on how documents were organized in archives and in cartularies during the period. Others discuss the notions of "original document" and "copy"--Both their relationship to each other and to the legal validity of the document in question.


Painting in Late Medieval and Renaissance Siena, 1260-1555

Painting in Late Medieval and Renaissance Siena, 1260-1555
Author: Diana Norman
Publisher: Yale University Press
Total Pages: 416
Release: 2003-01-01
Genre: Art
ISBN: 9780300099331

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The city of Siena, one of Italy's major artistic centers, was home to many celebrated painters, among them Duccio, Simone Martini, Ambrogio and Pietro Lorenzetti, Sassetta and Beccafumi. This generously illustrated book provides a survey of Sienese painting from 1260 to 1555, an era of extraordinary artistic creativity in the Tuscan city. Art historian Diana Norman addresses the style and artistic technique of Sienese painters throughout the three centuries and explores why paintings were made, where they were originally seen, and how they were used and enjoyed by their audiences. The book focuses on works of art made for Siena itself, many of which are still to be seen within the city. Norman organizes the discussion around types of commissions and throughout the book situates the paintings within the context of the political, social, and religious circumstances of late medieval and renaissance Siena.