Igitur ; Divagations ; Un coup de dés
Author | : Stéphane Mallarmé |
Publisher | : Editions Gallimard |
Total Pages | : 460 |
Release | : 1976 |
Genre | : Literary Criticism |
ISBN | : |
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Author | : Stéphane Mallarmé |
Publisher | : Editions Gallimard |
Total Pages | : 460 |
Release | : 1976 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Stéphane Mallarmé |
Publisher | : |
Total Pages | : 20 |
Release | : 1974 |
Genre | : French poetry |
ISBN | : 9780915148035 |
Author | : Alain Badiou |
Publisher | : Stanford University Press |
Total Pages | : 172 |
Release | : 2005 |
Genre | : Philosophy |
ISBN | : 9780804744096 |
This volume presents a new proposal for the link between philosophy and art. Badiou identifies and rejects the three schemes of didacticism, romanticism, and classicism that he sees as having governed traditional "aesthetics," and seeks a fourth mode of accounting for the educative value of works of art.
Author | : Stéphane Mallarmé |
Publisher | : |
Total Pages | : 42 |
Release | : 1974 |
Genre | : Poetry |
ISBN | : |
Author | : Mark Hewson |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 205 |
Release | : 2011-09-01 |
Genre | : Literary Criticism |
ISBN | : 1441192581 |
Blanchot's writings on literature have imposed themselves in the canon of modern literary theory and yet have remained a mysterious presence. This is in part due to their almost hypnotic literary style, in part due to their distinctive amalgam of a number of philosophical sources (Hegel, Heidegger, Levinas, Bataille), which, although hardly unknown in the Anglophone philosophical world, have not yet made themselves fully at home in literary theory. This book aims to make visible the coherence of Blanchot's critical project. To recognize the challenge that Blanchot represents for literary criticism, one has to see that he always has in view the self-interrogation that characterizes modern literature, both in its theory and its practice. Blanchot's essays study the forms and the paths of this research, its solutions and its impasses; and increasingly, they sketch out the philosophical and historical horizon within which its significance appears. The effect is to revise the terms in which we see the genesis of the modern literary concept, not least of the manifestations of which is literary criticism itself.
Author | : Susan Jones |
Publisher | : OUP Oxford |
Total Pages | : 357 |
Release | : 2013-08-01 |
Genre | : Literary Criticism |
ISBN | : 0191009431 |
This book explores the complex relationship between literature and dance in the era of modernism. During this period an unprecedented dialogue between the two art forms took place, based on a common aesthetics initiated by contemporary discussions of the body and gender, language, formal experimentation, primitivism, anthropology, and modern technologies such as photography, film, and mechanisation. The book traces the origins of this relationship to the philosophical antecedents of modernism in the nineteenth century and examines experimentation in both art forms. The book investigates dance's impact on the modernists' critique of language and shows the importance to writers of choreographic innovations by dancers of the fin de siècle, of the Ballets Russes, and of European and American experimentalists in non-balletic forms of modern dance. A reciprocal relationship occurs with choreographic use of literary text. Dance and literature meet at this time at the site of formal experiments in narrative, drama, and poetics, and their relationship contributes to common aesthetic modes such as symbolism, primitivism, expressionism, and constructivism. Focussing on the first half of the twentieth century, the book locates these transactions in a transatlantic field, giving weight to both European and American contexts and illustrating the importance of dance as a conduit of modernist preoccupations in Europe and the US through patterns of influence and exchange. Chapters explore the close interrelationships of writers and choreographers of this period including Mallarmé, Nietzsche, Yeats, Conrad, Woolf, Lawrence, Pound, Eliot, and Beckett, Fuller, Duncan, Fokine, Nijinsky, Massine, Nijinska, Balanchine, Tudor, Laban, Wigman, Graham, and Humphrey, and recover radical experiments by neglected writers and choreographers from David Garnett and Esther Forbes to Andrée Howard and Oskar Schlemmer.
Author | : Michael Temple |
Publisher | : University of Exeter Press |
Total Pages | : 292 |
Release | : 1998 |
Genre | : History |
ISBN | : 9780859895620 |
In Meetings with Mallarme, top scholars from the UK and USA have been specially commissioned to explore the significance of Mallarme's influence on some of the major players in French psychoanalysis, music, poetry, philosophy and literary theory.
Author | : Mary Ann Caws |
Publisher | : Reaktion Books |
Total Pages | : 431 |
Release | : 2024-07-06 |
Genre | : Art |
ISBN | : 1789149029 |
A collection of highlights from Mary Ann Caws’s long, highly distinguished career writing about literature, art, and modernism. Throughout her long, highly distinguished career writing about literature and art, Mary Ann Caws has excavated, illuminated, and examined in depth the most intriguing works and personalities of Symbolism, Dada, Surrealism, and beyond. In these concise, but always colorful and insightful articles, Caws brings us fresh portraits of the most famous figures and introduces us to the writers and artists who merit more attention than they’ve received, with a special focus on female writers and artists. The author’s sensitivity to the intersections of eccentric literature and eccentric life infuses each critical essay with the human passions that these essential modernists lived. From Dickinson and Mallarmé to Duchamp and Mina Loy, Caws applies the art of close looking to shrewdly framed slices of the modernist experience.
Author | : Marco Luis Dorfsman |
Publisher | : University Press of America |
Total Pages | : 145 |
Release | : 2015-01-26 |
Genre | : Literary Criticism |
ISBN | : 0761865241 |
One hundred years after his birth, Nobel laureate Octavio Paz is considered one of the most important thinkers of Mexican identity, one of the most influential Mexican poets, and one of the main representatives of a national cosmopolitanism. Most readings of his work, whether critical or laudatory, operate within these parameters. Through a careful analysis of Latin Americanist discourses on identity and difference, Heterogeneity of Being goes beyond the standard interpretations of Octavio Paz as a thinker of national identity and proposes a radical rethinking of the rift and the bond between literature and philosophy. It puts forth the key concept of “dif/herencia”—a difference, a wound, an inheritance, a burden and a dispossession—and reads it through the notion of similitude in order to show that Paz’s “tradition of rupture” properly displays a continuity between self and other, identity and difference, time and space. The work of Octavio Paz yields invaluable insights for the fields of literary theory, cultural studies, history of science, and art history.
Author | : Jan Hokenson |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 528 |
Release | : 2004 |
Genre | : Art |
ISBN | : 9780838640104 |
Japan, France is the first comprehensive history of the idea of Japan in France, as tracked through close readings of canonical French writers and thinkers from the 1860s to the present. The focus is literary and intellectual, the context cultural. The discovery of Japanese woodblock prints in Paris, following the opening of Japan to the West in 1854, was a startling aesthetic encounter that played a crucial role in the Impressionists' and Post-Impressionists' invention of Modernism. French writers also experimented with Japanese aesthetics in their own work, in ways that similarly thread into the foundations of literary Modernism. Japonisme (the practice of adapting Japanese aesthetics to creative work in the West) became a sustained French tradition, in texts by such writers as Zola and Proust through Barthes and Bonnefoy. Each generation discovered new Japanese arts and genres, commented on the work of their predecessors in this vein, and broke still more ground in East-West aesthetics to innovate in the forms of Western literature and thought. To read literary history in this way unsettles Eurocentric assumptions about many of the French writers who are commonly considered the