Ideology and Cultural Production
Author | : Michèle Barrett |
Publisher | : |
Total Pages | : 246 |
Release | : 1979 |
Genre | : Arts and society |
ISBN | : 9780856649738 |
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Author | : Michèle Barrett |
Publisher | : |
Total Pages | : 246 |
Release | : 1979 |
Genre | : Arts and society |
ISBN | : 9780856649738 |
Author | : British Sociological Association |
Publisher | : |
Total Pages | : 246 |
Release | : 1979 |
Genre | : Arts and society |
ISBN | : 9780312404512 |
Author | : Michele Barrett |
Publisher | : Routledge |
Total Pages | : 206 |
Release | : 2018-06-13 |
Genre | : Social Science |
ISBN | : 135106312X |
Originally published in 1979, Ideology and Cultural Production examines the contribution to the debate surrounding ‘culture’, ‘ideology’, and ‘representation’, in this collection of essays. Originally presented as papers at the 1978 British Sociological Conference on the theme of culture, the collection is tied together under the argument for a definition, which emphasizes the material and ideological conditions of cultural production. The volume discusses key issues, such as the break with ‘super-structural theory’, the question of economism, and the argument between culturalism and structuralism, as well as the central debates of determinism and autonomy.
Author | : Robert F. Carley |
Publisher | : Palgrave Macmillan |
Total Pages | : 0 |
Release | : 2023-07-24 |
Genre | : Philosophy |
ISBN | : 9783031333125 |
The Cultural Production of Social Movements offers a theory of cultural practices, protest tactics, strategic planning and deliberation, and movement organizational structures: “ideological contention.” It is a theory of ideology “from below.” The Cultural Production of Social Movements shows how conflicts—both with external political forces and disagreements, dissensus, and the decision-making process internal to social movements—produce knowledge and meanings that, in turn, impact upon and change the practices that contribute to how social movements are structured and organized. The Cultural Production of Social Movements theorizes the relationship between consciously held superordinate ideas, the changing composition of progressive and oppositional social struggles, and the social worlds they hope to inhabit. Analyzing the Black Panther Party, specifically Kathleen Cleaver’s break with the Student Non-violent Coordinating Committee and her contributions to the Party, Operaismo (or Workerism) in Italy and the relationship between shifting organizational strategies, inventive tactics, and novel and expansive ways to theorize class struggles, and the communal composition of “Worker-Recovered Enterprise Movements” in contemporary Argentina, this book shows how movement ideologies change and how meanings structure organizations, mobilizations, and futures. In The Cultural Production of Social Movements ideology is neither a static set of principles, nor is an unconscious orientation towards power and governance. Rather, it is the contentious, democratizing, and deliberative processes—which become realized as tactics in protests, struggles, defeats, and victories—that makes the relationship between movements, and what they “mean” conscious to its participants.
Author | : Eiko Ikegami |
Publisher | : Cambridge University Press |
Total Pages | : 496 |
Release | : 2005-02-28 |
Genre | : History |
ISBN | : 9780521601153 |
This book combines sociological insights in organizations with cultural history.
Author | : Albert J. Bergesen |
Publisher | : Routledge |
Total Pages | : 121 |
Release | : 2015-12-03 |
Genre | : Social Science |
ISBN | : 1317261291 |
Come take a closer look at ordinary footwear, like sneakers, or children's toys and Saturday cartoon TV shows, or make a comparison between Don Quixote and John Rambo of the Sylvester Stallone movie. Although some regard popular culture as "shallow," this book reveals that it is more often complex, deep, meaningful and subject to the style changes we associate with high art. Bergesen shows how complex philosophical ideas of reincarnation are embedded in Transformer toys; how sneakers have gone through a life cycle of style types; why the decline of empires like Spain and the United States led to fictional characters like Don Quixote and Rambo; and why monsters from Japan look different than those from the United States.
Author | : British Sociological Association |
Publisher | : |
Total Pages | : 246 |
Release | : 1979 |
Genre | : Arts and society |
ISBN | : 9780312404512 |
Author | : Thomas Poell |
Publisher | : John Wiley & Sons |
Total Pages | : 260 |
Release | : 2021-10-14 |
Genre | : Social Science |
ISBN | : 1509540520 |
The widespread uptake of digital platforms – from YouTube and Instagram to Twitch and TikTok – is reconfiguring cultural production in profound, complex, and highly uneven ways. Longstanding media industries are experiencing tremendous upheaval, while new industrial formations – live-streaming, social media influencing, and podcasting, among others – are evolving at breakneck speed. Poell, Nieborg, and Duffy explore both the processes and the implications of platformization across the cultural industries, identifying key changes in markets, infrastructures, and governance at play in this ongoing transformation, as well as pivotal shifts in the practices of labor, creativity, and democracy. The authors foreground three particular industries – news, gaming, and social media creation – and also draw upon examples from music, advertising, and more. Diverse in its geographic scope, Platforms and Cultural Production builds on the latest research and accounts from across North America, Western Europe, Southeast Asia, and China to reveal crucial differences and surprising parallels in the trajectories of platformization across the globe. Offering a novel conceptual framework grounded in illuminating case studies, this book is essential for students, scholars, policymakers, and practitioners seeking to understand how the institutions and practices of cultural production are transforming – and what the stakes are for understanding platform power.
Author | : Eric R. Wolf |
Publisher | : Univ of California Press |
Total Pages | : 357 |
Release | : 1999 |
Genre | : Social Science |
ISBN | : 0520215362 |
This text explores the historical relationship of ideas, power and culture. Looking at several case studies, it analyses how the regnant ideology intertwines with power around the pivotal relationships that govern social labour.
Author | : Deborah Rosenfelt |
Publisher | : Routledge |
Total Pages | : 346 |
Release | : 2013-05-20 |
Genre | : Social Science |
ISBN | : 1136204490 |
This lively and controversial collection of essays sets out to theorize and practice a ‘materialist-feminist’ criticism of literature and culture. Such a criticism is based on the view that the material conditions in which men and women live are central to an understanding of culture and society. It emphasises the relation of gender to other categories of analysis, such as class and race, and considers the connection between ideology and cultural practice, and the ways in which all relations of power change with changing social and economic conditions. By presenting a wide range of work by major feminist scholars, this anthology in effect defines as well as illustrates the materialist-feminist tendency in current literary criticism. The essays in the first part of the book examine race, ideology, and the literary canon and explore the ways in which other critical discourse, such as those of deconstruction and French feminism, might be useful to a feminist and materialist criticism. The second part of the book contains examples of such criticism in practice, with studies of individual works, writers and ideas. An introduction by the editors situates the collected essays in relation both to one another and to a shared materialist/feminist project. Feminist Criticism and Social Change demonstrates the important contribution of materialist-feminist criticism to our understanding of literature and society, and fulfils a crucial need among those concerned with gender and its relation to criticism.