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Identity Mediations in Latin American Cinema and Beyond

Identity Mediations in Latin American Cinema and Beyond
Author: Cecilia Nuria Gil Mariño
Publisher: Cambridge Scholars Publishing
Total Pages: 405
Release: 2019-09-12
Genre: Performing Arts
ISBN: 1527539857

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The appearance of sound film boosted entertainment circuits around the world, drawing cultural cartographies that forged images of spaces, nations and regions. By the late 1920s and early ‘30s, film played a key role in the configuration of national and regional cultural identities in incipient mass markets. Over the course of the twentieth and early twenty-first centuries, this transmedia logic not only went unthreatened, but also intensified with the arrival of new media and the development of new technologies. In this respect, this book strikes a dialogue between analyses that reflect the flows and transits of music, films and artists, mainly in the Ibero-American space, although it also features essays on Soviet and Asian cinema, with a view to exploring the processes of configuration of cultural identities. As such, this work views national borders as flexible spaces that permit an exploration of the appearance of transversal relations that are part of broader networks of circulation, as well as economic, social and political models beyond the domestic sphere.


Latin American Cinema

Latin American Cinema
Author: Lisa Shaw
Publisher: McFarland
Total Pages: 228
Release: 2014-10-01
Genre: Performing Arts
ISBN: 078648425X

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Renewed interest in Latin American film industries has opened a host of paths of scholarly exploration. Productions from different countries reflect particular social attitudes, political climates and self-conceptions, and must be considered separately and as a whole. The search for national identity is a key component of Latin American films in a time of decreasing cultural diversity and pressures to westernize. Globalization and falling government support have fueled cross-border collaborations, calling into question the idea of a movie's "nationality," and leaving some nations' film industries on the brink of collapse. Whether thriving or barely surviving, struggling to remain distinct or embracing globalization on its own terms, addressing the government or society, Latin American cinema remains vibrant, offering a wealth of material to scholars of all stripes. These collected essays explore important elements of Latin American cinema and its associated national film industries. The first section of essays examines the impact of modernization on both Latin American screen images and the industry itself, offering modern and historical perspectives. The second section focuses on filmmakers who deal with issues of gender and sexuality, whether sexual transgression, the role of female characters, or societal attitudes towards sex and nudity. The final section of essays discusses the relationship between national identity and Latin American film industries: how movies are used to create a sense of self; Uruguay's ongoing identity crisis; and Brazil's use of Hollywood's stereotypical depiction of the country to depict itself. Photographs and an annotated bibliography accompany each essay, and an index supplements the text.


Screening Minors in Latin American Cinema

Screening Minors in Latin American Cinema
Author: Carolina Rocha
Publisher: Lexington Books
Total Pages: 226
Release: 2014-08-26
Genre: Performing Arts
ISBN: 0739199528

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Screening Minors in Latin American Cinema is the first volume to delve into the construction of children's subjectivity and agency in Latin American film, and addresses such questions as: How and to what extent do films express the point of view of the child? How do plots and film practices represent children’s subjectivity and agency? Childhood studies has demonstrated the importance of examining the lives of children. Building on those insights, together with current research from film studies and Latin American cultural studies, the essays in this volume analyze the development of agency and voices of minors in contemporary Latin American film. The theoretical perspectives used—gender studies, psychoanalytic and postcolonial theory, film studies, play and performance studies, and emotion studies, among others—take into account innovative approaches to filmic techniques as they explore the varied representations of children.


Pushing Past the Human in Latin American Cinema

Pushing Past the Human in Latin American Cinema
Author: Carolyn Fornoff
Publisher: State University of New York Press
Total Pages: 433
Release: 2021-06-01
Genre: Performing Arts
ISBN: 1438484054

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Pushing Past the Human in Latin American Cinema brings together fourteen scholars to analyze Latin American cinema in dialogue with recent theories of posthumanism and ecocriticism. Together they grapple with how Latin American filmmakers have attempted to "push past the human," and destabilize the myth of anthropocentric exceptionalism that has historically been privileged by cinema and has led to the current climate crisis. While some chapters question the very nature of this enterprise—whether cinema should or even could actualize such a maneuver beyond the human—others signal the ways in which the category of the "human" itself is interrogated by Latin American cinema, revealed to be a fiction that excludes more than it unifies. This volume explores how the moving image reinforces or contests the division between human and nonhuman, and troubles the settler epistemic partition of culture and nature that is at the core of the climate crisis. As the first volume to specifically address how such questions are staged by Latin American cinema, this book brings together analysis of films that respond to environmental degradation, as well as those that articulate a posthumanist ethos that blurs the line between species.


Human Rights, Social Movements and Activism in Contemporary Latin American Cinema

Human Rights, Social Movements and Activism in Contemporary Latin American Cinema
Author: Mariana Cunha
Publisher: Springer
Total Pages: 262
Release: 2018-09-11
Genre: Performing Arts
ISBN: 3319962086

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This edited collection explores how contemporary Latin American cinema has dealt with and represented issues of human rights, moving beyond many of the recurring topics for Latin American films. Through diverse interdisciplinary theoretical and methodological approaches, and analyses of different audiovisual media from fictional and documentary films to digitally-distributed activist films, the contributions discuss the theme of human rights in cinema in connection to various topics and concepts. Chapters in the volume explore the prison system, state violence, the Mexican dirty war, the Chilean dictatorship, debt, transnational finance, indigenous rights, social movement, urban occupation, the right to housing, intersectionality, LGBTT and women’s rights in the context of a number of Latin American countries. By so doing, it assesses the long overdue relation between cinema and human rights in the region, thus opening new avenues to aid the understanding of cinema’s role in social transformation.


Cinema and Inter-American Relations

Cinema and Inter-American Relations
Author: Adrián Pérez Melgosa
Publisher: Routledge
Total Pages: 262
Release: 2012-10-12
Genre: Art
ISBN: 1136256989

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Cinema and Inter-American Relations studies the key role that commercial narrative films have played in the articulation of the political and cultural relationship between the United States and Latin America since the onset of the Good Neighbor policy (1933). Pérez Melgosa analyzes the evolution of inter-American narratives in films from across the continent, highlights the social effects of the technologies used to produce these works, and explores the connections of cinema to successive shifts in hemispheric policy. As a result, Cinema and Inter-American Relations reveals the existence of a continued cinematic conversation between Anglo and Latin America about a cluster of shared allegories representing the continent and its cultures. Pérez Melgosa contends that cinema has become a virtual contact zone of the Americas, mediating in a variety of hemispheric political debates about the articulation of Anglo, Latin American, and Latino identities. Cinema and Inter-American Relations brings sustained attention to ongoing calls for a transnational focus on the disciplines of film studies, American studies, and Latin American studies and engages with current theories of the transmission of affect to delineate a new cartography of how to understand the Americas in relation to cinema.


Themes in Latin American Cinema

Themes in Latin American Cinema
Author: Keith John Richards
Publisher: McFarland
Total Pages: 304
Release: 2020-03-06
Genre: Performing Arts
ISBN: 1476677824

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This updated and expanded edition gives critical analyses of 23 Latin American films from the last 20 years, including the addition of four films from Bolivia. Explored throughout the text are seven crucial themes: the indigenous image, sexuality, childhood, female protagonists, crime and corruption, fratricidal wars, and writers as characters. Designed for general and scholarly interest, as well as a guide for teachers of Hispanic culture or Latin American film and literature, the book provides a sweeping look at the logistical circumstances of filmmaking in the region along with the criteria involved in interpreting a Latin American film. It includes interviews with and brief biographies of influential filmmakers, along with film synopses, production details and credits, transcripts of selected scenes, and suggestions for discussion and analysis.


Women's Cinema and Women's Identity in Latin Americ

Women's Cinema and Women's Identity in Latin Americ
Author: Abileny Soto
Publisher: LAP Lambert Academic Publishing
Total Pages: 68
Release: 2011-10
Genre:
ISBN: 9783846536339

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The aim of this study is to explore what women's cinema in Latin America is saying about women's identities. The question arises as to whether Latin American women's cinema is reproducing the dominant patriarchal discourses of the traditional cinema or, on the contrary, breaking with the imposed essentialist conception of women. The 30's 40's and 50's were undoubtedly the Golden Age in Latin American Cinema, particularly in Mexico. Unfortunately, the representations of women were not 'golden' at all. The images of women were mostly about the three 'broken figures': virgin, mother or prostitute. Since the 60's a new Latin American cinema emerges. This new cinema was critical in many important issues of politics and social change, but still it was not really critical about women's negative identity widely expressed in 'the old cinema'. It is since the 90's that one may easily identify more women filmmakers challenging these 'broken images'. This study explores some relevant films that have broken the traditional representation of woman and promotes the representations of women as historical and plural subjects.


New Transnationalisms in Contemporary Latin American Cinemas

New Transnationalisms in Contemporary Latin American Cinemas
Author: Dolores Tierney
Publisher: Edinburgh University Press
Total Pages: 296
Release: 2018-01-23
Genre: PERFORMING ARTS
ISBN: 1474431119

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Through a textual analysis of six filmmakers (Alejandro González Iñárritu, Alfonso Cuarón, Guillermo del Toro, Fernando Meirelles, Walter Salles and Juan José Campanella), this book brings a new perspective to the films of Latin America's transnational auteurs.