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Icons of African American Protest [2 volumes]

Icons of African American Protest [2 volumes]
Author: Gladys L. Knight
Publisher: Bloomsbury Publishing USA
Total Pages: 750
Release: 2008-12-30
Genre: Social Science
ISBN: 1573567361

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Protest has always been a catalyst for change. It is the cornerstone of America's own birth. Did not the first immigrants help America take its first steps upon the road to greatness when they long ago protested against the oppression of their native government and established new edicts promoting the ideals of freedom and opportunity? Since the first African slave was forced to board a ship bound for this continent, protest has been a major motif in the African American experience. It was a critical weapon during the raging violence against blacks following the end of Reconstruction, the Jim Crow years, and against the grisly conditions in the ghettoes in the North. Throughout history protest has been used to combat economic and political oppression, racism, discrimination, and exclusion from mainstream America. Icons of African American Protest reveals the extraordinary strength, courage, and sacrifice displayed by individuals for the cause of freedom and civil rights. The 24 leaders showcased here cover a broad spectrum of descriptors-vibrant, tame, intense, aggressive, and diffident-and their politics ran the gamut from conservative to ultra-radical. Nevertheless, whatever techniques, modes, or tactics employed-such as Thurgood Marshall's legal fights in the court room, Dr. King's reliance on nonviolent civil disobedience and direct action, and Huey P. Newton's advocacy for armed self-defense-they were all, in their time, radicals who strove to eradicate racism and the climate of exclusion. This two-volume reference provides both students and general readers in-depth coverage of contemporary voices of protest, supplemented by sidebars on major turning points, freedom songs, and important symbols, such as the clenched fist of the Black Power Movement. Also included are a timeline of key events, historical documents, a glossary, and a thorough bibliography of print and electronic resources to encourage further research.


Icons of African American Protest

Icons of African American Protest
Author: Gladys L. Knight
Publisher: Greenwood
Total Pages: 424
Release: 2009
Genre: African American civil rights workers
ISBN:

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Icons of African American Literature

Icons of African American Literature
Author: Yolanda Williams Page
Publisher: Bloomsbury Publishing USA
Total Pages: 534
Release: 2011-10-17
Genre: Literary Criticism
ISBN: 0313352046

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The 24 entries in this book provide extensive coverage of some of the most notable figures in African American literature, such as Alice Walker, Richard Wright, and Zora Neale Hurston. Icons of African American Literature: The Black Literary World examines 24 of the most popular and culturally significant topics within African American literature's long and immensely fascinating history. Each piece provide substantial, in-depth information—much more than a typical encyclopedia entry—while remaining accessible and appealing to general and younger readers. Arranged alphabetically, the entries cover such writers as Maya Angelou, James Baldwin, and August Wilson; major works, such as Invisible Man, Native Son, and Their Eyes Were Watching God; and a range of cultural topics, including the black arts movement, the Harlem Renaissance, and the jazz aesthetic. Written by expert contributors, the essays discuss the enduring significance of these topics in American history and popular culture. Each entry also provides sidebars that highlight interesting information and suggestions for further reading.


Icons of African American Comedy

Icons of African American Comedy
Author: Eddie M. Tafoya
Publisher: Bloomsbury Publishing USA
Total Pages: 308
Release: 2011-06-02
Genre: Social Science
ISBN: 0313380856

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This in-depth compilation of the lives, works, and contributions of 12 icons of African-American comedy explores their impact on American entertainment and the way America thinks about race. Despite the popularity of comedic superstars like Bill Cosby and Whoopi Goldberg, few books have looked at the work of African-American comedians, especially those who, like Godfrey Cambridge and Moms Mabley, dramatically impacted American humor. Icons of African American Comedy remedies that oversight. Beginning with an introduction that explores the history and impact of black comedians, the book offers in-depth discussions of 12 of the most important African-American comedians of the past 100-plus years: Bert Williams, Moms Mabley, Redd Foxx, Dick Gregory, Flip Wilson, Godfrey Cambridge, Bill Cosby, Richard Pryor, Whoopi Goldberg, Damon Wayans, Chris Rock, and Dave Chappelle. Each essay discusses the comedian's early life and offers an analysis of his or her contributions to American entertainment. Providing a variety of viewpoints on African-American comedy, the book shows how these comedians changed American comedy and American society.


Mary Ann Shadd Cary

Mary Ann Shadd Cary
Author: Jane Rhodes
Publisher: Indiana University Press
Total Pages: 374
Release: 2023-09-05
Genre: Language Arts & Disciplines
ISBN: 0253067979

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Mary Ann Shadd Cary was a courageous and outspoken nineteenth-century African American who used the press and public speaking to fight slavery and oppression in the United States and Canada. Part of the small free black elite who used their education and limited freedoms to fight for the end of slavery and racial oppression, Shadd Cary is best known as the first African American woman to publish and edit a newspaper in North America. But her importance does not stop there. She was an active participant in many of the social and political movements that influenced nineteenth century abolition, black emigration and nationalism, women's rights, and temperance. Mary Ann Shadd Cary: The Black Press and Protest in the Nineteenth Century explores her remarkable life and offers a window on the free black experience, emergent black nationalisms, African American gender ideologies, and the formation of a black public sphere. This new edition contains a new epilogue and new photographs.


Black Protest and the Great Migration

Black Protest and the Great Migration
Author: Eric Arnesen
Publisher: Macmillan Higher Education
Total Pages: 226
Release: 2018-10-24
Genre: History
ISBN: 1319241719

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During World War I, as many as half a million southern African Americans permanently left the South to create new homes and lives in the urban North, and hundreds of thousands more would follow in the 1920s. This dramatic transformation in the lives of many black Americans involved more than geography: the increasingly visible “New Negro” and the intensification of grassroots black activism in the South as well as the North were the manifestations of a new challenge to racial subordination. Eric Arnesen’s unique collection of articles from a variety of northern, southern, black, and white newspapers, magazines, and books explores the “Great Migration,” focusing on the economic, social, and political conditions of the Jim Crow South, the meanings of race in general — and on labor in particular — in the urban North, the grassroots movements of social protest that flourished in the war years, and the postwar “racial counterrevolution.” An introduction by the editor, headnotes to documents, a chronology, questions for consideration, a bibliography, and an index are included.


African American Culture

African American Culture
Author: Omari L. Dyson
Publisher: Bloomsbury Publishing USA
Total Pages: 1081
Release: 2020-07-23
Genre: Social Science
ISBN:

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Covering everything from sports to art, religion, music, and entrepreneurship, this book documents the vast array of African American cultural expressions and discusses their impact on the culture of the United States. According to the latest census data, less than 13 percent of the U.S. population identifies as African American; African Americans are still very much a minority group. Yet African American cultural expression and strong influences from African American culture are common across mainstream American culture—in music, the arts, and entertainment; in education and religion; in sports; and in politics and business. African American Culture: An Encyclopedia of People, Traditions, and Customs covers virtually every aspect of African American cultural expression, addressing subject matter that ranges from how African culture was preserved during slavery hundreds of years ago to the richness and complexity of African American culture in the post-Obama era. The most comprehensive reference work on African American culture to date, the multivolume set covers such topics as black contributions to literature and the arts, music and entertainment, religion, and professional sports. It also provides coverage of less-commonly addressed subjects, such as African American fashion practices and beauty culture, the development of jazz music across different eras, and African American business.


The Black Panther Party (reconsidered)

The Black Panther Party (reconsidered)
Author: Charles Earl Jones
Publisher: Black Classic Press
Total Pages: 548
Release: 1998
Genre: History
ISBN: 9780933121966

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This new collection of essays, contributed by scholars and former Panthers, is a ground-breaking work that offers thought-provoking and pertinent observations about the many facets of the Party. By placing the perspectives of participants and scholars side by side, Dr. Jones presents an insider view and initiates a vital dialogue that is absent from most historical studies.


Black Lives Matter and Music

Black Lives Matter and Music
Author: Fernando Orejuela
Publisher: Indiana University Press
Total Pages: 145
Release: 2018-08-10
Genre: Music
ISBN: 025303843X

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Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar’s "Alright," J. Cole’s "Be Free," D’Angelo and the Vanguard's "The Charade," The Game’s "Don’t Shoot," Janelle Monae’s "Hell You Talmbout," Usher’s "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In this collection of critical studies, contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.


More Than Icons and Images

More Than Icons and Images
Author: Clyde Posley
Publisher: Createspace Independent Publishing Platform
Total Pages: 192
Release: 2018-10-10
Genre:
ISBN: 9781718659797

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Beginning with the Mandinka warriors who were forced to engage in slave fights by racist plantation owners for over 150 years, sports have consistently emerged as an inter-woven part of American society. Equally notable within sports' social emergence throughout the aforementioned time-span is the evolving intersectionality between politics, race, and sports. Racial disparity within front office leadership, backlash for voicing political abstention from patriotic traditions, and gender inequitably relating to salary are just a few of the political issues embedded in America's extensive historic fascination with sports. It is therefore reasonable and for many understandable that the axioms of athletic struggle and social power struggle would intersect and create political theater in the US. Throughout the history of the American political landscape's evolution, there has existed a type of interconnectivity tethering race, subjugation and notions of political progress or cultural domination to class and culture. According to theorist Patrick Miller, "Sports has held a prominent political place within American society for over 150 years" (Race and sports: The struggle for equality on and off the field, 2004 p.149). On October 16th 1968, in Mexico City, Mexico, that political place of prominence would be communicated to a global audience by two Black male American Olympians in unprecedented fashion. In an article entitled "Mandela Knew Sports had the Power to End Apartheid," columnist Patrick Collins explains that Nelson Mandela, the legendary South African activist and politician, stood as "one of the 20th century's most notable figures for his efforts to end apartheid" (Mail on Sunday, p.24). While he used a combination of methods to dismantle South Africa's system of institutionalized racism, sports were an invaluable resource that Mandela used to usher in social change. While addressing 65,000 soccer fans at the 1995 World Cup in Johannesburg, South Africa, he used the transformative and unifying power of sports to promote change. In the speech, Mandela exhorted, "Sport has the power to change the world. It has the power to inspire. It has the power to unite people in a way that little else does. Sports can awaken hope where there is previously only despair it is more powerful than government in breaking down racial barriers..." (Collins, 1995, 2013 p.24). Unlike conventional protests and even diplomacy, Mandela asserts that sports competitions are spaces in which healing can transcend cultures, social conditions, and even inequality. Mandela posits that "sport" is a social device that has the potential to bring impactful change. Mandela's claim raises the questions of how do some who are involved with athletic competition in some capacity gain the sociopolitical aptitude to use sports for political gains? Is there a political price levied against those who dare to engage in turning athletic competitions into social spaces of political discourse? These and other questions serve as the cornerstones for an analysis that will investigate the idealistic and philosophical influences that propelled Tommie Smith and John Carlos to participate in the iconic 1968 Summer Olympic medal-stand protest. For African Americans, in particular, the country's relationship with sports has produce a plethora of experiences and perspectives This book steps into this major social discourse through the lens of one of America's most iconic uses of sports as a platform to use embodied voice as a means of political resistance: The 1968 Medal Stand Protest in Mexico City, Mexico by Tommie Smith and John Carlos. In doing so, it is my hope that grappling with the nuances of the fascinating synergy between sports and political representation and studying the role of athletics and political achievement will forge new avenues of voice among Black athletic performances.