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Iconotropy and Cult Images from the Ancient to Modern World

Iconotropy and Cult Images from the Ancient to Modern World
Author: Jorge Tomás García
Publisher: Routledge
Total Pages: 273
Release: 2022-04-06
Genre: Art
ISBN: 1000574210

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The book examines the process of symbolic and material alteration of religious images in antiquity, the middle ages and the modern period. The process by which the form and meaning of images are modified and adapted for a new context is defined by a large number of spiritual, religious, artistic, geographical or historical circumstances. This book provides a defined theoretical framework for these symbolic and material alterations based on the concept of iconotropy; that is, the way in which images change and/or alter their meaning. Iconotropy is a key concept in religious history, particularly for periods in which religious changes, often turbulent, took place. In addition, the iconotropic process of appropriating cult images brought with it changes in the materiality of those images. Numerous accounts from antiquity, the middle ages and the modern period detail how cult images were involved in such processes of misinterpretation, both symbolically and materially. The book will be of interest to scholars working in art history, visual culture and religious history.


Iconotropy and Cult Images from the Ancient to Modern World

Iconotropy and Cult Images from the Ancient to Modern World
Author: Jorge Tomás García
Publisher: Taylor & Francis
Total Pages: 213
Release: 2022-04-06
Genre: Art
ISBN: 1000574180

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The book examines the process of symbolic and material alteration of religious images in antiquity, the middle ages and the modern period. The process by which the form and meaning of images are modified and adapted for a new context is defined by a large number of spiritual, religious, artistic, geographical or historical circumstances. This book provides a defined theoretical framework for these symbolic and material alterations based on the concept of iconotropy; that is, the way in which images change and/or alter their meaning. Iconotropy is a key concept in religious history, particularly for periods in which religious changes, often turbulent, took place. In addition, the iconotropic process of appropriating cult images brought with it changes in the materiality of those images. Numerous accounts from antiquity, the middle ages and the modern period detail how cult images were involved in such processes of misinterpretation, both symbolically and materially. The book will be of interest to scholars working in art history, visual culture and religious history.


Late Antique Portraits and Early Christian Icons

Late Antique Portraits and Early Christian Icons
Author: Andrew Paterson
Publisher: Taylor & Francis
Total Pages: 229
Release: 2022-06-30
Genre: Art
ISBN: 1000600165

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This book focuses on the earliest surviving Christian icons, dated to the sixth and seventh centuries, which bear many resemblances to three other well-established genres of ‘sacred portrait’ also produced during late antiquity, namely Roman imperial portraiture, Graeco-Egyptian funerary portraiture and panel paintings depicting non-Christian deities. Andrew Paterson addresses two fundamental questions about devotional portraiture – both Christian and non-Christian – in the late antique period. Firstly, how did artists visualise and construct these images of divine or sanctified figures? And secondly, how did their intended viewers look at, respond to, and even interact with these images? Paterson argues that a key factor of many of these portrait images is the emphasis given to the depicted gaze, which invites an intensified form of personal encounter with the portrait’s subject. The book will be of interest to scholars working in art history, theology, religion and classical studies.


Arboreal Symbolism in European Art, 1300–1800

Arboreal Symbolism in European Art, 1300–1800
Author: Katherine T. Brown
Publisher: Taylor & Francis
Total Pages: 220
Release: 2024-07-30
Genre: Art
ISBN: 1040098487

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Arboreal Symbolism in European Art, 1300–1800 probes the significance of trees in religious iconography of Western art. Based in the disciplines of art history, botany, and theology, this study focuses on selected works of art in which tree forms embody and reflect Christian themes. Through this triple lens, Brown examines trees that early modern artists rendered as sacred symbols—symbols with origins in the Old Testament, New Testament, Greek and Roman cultures, and early medieval legends. Tree components and wood depicted in works of art can serve as evidence for early modern artists’ embrace of biblical metaphor, classical sources, and devotional connotations. The author considers how artists rendered seasonal change in Christian narratives to emphasize themes of spiritual transformation. Brown argues that many artists and their patrons drew parallels between the life cycle of a tree and events in the Gospels with their respective annual, liturgical celebrations. This book will interest scholars in art history, religion, humanities, and interdisciplinary studies.


Sculpted Thresholds and the Liturgy of Transformation in Medieval Lombardy

Sculpted Thresholds and the Liturgy of Transformation in Medieval Lombardy
Author: Gillian B. Elliott
Publisher: Taylor & Francis
Total Pages: 255
Release: 2022-06-24
Genre: Art
ISBN: 1000603261

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This book explores the issue of ecclesiastical authority in Romanesque sculpture on the portals and other sculpted “gateways” of churches in the north Italian region of Lombardy. Gillian B. Elliott examines the liturgical connection between the ciborium over the altar (the most sacred threshold inside the church), and the sculpted portals that appeared on church exteriors in medieval Lombardy. In cities such as Milan, Civate, Como, and Pavia, the liturgy of Saint Ambrose was practiced as an alternative to the Roman liturgy and the churches were constructed to respond to the needs of Ambrosian liturgy. Not only do the Romanesque churches in these places correspond stylistically and iconographically, but they were also linked politically in an era of intense struggle for ultimate regional authority. The book considers liturgical and artistic links between interior church furnishings and exterior church sculptural programs, and also applies new spatial methodologies to the interior and exterior of churches in Lombardy. The book will be of interest to scholars working in art history, medieval studies, architectural history, and religious studies.


Roman Cult Images

Roman Cult Images
Author: Philip Kiernan
Publisher: Cambridge University Press
Total Pages: 375
Release: 2020-06-11
Genre: Architecture
ISBN: 1108487343

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A biography of how cult images functioned in Roman temples. It explores their creation, use, and eventual destruction.


Mystery Cults in Visual Representation in Graeco-Roman Antiquity

Mystery Cults in Visual Representation in Graeco-Roman Antiquity
Author:
Publisher: BRILL
Total Pages: 251
Release: 2020-10-26
Genre: History
ISBN: 9004440143

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This book fills a gap in the study of mystery cults in Graeco-Roman Antiquity. Focusing on the visual language surrounding these cults, it aims to understand how images depict mysteries in different cults: Dionysus, Mithras, Mother of the Gods, and Isiac cults.


Divine Images and Human Imaginations in Ancient Greece and Rome

Divine Images and Human Imaginations in Ancient Greece and Rome
Author:
Publisher: BRILL
Total Pages: 455
Release: 2015-08-27
Genre: History
ISBN: 9047441656

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Based on the visual and textual evidence, this volume concentrates on the artistic, intellectual, religious, and socio-political importance of divine images as media of communication in the polytheistic cosmos of ancient Greece and Rome.


Icon, Cult, and Context

Icon, Cult, and Context
Author: Maura K. Heyn
Publisher: Cotsen Institute of Archaeology Press
Total Pages: 253
Release: 2016-12-31
Genre: History
ISBN: 1938770595

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This festschrift honors UCLA professor emerita Susan Downey and her meticulous scholarship on religious architecture and imagery in the Roman/Hellenistic world. The iconography of gods and goddesses, the analysis of sacred imagery in the context of ancient cult practices, and the design and decoration of sacred spaces are the main themes of the book. Authors examine such subjects as painting from Dura-Europos, Hellenistic sculpture at Saqqara in Egypt, Roman cameo glass, Pompeian fresco, and aspects of Venus in portrait sculpture. The essays on Dura-Europos are especially valuable in light of the present turmoil in the region. Professor Downey's influence shines through in these discussions, which echo her mentorship of several generations of art history and archaeology students and recognize her scholarly achievements. The broad temporal and geographic parameters of the volume are expansive, and the juxtaposition of images and analyses leads to surprising new conclusions.


Mystic Cults in Magna Graecia

Mystic Cults in Magna Graecia
Author: Giovanni Casadio
Publisher: University of Texas Press
Total Pages: 391
Release: 2009-09-01
Genre: Religion
ISBN: 0292719027

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In Vergil's Aeneid, the poet implies that those who have been initiated into mystery cults enjoy a blessed situation both in life and after death. This collection of essays brings new insight to the study of mystic cults in the ancient world, particularly those that flourished in Magna Graecia (essentially the area of present-day Southern Italy and Sicily). Implementing a variety of methodologies, the contributors to Mystic Cults in Magna Graecia examine an array of features associated with such "mystery religions" that were concerned with individual salvation through initiation and hidden knowledge rather than civic cults directed toward Olympian deities usually associated with Greek religion. Contributors present contemporary theories of ancient religion, field reports from recent archaeological work, and other frameworks for exploring mystic cults in general and individual deities specifically, with observations about cultural interactions throughout. Topics include Dionysos and Orpheus, the Goddess Cults, Isis in Italy, and Roman Mithras, explored by an international array of scholars including Giulia Sfameni Gasparro ("Aspects of the Cult of Demeter in Magna Graecia") and Alberto Bernabé ("Imago Inferorum Orphica"). The resulting volume illuminates this often misunderstood range of religious phenomena.