I love myself when I am laughing
Author | : Alice Walker |
Publisher | : |
Total Pages | : 313 |
Release | : 1979 |
Genre | : |
ISBN | : 9780912670669 |
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Author | : Alice Walker |
Publisher | : |
Total Pages | : 313 |
Release | : 1979 |
Genre | : |
ISBN | : 9780912670669 |
Author | : Zora Neale Hurston |
Publisher | : Feminist Press at CUNY |
Total Pages | : |
Release | : 2020-01-07 |
Genre | : Literary Collections |
ISBN | : 1936932741 |
The foundational, classic anthology that revived interest in the author of Their Eyes Were Watching God—"one of the greatest writers of our time"—and made her work widely available for a new generation of readers (Toni Morrison). During her lifetime, Zora Neale Hurston was praised for her writing but condemned for her independence and audacity. Her work fell into obscurity until the 1970s, when Alice Walker rediscovered Hurston's unmarked grave and anthologized her writing in this groundbreaking collection for the Feminist Press. I Love Myself When I Am Laughing... And Then Again When I Am Looking Mean and Impressive established Hurston as an intellectual leader for future generations of black writers. A testament to the power and breadth of Hurston's oeuvre, this edition—newly reissued for the Feminist Press's fiftieth anniversary—features a new preface by Walker. "Through Hurston, the soul of the black South gained one of its most articulate interpreters." —The New York Times
Author | : Zora Neale Hurston |
Publisher | : |
Total Pages | : 313 |
Release | : 1979 |
Genre | : |
ISBN | : |
Author | : Zora Neale Hurston |
Publisher | : |
Total Pages | : 320 |
Release | : 1979 |
Genre | : |
ISBN | : 9780704339781 |
Author | : Zora Neale Hurston |
Publisher | : |
Total Pages | : 313 |
Release | : 1983 |
Genre | : |
ISBN | : |
Author | : Zora Neale Hurston |
Publisher | : Old Westbury, N.Y. : The Feminist Press |
Total Pages | : 332 |
Release | : 1979 |
Genre | : Fiction |
ISBN | : |
The most prolific African-American woman author from 1920 to 1950, Hurston was praised for her writing and condemned for her independence, arrogance, and audaciousness. This unique anthology, with 14 superb examples of her fiction, journalism, folklore, and autobiography, rightfully establishes her as the intellectual and spiritual leader of the next generation of black writers. In addition to six essays and short stories, the collection includes excerpts from Dust Tracks on the Road; Mules and Me; Tell My Horse; Jonah's Gourd Vine; Moses, Man of the Mountain; and Their Eyes Were Watching God. The original commentary by Alice Walker and Mary Helen Washington, two African-American writers in the forefront of the Hurston revival, provide illuminating insights into Hurston-the writer, the person-as well as into American social and cultural history.
Author | : Zita Dresner |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 492 |
Release | : 1988 |
Genre | : |
ISBN | : 9781617034688 |
Gathers humorous stories, poetry, and essays by American writers from Anne Bradstreet to Erma Bombeck and Erica Jong.
Author | : Zora Neale Hurston |
Publisher | : |
Total Pages | : 313 |
Release | : 1979 |
Genre | : |
ISBN | : |
Author | : Zora Neale Hurston |
Publisher | : |
Total Pages | : 0 |
Release | : 2011-11-13 |
Genre | : |
ISBN | : 9781558617490 |
"One of the greatest writers of our time."--Toni Morrison "This well-made collection of her work . . . should give momentum to the rediscovery of Hurston as 'the intellectual and spiritual foremother of a generation of black women writers.'"--The Washington Post Book Review Known for her audacity and inimitable style, Zora Neale Hurston is widely acknowledged as the forerunner for writers such as Toni Morrison and Alice Walker. This anthology draws together superb selections from her essays, short stories, journalism, folklore, and autobiography. Zora Neale Hurston (1891-1960) was a novelist, folklorist, and anthropologist whose fictional and factual accounts of black heritage remain unparalleled. Her many books include Dust Tracks on a Road; Their Eyes Were Watching God; Jonah's Gourd Vine; Moses, Man of the Mountain; Mules and Men; and Every Tongue Got to Confess. Alice Walker changed the course of the American literary canon when she published her novel The Color Purple in 1982. As an anthologist, she lifted from obscurity the writings of Zora Neale Hurston and introduced Hurston to a new generation of readers in this FP Classic, first published in 1979.
Author | : Cynthia Davis |
Publisher | : Scarecrow Press |
Total Pages | : 294 |
Release | : 2013-05-09 |
Genre | : Reference |
ISBN | : 0810891530 |
Zora Neale Hurston (1891-1960), the most prominent of the Harlem Renaissance women writers, was unique because her social and professional connections were not limited to literature but encompassed theatre, dance, film, anthropology, folklore, music, politics, high society, academia, and artistic bohemia. Hurston published four novels, three books of nonfiction, and dozens of short stories, plays, and essays. In addition, she won a long list of fellowships and prizes, including a Guggenheim and a Rosenwald. Yet by the 1950s, Hurston, like most of her Harlem Renaissance peers, had faded into oblivion. An essay by Alice Walker in the 1970s, however, spurred the revival of Hurston’s literary reputation, and her works, including her 1937 novel Their Eyes Were Watching God, have enjoyed an enduring popularity. Zora Neale Hurston: An Annotated Bibliography of Works and Criticism consists of reviews of critical interpretations of Hurston’s work. In addition to publication information, each selection is carefully crafted to capture the author’s thesis in a short, pithy, analytical framework. Also included are original essays by eminent Hurston scholars that contextualize the bibliographic entries. Meticulously researched but accessible, these essays focus on gaps in Hurston criticism and outline new directions for Hurston scholarship in the twenty-first century. Comprehensive and up-to-date, this volume contains analytical summaries of the most important critical writings on Zora Neale Hurston from the 1970s to the present. In addition, entries from difficult-to-locate sources, such as small academic presses or international journals, can be found here. Although intended as a bibliographic resource for graduate and undergraduate students, this volume is also aimed toward general readers interested in women’s literature, African American literature, American history, and popular culture. The book will also appeal to scholars and teachers studying twentieth-century American literature, as well as those specializing in anthropology, modernism, and African American studies, with a special focus on the women of the Harlem Renaissance.