Hydra and the Birth of Experimental Biology - 1744
Author | : Sylvia G. Lenhoff |
Publisher | : |
Total Pages | : |
Release | : 1986 |
Genre | : |
ISBN | : |
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Author | : Sylvia G. Lenhoff |
Publisher | : |
Total Pages | : |
Release | : 1986 |
Genre | : |
ISBN | : |
Author | : Sylvia G. Lenhoff |
Publisher | : |
Total Pages | : 290 |
Release | : 1986 |
Genre | : Science |
ISBN | : |
Author | : Daniel Chua |
Publisher | : Cambridge University Press |
Total Pages | : 330 |
Release | : 1999-11-25 |
Genre | : Music |
ISBN | : 1139431358 |
This book is born out of two contradictions: first, it explores the making of meaning in a musical form that was made to lose its meaning at the turn of the nineteenth century; secondly, it is a history of a music that claims to have no history - absolute music. The book therefore writes against that notion of absolute music which tends to be the paradigm for most musicological and analytical studies. It is concerned not so much with what music is, but with why and how meaning is constructed in instrumental music and what structures of knowledge need to be in place for such meaning to exist. From the thought of Vincenzo Galilei to that of Theodore Adorno, Daniel Chua suggests that instrumental music has always been a critical and negative force in modernity, even with its nineteenth-century apotheosis as 'absolute music'.
Author | : Peter Williams |
Publisher | : Reaktion Books |
Total Pages | : 181 |
Release | : 2020-04-13 |
Genre | : Nature |
ISBN | : 1789142520 |
Jellyfish are, like the mythical Medusa, both beautiful and potentially dangerous. Found from pole to tropic, these mesmeric creatures form an important part of the sea’s plankton and vary in size from the gigantic to the minute. Perceived as almost alien creatures and seen as best avoided, jellyfish nevertheless have the power to fascinate: with the sheer beauty of their translucent bells and long, trailing tentacles, with a mouth that doubles as an anus, and without a head or brain. Drawing upon myth and historical sources as well as modern scientific advances, this book examines our ambiguous relationship with these ancient and yet ill-understood animals, describing their surprisingly complex anatomy, weaponry, and habits, and their vital contributions to the ocean’s ecosystems.
Author | : Janelle A. Schwartz |
Publisher | : U of Minnesota Press |
Total Pages | : 306 |
Release | : 2012 |
Genre | : Literary Criticism |
ISBN | : 0816673217 |
Worms. Natural history is riddled with them. Literature is crawling with them. From antiquity to today, the ubiquitous and multiform worm provokes an immediate discomfort and unconscious distancing: it remains us against them in anthropocentric anxiety. So there is always something muddled, or dirty, or even offensive when talking about worms. Rehabilitating the lowly worm into a powerful aesthetic trope, Janelle A. Schwartz proposes a new framework for understanding such a strangely animate nature. Worms, she declares, are the very matter with which the Romantics rethought the relationship between a material world in constant flux and the human mind working to understand it. Worm Work studies the lesser-known natural historical records of Abraham Trembley and his contemporaries and the familiar works of Erasmus Darwin, Charles Darwin, William Blake, Mary Shelley, and John Keats, to expose the worm as an organism that is not only reviled as a taxonomic terror but revered as a sign of great order in nature as well as narrative. This book traces a pattern of cultural production, a vermiculture that is as transformative of matter as it is of mind. It distinguishes decay or division as positive processes in Romantic era writings, compounded by generation or renewal and used to represent the biocentric, complex structuring of organicism. Offering the worm as an archetypal figure through which to recast the evolution of a literary order alongside questions of taxonomy from 1740 to 1820 and on, Schwartz unearths Romanticism as a rich humus of natural historical investigation and literary creation.
Author | : Wye Jamison Allanbrook |
Publisher | : Univ of California Press |
Total Pages | : 253 |
Release | : 2014-06-07 |
Genre | : Music |
ISBN | : 052095887X |
Wye Jamison Allanbrook’s The Secular Commedia is a stimulating and original rethinking of the music of the late eighteenth century. Hearing the symphonies and concertos of Haydn and Mozart with an ear tuned to operatic style, as their earliest listeners did, Allanbrook shows that this familiar music is built on a set of mimetic associations drawn from conventional modes of depicting character and emotion in opera buffa. Allanbrook mines a rich trove of writings by eighteenth-century philosophers and music theorists to show that vocal music was considered aesthetically superior to instrumental music and that listeners easily perceived the theatrical tropes that underpinned the style. Tracing Enlightenment notions of character and expression back to Greek and Latin writings about comedy and drama, she strips away preoccupations with symphonic form and teleology to reveal anew the kaleidoscopic variety and gestural vitality of the musical surface. In prose as graceful and nimble as the music she discusses, Allanbrook elucidates the idiom of this period for contemporary readers. With notes, musical examples, and a foreword by editors Mary Ann Smart and Richard Taruskin.
Author | : Michele Currie Navakas |
Publisher | : Princeton University Press |
Total Pages | : 232 |
Release | : 2023-07-11 |
Genre | : History |
ISBN | : 0691240094 |
"In the eighteenth and nineteenth centuries, coral specimens featured prominently in cabinets of curiosity, and in literary work by writers from Herman Melville to Lydia Huntley Sigourney. Children sang of coral in popular songs. Women, both free and enslaved, wore coral beads. Reef samples drew crowds to galleries and museums. And coral's unique qualities as animal, vegetable, and mineral inspired countless Americans to praise the "coral insect" for creating what one author called "the most wonder-provoking of all natural objects." In this account of coral's history as material and metaphor, Michele Navakas argues that coral shaped the nation's thinking and became deeply entwined with the histories of slavery, wage labor, and women's reproductive and domestic work. European slave traders used red coral to purchase persons along the coast of West Africa from the fifteenth through the eighteenth centuries, while enslaved people performed the labor that brought raw coral from Caribbean, Mediterranean, and Pacific waters to European naturalists and coral traders. In the nineteenth-century U.S., Black and white women frequently compared their bodies to reef-building polyps that silently and continually produced new beings and forged intergenerational bonds. The book traces the global flows of labor, production, manufacture, and trade that brought coral into the daily lives of nineteenth-century Americans, and discusses the cultural traditions surrounding coral in four major geographic regions-Africa, the Pacific, the Caribbean, and Europe-that shaped early American understandings of coral. It then examines works of literature and of natural history by a cross-section of U.S. authors who used the analogy of coral to describe a system in which the labors of each individual enrich all, but also as a body that grows only by silently entombing the living bodies of its most essential workers. A coda addresses the value of historically oriented environmental humanities scholarship at a time of climate crisis"--
Author | : A Committee of Dutch Scientists |
Publisher | : CRC Press |
Total Pages | : 444 |
Release | : 1996-06-01 |
Genre | : Technology & Engineering |
ISBN | : 9789026514500 |
This volume (the 14th of a series of 19) contains 21 letters written between August 1701 and March 1704. At least half of these letters were addressed to Fellows of the Royal Society in London. Every volume in the series contains the texts in the original Dutch and an English translation. The great range of subjects studied by Van Leeuwenhoek is reflected in these letters: instruments to measure water; pulmonary diseases; experiments relating to the solution of gold and silver; salt crystals and grains of sand; botanical work, such as duckweed and germination of orange pips; descriptions on protozoa; blood; spermatozoa; and health and hygiene, for example and harmfulness of tea and coffee and the benefits of cleaning teeth.;Volumes One to 13 are available at a reduced price from Swets and Zeitlinger.
Author | : Lisa Rezende |
Publisher | : Infobase Publishing |
Total Pages | : 513 |
Release | : 2006 |
Genre | : Biography & Autobiography |
ISBN | : 1438129807 |
Chronology of Science contains approximately 2,000 cross-referenced entries, ranging from 50 to 150 words each, plus identifiers that categorize the entries into core areas (biology, chemistry, physics, marine science, space and astronomy, Earth science, and weather and climate). Also included are introductory and closing essays in each section, sidebars expanding upon important concepts in each time period, figure legends, appendixes directing the reader to further information on specific topics, a bibliography, and an index. This is a helpful reference tool for students looking for basic information about specific scientific events. The entries inspire the reader to investigate the topic further. After reading sections of the book, the reader will have gained accurate information about scientific history, as well as a sense of how scientific discoveries build upon events of the past, and an understanding of the way scientific theories have changed over time.
Author | : Stephanie LeMenager |
Publisher | : Routledge |
Total Pages | : 310 |
Release | : 2011-05-09 |
Genre | : Literary Criticism |
ISBN | : 1136710507 |
Environmental Criticism for the Twenty-First Century showcases the recent explosive expansion of environmental criticism, which is actively transforming three areas of broad interest in contemporary literary and cultural studies: history, scale, and science. With contributors engaging texts from the medieval period through the twenty-first century, the collection brings into focus recent ecocritical concern for the long durations through which environmental imaginations have been shaped. Contributors also address problems of scale, including environmental institutions and imaginations that complicate conventional rubrics such as the national, local, and global. Finally, this collection brings together a set of scholars who are interested in drawing on both the sciences and the humanities in order to find compelling stories for engaging ecological processes such as global climate change, peak oil production, nuclear proliferation, and food scarcity. Environmental Criticism for the Twenty-First Century offers powerful proof that cultural criticism is itself ecologically resilient, evolving to meet the imaginative challenges of twenty-first-century environmental crises.