Hsieh Ling-yun's Poetical Essay on My Mountain Dwelling
| Author | : Paul Z. Panish |
| Publisher | : |
| Total Pages | : 414 |
| Release | : 1973 |
| Genre | : |
| ISBN | : |
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A Vision of Nature
| Author | : Michael Tobias |
| Publisher | : Kent State University Press |
| Total Pages | : 328 |
| Release | : 1995 |
| Genre | : Nature |
| ISBN | : 9780873384834 |
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Tobias examines the ancient cultures of the Mediterranean, the ascetics of Sinai and Tibet, and the Pure Land Buddhists. He introduces the reader to the Jains of India, whose lifestyle is one of the most ecologically balanced in all of human history. In profiling various artists of 19th-century Europe and America, Tobias discovers incisive continuities among such luminaries as British poet Percy Bysshe Shelley, Austrian impressionist Emilie Mediz-Pelikan, and American intimist painters Ralph Blakelock and George Inness.
The Agassiz Professorship and the Development of Chinese Studies at the University of California, Berkeley, 1872-1985
| Author | : Doris Sze Chun |
| Publisher | : |
| Total Pages | : 604 |
| Release | : 1986 |
| Genre | : China |
| ISBN | : |
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A Biography of Self-consciousness
| Author | : Michael Charles Tobias |
| Publisher | : |
| Total Pages | : 982 |
| Release | : 1977 |
| Genre | : Consciousness |
| ISBN | : |
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The Works of Li Qingzhao
| Author | : Ronald Egan |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 243 |
| Release | : 2019-01-29 |
| Genre | : Social Science |
| ISBN | : 1501504436 |
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Previous translations and descriptions of Li Qingzhao are molded by an image of her as lonely wife and bereft widow formed by centuries of manipulation of her work and legacy by scholars and critics (all of them male) to fit their idea of a what a talented woman writer would sound like. The true voice of Li Qingzhao is very different. A new translation and presentation of her is needed to appreciate her genius and to account for the sense that Chinese readers have always had, despite what scholars and critics were saying, about the boldness and originality of her work. The introduction will lay out the problems of critical refashioning and conventionalization of her carried out in the centuries after her death, thus preparing the reader for a new reading. Her songs and poetry will then be presented in a way that breaks free of a narrow autobiographical reading of them, distinguishes between reliable and unreliable attributions, and also shows the great range of her talent by including important prose pieces and seldom read poems. In this way, the standard image of Li Qingzhao, exemplied by a handful of her best known and largely misunderstood works, will be challenged and replaced by a new understanding. The volume will present a literary portrait of Li Qingzhao radically unlike the one in conventional anthologies and literary histories, allowing English readers for the first time to appreciate her distinctiveness as a writer and to properly gauge her achievement as a female alternative, as poet and essayist, to the male literary culture of her day.
The Poetry of Du Fu
| Author | : Stephen Owen |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 2741 |
| Release | : 2015-11-13 |
| Genre | : Literary Collections |
| ISBN | : 150150195X |
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The Complete Poetry of Du Fu presents a complete scholarly translation of Chinese literature alongside the original text in a critical edition. The English translation is more scholarly than vernacular Chinese translations, and it is compelled to address problems that even the best traditional commentaries overlook. The main body of the text is a facing page translation and critical edition of the earliest Song editions and other sources. For convenience the translations are arranged following the sequence in Qiu Zhao’an’s Du shi xiangzhu (although Qiu’s text is not followed). Basic footnotes are included when the translation needs clarification or supplement. Endnotes provide sources, textual notes, and a limited discussion of problem passages. A supplement references commonly used allusions, their sources, and where they can be found in the translation. Scholars know that there is scarcely a Du Fu poem whose interpretation is uncontested. The scholar may use this as a baseline to agree or disagree. Other readers can feel confident that this is a credible reading of the text within the tradition. A reader with a basic understanding of the language of Chinese poetry can use this to facilitate reading Du Fu, which can present problems for even the most learned reader.
The Practice of the Wild
| Author | : Gary Snyder |
| Publisher | : Catapult |
| Total Pages | : 206 |
| Release | : 2020-09-08 |
| Genre | : Religion |
| ISBN | : 1582439354 |
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A collection of captivatingly meditative essays that display a deep understanding of Buddhist belief, wildness, wildlife, and the world from an American cultural force. With thoughts ranging from political and spiritual matters to those regarding the environment and the art of becoming native to this continent, the nine essays in The Practice of the Wild display the deep understanding and wide erudition of Gary Snyder. These essays, first published in 1990, stand as the mature centerpiece of Snyder's work and thought, and this profound collection is widely accepted as one of the central texts on wilderness and the interaction of nature and culture.
HUNDRED AND SEVENTY CHINESE POEMS
| Author | : ARTHUR. WALEY |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : |
| ISBN | : 9781033037362 |
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How to Read Chinese Poetry
| Author | : Zong-qi Cai |
| Publisher | : Columbia University Press |
| Total Pages | : 456 |
| Release | : 2008 |
| Genre | : History |
| ISBN | : 0231139411 |
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In this "guided" anthology, experts lead students through the major genres and eras of Chinese poetry from antiquity to the modern time. The volume is divided into 6 chronological sections and features more than 140 examples of the best shi, sao, fu, ci, and qu poems. A comprehensive introduction and extensive thematic table of contents highlight the thematic, formal, and prosodic features of Chinese poetry, and each chapter is written by a scholar who specializes in a particular period or genre. Poems are presented in Chinese and English and are accompanied by a tone-marked romanized version, an explanation of Chinese linguistic and poetic conventions, and recommended reading strategies. Sound recordings of the poems are available online free of charge. These unique features facilitate an intense engagement with Chinese poetical texts and help the reader derive aesthetic pleasure and insight from these works as one could from the original. The companion volume How to Read Chinese Poetry Workbook presents 100 famous poems (56 are new selections) in Chinese, English, and romanization, accompanied by prose translation, textual notes, commentaries, and recordings. Contributors: Robert Ashmore (Univ. of California, Berkeley); Zong-qi Cai; Charles Egan (San Francisco State); Ronald Egan (Univ. of California, Santa Barbara); Grace Fong (McGill); David R. Knechtges (Univ. of Washington); Xinda Lian (Denison); Shuen-fu Lin (Univ. of Michigan); William H. Nienhauser Jr. (Univ. of Wisconsin); Maija Bell Samei; Jui-lung Su (National Univ. of Singapore); Wendy Swartz (Columbia); Xiaofei Tian (Harvard); Paula Varsano (Univ. of California, Berkeley); Fusheng Wu (Univ. of Utah)
His Stubbornship: Prime Minister Wang Anshi (1021--1086), Reformer and Poet
| Author | : Jonathan O. Pease |
| Publisher | : BRILL |
| Total Pages | : 677 |
| Release | : 2021-10-05 |
| Genre | : History |
| ISBN | : 9004469257 |
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China’s most controversial prime minister, path-breaking reformer, and an iconic Song-dynasty poet, Wang Anshi (1021—1086) is fully chronicled in English for the first time in almost a century, with a new emphasis on his luminous late verse.
