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How to Rehearse a Play

How to Rehearse a Play
Author: Damon Kiely
Publisher: Routledge
Total Pages: 142
Release: 2020-06-07
Genre: Performing Arts
ISBN: 1351053752

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Based on interviews with over forty award-winning artists, How to Rehearse a Play offers multiple solutions to the challenges that directors face from first rehearsal to opening night. The book provides a wealth of information on how to run a rehearsal room, suggesting different paths and encouraging directors to shape their own process. It is divided into four sections: lessons from the past: a brief survey of influential directors, including Stanislavski’s acting methods and Anne Bogart’s theories on movement; a survey of current practices: practical advice on launching a process, analyzing scripts, crafting staging, detailing scene work, collaborating in technical rehearsals and previews, and opening the play to the public; rehearsing without a script: suggestions, advice, and exercises for devising plays through collaborative company creation; rehearsal workbook: prompts and exercises to help directors discover their own process. How to Rehearse a Play is the perfect guide for any artist leading their first rehearsal, heading to graduate school for intense study, or just looking for ways to refresh and reinvigorate their artistry.


Trusting the Actor

Trusting the Actor
Author: Brian Astbury
Publisher: Createspace Independent Pub
Total Pages: 207
Release: 2012-01-16
Genre: Performing Arts
ISBN: 9781466374966

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This revolutionary book is more than just a dry theoretical study of acting techniques. Against a background of Apartheid South Africa it tells the story – both humorous and moving – of how teacher/director Brian Astbury - founder of South Africa's legendary Space Theatre - and hundreds of actors and acting students both in production and at Britain's top drama schools developed a set of exercises over two decades to help actors overcome problems not addressed in other methods.These teach how to be 'in the moment';to gain access to the inexhaustible storehouse of the imagination;to access, integrate and properly use the emotions of the character;to overcome difficulties with learning lines;to recreate performance without conscious thought.“An idiosyncratic, challenging and practical guide to the craft of acting, crammed with anecdotes and humorous insights”Richard E. Grant Actor/director/writer (Withnail and I, The Player, Wah-Wah and many others)“A truly inspirational teacher”Julie Hesmondhalgh Actor (Hayley, Coronation Street)“A unique figure in British theatre. Provocative, controversial, doggedly inspiring. He has been the pivotal teacher, enabler and mentor for me and countless others.Rufus Norris Director (Festen, Cabaret, Market Boy, Tintin, Vernon God Little, Blood Wedding)“I cannot recommend it highly enough”Stephen Moyer Actor (True Blood, NY-LON, Prince Valiant, the RSC)“A conversational (almost chatty) love story, a tale of a theatre company's struggle against Apartheid, an irreverent look at life”Alexander Siddig Actor/director (Deep Space Nine, Syriana, Un Homme Perdu, 24, Primeval, Hannibal)“Brian Astbury was, without a doubt, the biggest influence on me. His teachings are still what I go to in trouble”Jason Flemyng Actor (Lock, Stock and Two Smoking Barrels, Snatch, The League of Extraordinary Gentlemen, The Quatermass Experiment, Drum, the RSC)


How to Read a Play

How to Read a Play
Author: Damon Kiely
Publisher: Routledge
Total Pages: 204
Release: 2016-03-17
Genre: Performing Arts
ISBN: 1317283635

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The work done on a play before the first rehearsal, the first group reading or even the before the cast have met, can be crucial to the success of a production. Directors and dramaturgs must know how to analyze, understand and interpret a play or performance text if they hope to bring it to life on the stage. This book provides a broad range of tools and methods that can be used when reading a text, including: Lessons from the past. What can we learn from Aristotle, Stanislavsky, Meyerhold, Vakhtangov, Brecht and Harold Clurman? This section establishes the models and methods that underpin much of a director’s work today. A survey of current practices in Western theatre. A combination of research, interviews and observation of practical work addresses the main stages in understanding a play, such as getting to know characters, sharing ideas, mapping the action and grappling with language. A workbook, setting out twenty one ways of breaking down a play, from the general to the particular. Contributions, reflections and interjections from a host of successful directors make this the ideal starting point for anyone who wants to direct a play, or even devise one of their own. This wide range of different approaches, options and techniques allows each reader to create their own brand of play analysis.


This Is Service Design Doing

This Is Service Design Doing
Author: Marc Stickdorn
Publisher: "O'Reilly Media, Inc."
Total Pages: 1341
Release: 2018-01-02
Genre: Business & Economics
ISBN: 1491927135

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How can you establish a customer-centric culture in an organization? This is the first comprehensive book on how to actually do service design to improve the quality and the interaction between service providers and customers. You'll learn specific facilitation guidelines on how to run workshops, perform all of the main service design methods, implement concepts in reality, and embed service design successfully in an organization. Great customer experience needs a common language across disciplines to break down silos within an organization. This book provides a consistent model for accomplishing this and offers hands-on descriptions of every single step, tool, and method used. You'll be able to focus on your customers and iteratively improve their experience. Move from theory to practice and build sustainable business success.


The Musician's Way : A Guide to Practice, Performance, and Wellness

The Musician's Way : A Guide to Practice, Performance, and Wellness
Author: Gerald Klickstein
Publisher: Oxford University Press, USA
Total Pages: 357
Release: 2009-08-06
Genre: Music
ISBN: 0199711291

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In The Musician's Way, veteran performer and educator Gerald Klickstein combines the latest research with his 30 years of professional experience to provide aspiring musicians with a roadmap to artistic excellence. Part I, Artful Practice, describes strategies to interpret and memorize compositions, fuel motivation, collaborate, and more. Part II, Fearless Performance, lifts the lid on the hidden causes of nervousness and shows how musicians can become confident performers. Part III, Lifelong Creativity, surveys tactics to prevent music-related injuries and equips musicians to tap their own innate creativity. Written in a conversational style, The Musician's Way presents an inclusive system for all instrumentalists and vocalists to advance their musical abilities and succeed as performing artists.


Stroke Static

Stroke Static
Author: Lindsay Price
Publisher: Theatrefolk
Total Pages: 32
Release: 2002
Genre:
ISBN: 189487031X

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Rehearsing the Middle School Orchestra

Rehearsing the Middle School Orchestra
Author: Sandy Goldie
Publisher: Hal Leonard Corporation
Total Pages: 114
Release: 2019-05-01
Genre: Music
ISBN: 1574634992

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(Meredith Music Resource). In this highly informative compendium, nationally renowned orchestra directors share their unique expertise concerning rehearsal philosophy, intonation, tone and bow control, setup and fundamentals, articulation, planning, warm-ups, recruiting, community building, and more. These educators have honed their skills through years of experience and have inspired countless young musicians. Each chapter presents their insights and individual approaches to developing musical excellence in their students. As an added benefit, the book includes lists of the authors' favorite composers, arrangers, and works for grades 1-4.


The Invisible Actor

The Invisible Actor
Author: Yoshi Oida
Publisher: Bloomsbury Publishing
Total Pages: 123
Release: 2020-10-01
Genre: Drama
ISBN: 1350148288

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The Invisible Actor presents the captivating and unique methods of the distinguished Japanese actor and director, Yoshi Oida. While a member of Peter Brook's theatre company in Paris, Yoshi Oida developed a masterful approach to acting that combined the oriental tradition of supreme and studied control with the Western performer's need to characterise and expose depths of emotion. Written with Lorna Marshall, Yoshi Oida explains that once the audience becomes openly aware of the actor's method and becomes too conscious of the actor's artistry, the wonder of performance dies. The audience must never see the actor but only his or her performance. Throughout Lorna Marshall provides contextual commentary on Yoshi Oida's work and methods. In a new foreword to accompany the Bloomsbury Revelations edition, Yoshi Oida revisits the questions that have informed his career as an actor and explores how his skilful approach to acting has shaped the wider contours of his life.


Improvisation in Rehearsal

Improvisation in Rehearsal
Author: John Abbott
Publisher:
Total Pages: 230
Release: 2009
Genre: Performing Arts
ISBN:

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John Abbott, author of The Improvisation Book, explains how theatre directors at every level can use improvisation in the rehearsal room. Foreword by Mark Rylance. 'Improvisation can be used as part of the creative process of rehearsing a play. It can be a fabulous tool for exploration and discovery. It can strengthen the actor's commitment to their character. And it can create an environment of confidence and spontaneity.' Packed with useful exercises and improvisation scenarios, and examples from a wide variety of plays, Improvisation in Rehearsal reveals how improvisation enriches and enlivens the creation of characters, back-stories, relationships, shared histories and emotional lives. The book also demonstrates how improvisation can be used as a powerful tool in the foundation of a strong company, and when searching for the hidden depths and dynamics in a scene. Building on his own experience as an actor, director and teacher, Abbott writes with clarity and an infectious enthusiasm which will motivate directors to try the techniques for themselves. As Mark Rylance says in his Foreword, this book 'will inspire and delight its readers'.


The First 20 Hours

The First 20 Hours
Author: Josh Kaufman
Publisher: Penguin
Total Pages: 288
Release: 2013-06-13
Genre: Self-Help
ISBN: 1101623047

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Forget the 10,000 hour rule— what if it’s possible to learn the basics of any new skill in 20 hours or less? Take a moment to consider how many things you want to learn to do. What’s on your list? What’s holding you back from getting started? Are you worried about the time and effort it takes to acquire new skills—time you don’t have and effort you can’t spare? Research suggests it takes 10,000 hours to develop a new skill. In this nonstop world when will you ever find that much time and energy? To make matters worse, the early hours of prac­ticing something new are always the most frustrating. That’s why it’s difficult to learn how to speak a new language, play an instrument, hit a golf ball, or shoot great photos. It’s so much easier to watch TV or surf the web . . . In The First 20 Hours, Josh Kaufman offers a systematic approach to rapid skill acquisition— how to learn any new skill as quickly as possible. His method shows you how to deconstruct com­plex skills, maximize productive practice, and remove common learning barriers. By complet­ing just 20 hours of focused, deliberate practice you’ll go from knowing absolutely nothing to performing noticeably well. Kaufman personally field-tested the meth­ods in this book. You’ll have a front row seat as he develops a personal yoga practice, writes his own web-based computer programs, teaches himself to touch type on a nonstandard key­board, explores the oldest and most complex board game in history, picks up the ukulele, and learns how to windsurf. Here are a few of the sim­ple techniques he teaches: Define your target performance level: Fig­ure out what your desired level of skill looks like, what you’re trying to achieve, and what you’ll be able to do when you’re done. The more specific, the better. Deconstruct the skill: Most of the things we think of as skills are actually bundles of smaller subskills. If you break down the subcompo­nents, it’s easier to figure out which ones are most important and practice those first. Eliminate barriers to practice: Removing common distractions and unnecessary effort makes it much easier to sit down and focus on deliberate practice. Create fast feedback loops: Getting accu­rate, real-time information about how well you’re performing during practice makes it much easier to improve. Whether you want to paint a portrait, launch a start-up, fly an airplane, or juggle flaming chain­saws, The First 20 Hours will help you pick up the basics of any skill in record time . . . and have more fun along the way.