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Hopper's Places

Author	: Gail Levin
Publisher	: Alfred A. Knopf
Total Pages	: 106
Release	: 1985
Genre	: Art
ISBN	:

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Hopper's Places, Second Edition

Author	: Gail Levin
Publisher	: Univ of California Press
Total Pages	: 466
Release	: 1998-12
Genre	: Art
ISBN	: 0520216768

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The author pairs her own photographs of the sites with the paintings of Edward Hopper.

Silent Places

Author	: Gail Levin
Publisher	: Universe Publishing(NY)
Total Pages	: 88
Release	: 2000
Genre	: Art
ISBN	:

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A companion volume to Universe's The Poetry of Solitude pairs an array of literary excerpts by such writers as John Updike, William Faulkner, and Lawrence Block with the Hopper works that inspired them.

Edward Hopper in Vermont

Author	: Bonnie T. Clause
Publisher	: UPNE
Total Pages	: 326
Release	: 2012
Genre	: Art
ISBN	: 1611683297

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A delightful account of Edward Hopper's sojourns in Vermont with his wife, Jo, illustrated by the watercolors and drawings that he made there

Edward Hopper's New England

Author	: Carl Little
Publisher	: Pomegranate
Total Pages	: 100
Release	: 1993
Genre	: New England
ISBN	: 1566403154

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Edward Hopper (1882-1967), one of the most important American painters of the twentieth century, spent nearly every summer of his long artistic career in New England. This book presents many of Hopper's finest paintings of the region and examines the crucial role New England played in Hopper's development as an artist. Carl Little is author of Paintings of Maine and is a regular contributor to Art New England and Art in America.

Edward Hopper's New York

Author	: Avis Berman
Publisher	: Pomegranate Communications
Total Pages	: 112
Release	: 2005
Genre	: Art
ISBN	: 0764931547

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Illustrated by over 50 of Edward Hopper's most powerful evocations of New York, Avis Berman's essay explores how Hopper and his work illuminate each other by analyzing what his New York is - and is not. Ever the contrarian, he offers an alternative to what other American artists seized on - the new, the gigantic, the technologically exciting. Hopper stayed away from tourist attractions or landmarks of the city's glamorous skyline. His preference for nondescript vernacular buildings is emblematic of the larger Hopper paradox: he makes emptiness full, silence articulate, banality intense, plainness mysterious, and tawdriness noble.