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Hollywood Traitors

Hollywood Traitors
Author: Allan H. Ryskind
Publisher: Simon and Schuster
Total Pages: 529
Release: 2015-01-05
Genre: Political Science
ISBN: 1621572331

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“This is the book we’ve been waiting for! The true story of the much mythologized ‘Hollywood Ten’ by a scion of Hollywood royalty.” — Ann Coulter, author of twelve New York Times bestsellers, including Adios America: The Left's Plan to Turn Our Country Into a Third World Hell-Hole “Coming from one who has not only studied the postwar period in Hollywood but actually lived in it, Hollywood Traitors offers a rare perspective that is sure to prompt discussion and re-examination of the time when Stalin drew higher praise in some U.S. motion pictures than he did in Russian films.”—John Gizzi, White House correspondent and chief political colunist, Newsmax “A real-life thriller about the movies, exploding the fifty-year myth that the Hollywood were innocent victims of a witch hunt. Must read for students of Cold War history.”—M. Stanton Evans, author of Blacklisted by History: The Untold Story of Senator Joe McCarthy and His Fight against America’s Enemies There is a myth about the Hollywood Blacklist. The “Hollywood Ten” were dragged before the House Un-American Activities Committee (HUAC) and grilled on their associations with Communism, hid behind their Fifth Amendment rights, and refused to name names of Hollywood Communists. They were completely shut out from the filmmaking industry by Congress and considered the heroes of the hour by many in Hollywood. But it’s time to set the record straight. In Hollywood Traitors: Blacklisted Screenwriters—Agents of Stalin, Allies of Hitler, Allan Ryskind reveals how the alleged “victims” of the Hollywood Blacklist were actually ideological thugs: enthusiastic Stalinists committed to bringing about a socialist utopia in America—even by violent revolution. Ryskind, a long-time editor of Ronald Reagan’s favorite publication, Human Events, tells the true story of how these screenwriters prostituted their talent in the service of anti-American, pro-Communist propaganda. Ryskind pens the riveting report from an insider’s perspective. His father, Morrie Ryskind, was a screenwriter in Hollywood and was joined by Ronald Reagan, John Wayne, Walt Disney, and others at the forefront of the anti-Communist movement in Hollywood—even at the expense of their careers and reputations. In Hollywood Traitors you will learn: How the Hollywood Communists took their orders straight from the Party headquarters in New York, which in turn took them directly from Stalin’s Comintern, responsible for promoting international revolution How Communists attempted to take over Hollywood trade unions to control the American film industry Many major films clearly toed the Soviet line, including Casablanca, Arise my Love, Paris Falling, and Mission to Moscow.


Hollywood Traitors

Hollywood Traitors
Author: Allan Ryskind
Publisher: Regnery Publishing
Total Pages: 530
Release: 2015-01-05
Genre: Political Science
ISBN: 1621572064

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Allan Ryskind, son of Marx Brothers screenwriter Morrie Ryskind (Animal Crackers, A Night at the Opera, Room Service), exposes the ugly truth about the Communists blacklisted from the film industry. Too often, the "Hollywood Ten" brought before the House Un-American Activities Committee are memorialized as victims of an unjust witch-hunt and heroes who stood up for free speech. The truth is shocking: Not only did these supposed liberal paragons adore Josef Stalin and take their orders directly from the Communist Party, but they also sympathized with Adolf Hitler. Ryskind, who grew up in the heart of the Hollywood scene and personally knew many of the key players in this real-life Hollywood drama, has penned a definitive, myth-busting account of the Hollywood Ten and Hollywood Blacklist that will forever change the way you think about the ideological battle waged in the movie capital of the world. With glossy photographs.


The Subversive Screen

The Subversive Screen
Author: Brian E. Birdnow
Publisher: Bloomsbury Publishing USA
Total Pages: 140
Release: 2019-01-17
Genre: Performing Arts
ISBN: 144084996X

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A riveting chronicle of Communist Party efforts to propagate Communism in the United States, concurrent with Hollywood's "Golden Age" of creativity that came to define classical Hollywood cinema. From the Great Depression through World War II, the American Communist Party tried to take control of the motion picture industry. This comprehensive and chronological account of Communist influence in Hollywood surveys the topic from the Popular Front's fight against Fascism during the 1930s to the height of the House Un-American Activities Committee hearings in the late 1940s. Birdnow, an established historian and chronicler of domestic Communism, outlines Communist International's organizational efforts promoting international communism, focusing on the work of Communist political activists such as Willi Münzenberg, a media mogul with an international network; Gerhart Eisler, patron of a Hollywood composer; and Otto Katz, a high-profile publicist of the party line involved in movies in the 1930s and 1940s. The book explores the covert ways in which Hollywood Communists and Soviet sympathizers attempted to tailor movie scripts to suit the Soviet agenda and discusses Communist front groups such as the Hollywood Anti-Nazi League in great detail. Final chapters offer convincing proof that the directors, producers, and screenwriters blacklisted by studios for their possible Communist affiliations, known as the Hollywood Ten, were members of the Communist Party.


The Hollywood Motion Picture Blacklist

The Hollywood Motion Picture Blacklist
Author: Larry Ceplair
Publisher: University Press of Kentucky
Total Pages: 271
Release: 2022-09-06
Genre: Performing Arts
ISBN: 081319590X

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Seventy-five years ago, the Hollywood blacklist ruined lives, stifled creativity, and sent waves of proscription and censorship throughout United States culture. When the Hollywood Ten refused to answer the questions of the House Committee on Un-American Activities about their membership in the Communist Party, they were sentenced to prison, the five who were under contract were fired by their studios, and all were blacklisted from reemployment until they "purged themselves of their communist taint." By the 1950s, this blacklist publicly stigmatized nearly three hundred other Americans in the entertainment industry who invoked the First and Fifth Amendments in their refusal to apologize for their Communist ties or provide the names of other members. Dozens of others were graylisted as the result of rumors. The Hollywood Motion Picture Blacklist: Seventy-Five Years Later offers new insights on the origins of the blacklist, the characteristics of those blacklisted, and the probability of future proscriptions of the blacklist type. Author Larry Ceplair draws on previously published work while introducing new material to vigorously recount the events that took place between the US government, Hollywood unions, and motion picture studios. Ceplair thoroughly examines the role of Jewish identity in many anti-communist efforts—a concept that has never been fully examined by scholars—and analyzes the actions of subpoenaed witnesses who were forced to choose between cooperating with the House Committee or joining the blacklist. This fascinating book is an illuminating examination of a dark period in American history and the fragility of our rights to free speech and due process.


The Radical Writings of Jack Nusan Porter

The Radical Writings of Jack Nusan Porter
Author: Jack Nusan Porter
Publisher: Academic Studies PRess
Total Pages: 334
Release: 2021-08-10
Genre: Political Science
ISBN: 1644694662

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Jack Nusan Porter’s writings date back to 1966, during the height of the Vietnam War. He describes the anguished struggle against war, racism, and poverty, as well as the radical groups and individuals involved—Jewish socialists, radical Zionists, radical Jews, Rabbi Meir Kahane and the Jewish Defense League, the counterculture, liberals, and conservatives alike. In addition, his writings vividly recount the anti-Zionist, anti-Israel, anti-Semitic, and revolutionary terrorism of the times. Here, Porter draws from the past in an effort to explain the present, walking the precarious bridge between allegiance to Israel and the Jewish people and the universal rights of all people. This collection of older and newer essays combines theory, sociology, film studies, literary criticism, post-modern thought, and politics.


Politics and Film

Politics and Film
Author: Daniel P. Franklin
Publisher: Rowman & Littlefield
Total Pages: 246
Release: 2016-07-18
Genre: Political Science
ISBN: 1442262338

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Politics and Film examines popular movies and television shows as indicators of social and political trends to explore the political culture of the United States. Updated to include the popular and controversial movies and shows American Sniper, House of Cards, Orange Is the New Black, and Twelve Years a Slave, the second edition investigates popular conceptions of government, the military, intelligence and terrorism, punishment and policing, and recognizes mistakes or dark times in our shared history.


High Noon

High Noon
Author: Glenn Frankel
Publisher: Bloomsbury Publishing USA
Total Pages: 401
Release: 2018-02-06
Genre: History
ISBN: 1620409496

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From the New York Times bestselling author of The Searchers, the revelatory story behind the classic movie High Noon and the toxic political climate in which it was created. It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just thirty-two days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favorite film, celebrating moral fortitude. Yet what has been often overlooked is that High Noon was made during the height of the Hollywood blacklist, a time of political inquisition and personal betrayal. In the middle of the film shoot, screenwriter Carl Foreman was forced to testify before the House Committee on Un-American Activities about his former membership in the Communist Party. Refusing to name names, he was eventually blacklisted and fled the United States. (His co-authored screenplay for another classic, The Bridge on the River Kwai, went uncredited in 1957.) Examined in light of Foreman's testimony, High Noon's emphasis on courage and loyalty takes on deeper meaning and importance. In this book, Pulitzer Prize–winning journalist Glenn Frankel tells the story of the making of a great American Western, exploring how Carl Foreman's concept of High Noon evolved from idea to first draft to final script, taking on allegorical weight. Both the classic film and its turbulent political times emerge newly illuminated.


Show Trial

Show Trial
Author: Thomas Doherty
Publisher: Columbia University Press
Total Pages: 637
Release: 2018-04-10
Genre: Political Science
ISBN: 0231547463

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In 1947, the Cold War came to Hollywood. Over nine tumultuous days in October, the House Un-American Activities Committee held a notorious round of hearings into alleged Communist subversion in the movie industry. The blowback was profound: the major studios pledged to never again employ a known Communist or unrepentant fellow traveler. The declaration marked the onset of the blacklist era, a time when political allegiances, real or suspected, determined employment opportunities in the entertainment industry. Hundreds of artists were shown the door—or had it shut in their faces. In Show Trial, Thomas Doherty takes us behind the scenes at the first full-on media-political spectacle of the postwar era. He details the theatrical elements of a proceeding that bridged the realms of entertainment and politics, a courtroom drama starring glamorous actors, colorful moguls, on-the-make congressmen, high-priced lawyers, single-minded investigators, and recalcitrant screenwriters, all recorded by newsreel cameras and broadcast over radio. Doherty tells the story of the Hollywood Ten and the other witnesses, friendly and unfriendly, who testified, and chronicles the implementation of the postwar blacklist. Show Trial is a rich, character-driven inquiry into how the HUAC hearings ignited the anti-Communist crackdown in Hollywood, providing a gripping cultural history of one of the most transformative events of the postwar era.


The Disputed Legacy of Sidney Hook

The Disputed Legacy of Sidney Hook
Author: Gary B. Bullert
Publisher: Rowman & Littlefield
Total Pages: 247
Release: 2022-02-16
Genre: Political Science
ISBN: 1793627495

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The Disputed Legacy of Sidney Hook examines the sixty-year career of one of the foremost public intellectuals in the United States. Sidney Hook’s convictions were widely disseminated through books, academic journals, newspapers articles, lectures, and several organizations that he founded. Hook’s legacies include being a leading Marxist-Leninist scholar, his long-standing commitment to secular humanism, his legacy as a legendary polemicist, his cultural conservatism if not neoconservatism, and his defense of democracy and John Dewey’s pragmatic and Cold War liberalism. Bullert concludes that Hook’s core philosophy is best typified by his Deweyan pragmatism, vigilant anti-communism, and secular humanism.


The Third Reich on Screen, 1929-2015

The Third Reich on Screen, 1929-2015
Author: Bob Herzberg
Publisher: McFarland
Total Pages: 213
Release: 2016-11-09
Genre: History
ISBN: 1476664269

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For more than 80 years, images of the Third Reich have appeared in newsreels, documentaries, and fictional stories--from comedies and musicals to war, horror and science fiction films. Many of these representations say as much about the filmmakers as they do about Nazism itself. Hollywood often used the brutal Nazi as an all-purpose villain in escapist adventures set during and after the war, but just as often used him to attack the evil he symbolized. Drawing on studio files, correspondence of the Production Code office and the writings of noted historians and critics, this book describes the making of many such films produced in Hollywood, Nazi Germany, the Soviet Union and Eastern Bloc nations. Biographies of several military and political figures who served as the basis for Nazi characters compare the cinematic and real-life versions.