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| Author | : Jean-Michel Valantin |
| Publisher | : Anthem Press |
| Total Pages | : 174 |
| Release | : 2005 |
| Genre | : Armed Forces in motion pictures |
| ISBN | : 1843311704 |
A concerned investigation of the curious relationship between Hollywood and the US Department of Defense that exposes some distressing collaborations.
| Author | : David L. Robb |
| Publisher | : |
| Total Pages | : 392 |
| Release | : 2004 |
| Genre | : Performing Arts |
| ISBN | : |
Directors of war and action movies receive access to billions of dollars worth of military equipment and personnel, but it comes with a hidden cost. As a veteran Hollywood journalist shows, the final product is often not just what the director intends but also what the powers-that-be in the military want to project about America's armed forces.
| Author | : David L. Robb |
| Publisher | : Prometheus Books |
| Total Pages | : 384 |
| Release | : 2011-04-29 |
| Genre | : Performing Arts |
| ISBN | : 1615924515 |
Directors of war and action movies receive access to billions of dollars worth of military equipment and personnel, but it comes with a hidden cost. As a veteran Hollywood journalist shows, the final product is often not just what the director intends but also what the powers-that-be in the military want to project about America's armed forces.
| Author | : Tricia Jenkins |
| Publisher | : Univ of TX + ORM |
| Total Pages | : 301 |
| Release | : 2016-03-08 |
| Genre | : Social Science |
| ISBN | : 0292772475 |
An in-depth study of the CIA’s collaboration with Hollywood since the mid-1990s, and the important and troubling questions it creates. What’s your impression of the CIA? A bumbling agency that can’t protect its own spies? A rogue organization prone to covert operations and assassinations? Or a dedicated public service that advances the interests of the United States? Astute TV and movie viewers may have noticed that the CIA’s image in popular media has spanned this entire range, with a decided shift to more positive portrayals in recent years. But what very few people know is that the Central Intelligence Agency has been actively engaged in shaping the content of film and television, especially since it established an entertainment industry liaison program in the mid-1990s. The CIA in Hollywood offers the first full-scale investigation of the relationship between the Agency and the film and television industries. Tricia Jenkins draws on numerous interviews with the CIA’s public affairs staff, operations officers, and historians, as well as with Hollywood technical consultants, producers, and screenwriters who have worked with the Agency, to uncover the nature of the CIA’s role in Hollywood. In particular, she delves into the Agency’s and its officers’ involvement in the production of The Agency, In the Company of Spies, Alias, The Recruit, The Sum of All Fears, Enemy of the State, Syriana, The Good Shepherd, and more. Her research reveals the significant influence that the CIA now wields in Hollywood and raises important and troubling questions about the ethics and legality of a government agency using popular media to manipulate its public image. “Fascinating, highly readable . . . Overall, Jenkins’s work is fresh and original, and demonstrates sound scholarship. The author has a passion for the topic that translates to vibrant writing. It is also a concise as well as entertaining look at an aspect of the CIA—its media relations with Hollywood—of which little is known. Enthusiastically written and incorporating effective, illustrative case studies, The CIA in Hollywood is definitely recommended to students of film, media relations, the CIA, and U.S. interagency relations.” —H-War
| Author | : Alfred Goldberg |
| Publisher | : Office of the Secretary, Historical Offi |
| Total Pages | : 330 |
| Release | : 2007-09-05 |
| Genre | : Architecture |
| ISBN | : |
The most comprehensive account to date of the 9/11 attack on the Pentagon and aftermath, this volume includes unprecedented details on the impact on the Pentagon building and personnel and the scope of the rescue, recovery, and caregiving effort. It features 32 pages of photographs and more than a dozen diagrams and illustrations not previously available.
| Author | : Tony Shaw |
| Publisher | : Univ of Massachusetts Press |
| Total Pages | : 356 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : 9781558496125 |
Examines the role of American filmmakers in the ideological struggle against communism
| Author | : Jeff Cateau |
| Publisher | : Penguin |
| Total Pages | : 324 |
| Release | : 2002-10-01 |
| Genre | : History |
| ISBN | : 9780028644141 |
Provides an introduction to the command center for United States miliary operations, and discusses the history of the physical structure, its organization, personnel, and some of its residents including the CIA, NSA, and NIMA.
| Author | : Frank Sanello |
| Publisher | : Taylor Trade Publishing |
| Total Pages | : 318 |
| Release | : 2002-12-28 |
| Genre | : Performing Arts |
| ISBN | : 1461709334 |
All too often, highly fictionalized cinematic depictions of the past are accepted as the unassailable truth by those unfamiliar with the "real" account. This book profiles sixty movies that portray actual moments in history, and compares the mythologized account of each event to what really happened. Movies chronicled include The Ten Commandments, Spartacus, A Man for All Seasons, Gladiator, Gandhi, Apollo 13, The Thin Red Line, Dances with Wolves, Braveheart, The Last Emperor, All the Presidents Men, Mutiny on the Bounty, Gone with the Wind, Bonnie & Clyde, Patton, and Elizabeth. Sanello also contrasts several historical figures with their filmed treatments, including Julius Caesar, Henry V, Christopher Columbus, Joan of Arc, Sir Thomas More, Jesus Christ, Catherine the Great, Sigmund Freud, and Harry Houdini. Lavishly illustrated with sixty film stills, Reel v. Real shows how a happening's genuine details are frequently reshaped and distorted by Hollywood's bottomless appetite for over-the-top flamboyance and melodrama.
| Author | : Matthew Alford |
| Publisher | : |
| Total Pages | : 264 |
| Release | : 2017-06-27 |
| Genre | : Motion pictures |
| ISBN | : 9781548084981 |
This is a book about secrecy, militarism, manipulation, and censorship at the heart of the world's leading democracy-and about those who try to fight them. Using thousands of pages of documents acquired through the Freedom of Information Act National Security Cinema exclusively reveals that the national security state-led by the CIA and Pentagon-has worked on more than eight-hundred Hollywood films and over a thousand network television shows. The latest scholarship has underestimated the size of this operation, in part because the government has gone to considerable lengths to prevent data emerging, especially in the 21st Century, as the practice of government-Hollywood cooperation has escalated and become more aggressive. National Security Cinema reveals for the first time specific script changes made by the government for political reasons on dozens of blockbusting films and franchises like Transformers, Avatar, Meet the Parents, and The Terminator. These forces have suppressed important narratives about: CIA drug trafficking; illegal arms sales; military creation of bio-weapons; the interaction of private armies and oil companies; government treatment of minorities; torture; coups; assassinations, and the failure to prevent 9/11.
| Author | : Greg Mitchell |
| Publisher | : The New Press |
| Total Pages | : 306 |
| Release | : 2020-07-07 |
| Genre | : Performing Arts |
| ISBN | : 1620975742 |
The shocking and significant story of how the White House and Pentagon scuttled an epic Hollywood production. Soon after atomic bombs exploded over Hiroshima and Nagasaki in 1945, MGM set out to make a movie studio chief Louis B. Mayer called “the most important story” he would ever film: a big budget dramatization of the Manhattan Project and the invention and use of the revolutionary new weapon. Over at Paramount, Hal B. Wallis was ramping up his own film version. His screenwriter: the novelist Ayn Rand, who saw in physicist J. Robert Oppenheimer the model for a character she was sketching for Atlas Shrugged. Greg Mitchell’s The Beginning or the End chronicles the first efforts of American media and culture to process the Atomic Age. A movie that began as a cautionary tale inspired by atomic scientists aiming to warn the world against a nuclear arms race would be drained of all impact due to revisions and retakes ordered by President Truman and the military—for reasons of propaganda, politics, and petty human vanity (this was Hollywood). Mitchell has found his way into the lofty rooms, from Washington to California, where it happened, unearthing hundreds of letters and dozens of scripts that show how wise intentions were compromised in favor of defending the use of the bomb and the imperatives of postwar politics. As in his acclaimed Cold War true-life thriller The Tunnels, he exposes how our implacable American myth-making mechanisms distort our history.
