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Hollywood Stardom

Hollywood Stardom
Author: Paul McDonald
Publisher: John Wiley & Sons
Total Pages: 356
Release: 2012-11-26
Genre: Performing Arts
ISBN: 1118321669

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By integrating star studies and film industry studies, Hollywood Stardom reveals the inextricable bonds between culture and commerce in contemporary notions of film stardom. Integrates the traditions of star studies and industry studies to establish an original and innovative mode of analysis whereby the ‘star image’ is replaced with the ‘star brand’ Offers the first extensive analysis of stardom in the ‘post-studio’ era Combines genre, narrative, acting, and discourse analysis with aspects of marketing theory and the economic analysis of the film market Draws on an extensive body of research data not previously deployed in film scholarship A wide range of star examples are explored including George Clooney, Mel Gibson, Tom Cruise, Daniel Day-Lewis, Tom Hanks, Will Smith, and Julia Roberts


Independent Stardom

Independent Stardom
Author: Emily Carman
Publisher: University of Texas Press
Total Pages: 236
Release: 2015-12-15
Genre: Performing Arts
ISBN: 1477307338

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During the heyday of Hollywood’s studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman’s new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood’s best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood’s patriarchal structure. Through extensive, original archival research, Independent Stardom uncovers this hidden history of women’s labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry.


The Stardom Film

The Stardom Film
Author: Karen McNally
Publisher: Columbia University Press
Total Pages: 79
Release: 2020-12-08
Genre: Performing Arts
ISBN: 0231851146

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Since the earliest days of the movie industry, Hollywood has mythologized itself through stories of stardom. A female protagonist escapes the confines of rural America in search of freedom in a western dream factory; an ambitious, conceited movie idol falls from grace and discovers what it means to embody true stardom; or a fading star confronts Hollywood’s obsession with youth by embarking on a determined mission to reclaim her lost fame. In its various forms, the stardom film is crucial to understanding how Hollywood has shaped its own identity, as well as its claim on America’s collective imagination. In the first book to focus exclusively on these modern fairy tales, Karen McNally traces the history of this genre from silent cinema to contemporary film and television to show its significance to both Hollywood and broader American culture. Drawing on extensive archival research, she provides close readings of a wide range of films, from Souls for Sale (1923) to A Star is Born (1937 and 1954) and Judy (2019), moving between fictional narratives, biopics, and those that occupy a space in between. McNally considers the genre’s core set of tropes, its construction of stardom around idealized white femininity, and its reflections on the blurred boundaries between myth, image, and reality. The Stardom Film offers an original understanding of one of Hollywood’s most enduring genres and why the allure of fame continues to fascinate us.


Peter Lorre: Face Maker

Peter Lorre: Face Maker
Author: Sarah Thomas
Publisher: Berghahn Books
Total Pages: 222
Release: 2012-02-28
Genre: Performing Arts
ISBN: 0857454420

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Peter Lorre described himself as merely a 'face maker'. His own negative attitude also characterizes traditional perspectives which position Lorre as a tragic figure within film history: the promising European artist reduced to a Hollywood gimmick, unable to escape the murderous image of his role in Fritz Lang's M. This book shows that the life of Peter Lorre cannot be reduced to a series of simplistic oppositions. It reveals that, despite the limitations of his macabre star image, Lorre's screen performances were highly ambitious, and the terms of his employment were rarely restrictive. Lorre's career was a complex negotiation between transnational identity, Hollywood filmmaking practices, the ownership of star images and the mechanics of screen performance.


Hollywood: Formal-aesthetic dimensions: authorship, genre and stardom

Hollywood: Formal-aesthetic dimensions: authorship, genre and stardom
Author: Thomas Schatz
Publisher: Taylor & Francis
Total Pages: 366
Release: 2004
Genre: Motion picture industry
ISBN: 9780415281331

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'Hollywood' as a concept applies variously to a particular film style, a factory-based mode of film production, a cartel of powerful media institutions and a national (and increasingly global) 'way of seeing'. It is a complex social, cultural and industrial phenomenon and is arguably the single most important site of cultural production over the past century.This collection brings together journal articles, published essays, book chapters and excerpts which explore Hollywood as a social, economic, industrial, aesthetic and political force, and as a complex historical entity.


Stardom

Stardom
Author: Alexander Walker
Publisher: New York : Stein and Day
Total Pages: 426
Release: 1970
Genre: Biography & Autobiography
ISBN:

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Film Stardom, Myth and Classicism

Film Stardom, Myth and Classicism
Author: M. Williams
Publisher: Springer
Total Pages: 252
Release: 2012-11-16
Genre: Social Science
ISBN: 1137291494

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Since the golden era of silent movies, stars have been described as screen gods, goddesses and idols. This is the story of how Olympus moved to Hollywood to divinise stars as Apollos and Venuses for the modern age, and defined a model of stardom that is still with us today.


Off-white Hollywood

Off-white Hollywood
Author: Diane Negra
Publisher: Psychology Press
Total Pages: 236
Release: 2001
Genre: Actresses
ISBN: 9780415216777

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Off-White Hollywood investigates how the 'ethnicity' of white European-American actresses has played a key role in the mythology of American identity and nation building. Negra focuses on key stars of the silent - Colleen Moore and Pola Negri - classical - Sonja Henie and Hedy Lamarr - and post-classical eras - Marisa Tomei and Cher - to demonstrate how each star illuminates aspects of ethnicity, gender, consumerism, and class at work in American culture.


Contemporary Hollywood Stardom

Contemporary Hollywood Stardom
Author: Thomas Austin
Publisher: Bloomsbury Academic
Total Pages: 300
Release: 2003
Genre: Performing Arts
ISBN: 9780340809372

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This book offers a reappraisal of star studies in light of the arrival of the internet and the explosion in materials such as glossy magazines and merchandise meaning that stars are visible as never before. It explores the political economy of stardom, questions of performance, the effect on stardom of convergence between the film industry and other leisure industries, and the role of audiences.


Cult Film Stardom

Cult Film Stardom
Author: K. Egan
Publisher: Springer
Total Pages: 288
Release: 2012-11-06
Genre: Performing Arts
ISBN: 113729177X

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The term 'cult film star' has been employed in popular journalistic writing for the last 25 years, but what makes cult stars distinct from other film stars has rarely been addressed. This collection explores the processes through which film stars/actors become associated with the cult label, from Bill Murray to Ruth Gordon and Ingrid Pitt.