Wide Angle
| Author | : |
| Publisher | : |
| Total Pages | : 494 |
| Release | : 1995 |
| Genre | : Motion pictures |
| ISBN | : |
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"A quarterly journal of film history, theory, criticism, and practice" (varies slightly).
Hollywood In Wide Angle PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Hollywood In Wide Angle PDF full book. Access full book title Hollywood In Wide Angle.
Wide Angle
| Author | : |
| Publisher | : |
| Total Pages | : 666 |
| Release | : 1986 |
| Genre | : Motion pictures |
| ISBN | : |
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A quarterly journal of film history, theory, criticism, and practice.
Hollywood
| Author | : Thomas Schatz |
| Publisher | : Taylor & Francis |
| Total Pages | : 434 |
| Release | : 2004 |
| Genre | : Performing Arts |
| ISBN | : 9780415281324 |
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'Hollywood' as a concept applies variously to a particular film style, a factory-based mode of film production, a cartel of powerful media institutions and a national (and increasingly global) 'way of seeing'. It is a complex social, cultural and industrial phenomenon and is arguably the single most important site of cultural production over the past century.This collection brings together journal articles, published essays, book chapters and excerpts which explore Hollywood as a social, economic, industrial, aesthetic and political force, and as a complex historical entity.
Hollywood in Wide Angle
| Author | : Jack Rothman |
| Publisher | : Scarecrow Press |
| Total Pages | : 244 |
| Release | : 2004 |
| Genre | : Business & Economics |
| ISBN | : 9780810850156 |
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This unique collection of interviews covers the broad spectrum of film directing experience--from first timers to award-winning veterans. Allowed to respond with anonymity, the directors provide candid answers to a wide variety of topics that convey the challenges and rewards of the filmmaking process.
Jeff Bridges
| Author | : |
| Publisher | : powerHouse Books |
| Total Pages | : 0 |
| Release | : 2019-10-15 |
| Genre | : Photography |
| ISBN | : 9781576879368 |
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Academy Award-winning actor Jeff Bridges is widely adored asa jewel of American cinema, with dozens of leading credits to his name. For more than 30 years, on numerous film sets, Bridges, with his specialized panoramic camera, a Widelux F8, has captured behind-the-scenes views of the creative world of moviemaking. Now, 16 years since his first collection of photography, comesVolume Two. Taking pictures of coworkers on the job results in compelling photographs, especially when those people include the likes of Meryl Streep, Robert Duvall, Julianne Moore, Olivia Wilde, and Matt Damon, among others. Unique photos from his earlier work were first shared inPictures: Jeff Bridges(powerHouse Books, 2003). Now, drawing on his most recent film work,Jeff Bridges: Pictures Volume 2expands on Bridges' intimate vision of Hollywood behind-the-scenes. Included within are rare looks at the famed actors, top directors, talented costumers and makeup artists, skilled and creative set and art decoration, and the rest of thepassionate crews involved in such memorable movies asTrue Grit,Crazy Heart,The Giver,TRON: Legacy, andHell or High Water. Together, these pictures provide glimpses of the art, craft, and sleight of hand behind the magic of motion pictures.Jeff Bridges:Pictures Volume 2also celebrates Bridges' mastery of the special effects made possible with the distinctive Widelux panoramic camera. Bridges' proceeds fromJeff Bridges: Pictures Volume Twowill be donated to the Motion Picture & Television Fund, a nonprofit organization that offers charitable care and support to film-industry workers.
Hollywood in the Age of Television
| Author | : Tino Balio |
| Publisher | : Routledge |
| Total Pages | : 443 |
| Release | : 2013-12-17 |
| Genre | : Performing Arts |
| ISBN | : 1317929152 |
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This collection of papers examines the evolving relationship between the motion picture industry and television from the 1940s onwards. The institutional and technological histories of the film and TV industries are looked at, concluding that Hollywood and television had a symbiotic relationship from the start. Aspects covered include the movement of audiences, the rise of the independent producer, the introduction of colour and the emergence of network structure, cable TV and video recorders. Originally published in 1990.
From Hanoi to Hollywood
| Author | : Linda Dittmar |
| Publisher | : Rutgers University Press |
| Total Pages | : 410 |
| Release | : 1990 |
| Genre | : Performing Arts |
| ISBN | : 9780813515878 |
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Probing the large body of emotion-laden, controversial films, From Hanoi to Hollywood is concerned with the retelling of history and the retrospection that such a process involves. In this anthology, an awareness of film as a cultural artifact that molds beliefs and guides action is emphasized, an awareness that the contributors bring to a variety of films.
The Way Hollywood Tells It
| Author | : David Bordwell |
| Publisher | : Univ of California Press |
| Total Pages | : 309 |
| Release | : 2006-04-10 |
| Genre | : Performing Arts |
| ISBN | : 0520932323 |
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Hollywood moviemaking is one of the constants of American life, but how much has it changed since the glory days of the big studios? David Bordwell argues that the principles of visual storytelling created in the studio era are alive and well, even in today’s bloated blockbusters. American filmmakers have created a durable tradition—one that we should not be ashamed to call artistic, and one that survives in both mainstream entertainment and niche-marketed indie cinema. Bordwell traces the continuity of this tradition in a wide array of films made since 1960, from romantic comedies like Jerry Maguire and Love Actually to more imposing efforts like A Beautiful Mind. He also draws upon testimony from writers, directors, and editors who are acutely conscious of employing proven principles of plot and visual style. Within the limits of the "classical" approach, innovation can flourish. Bordwell examines how imaginative filmmakers have pushed the premises of the system in films such as JFK, Memento, and Magnolia. He discusses generational, technological, and economic factors leading to stability and change in Hollywood cinema and includes close analyses of selected shots and sequences. As it ranges across four decades, examining classics like American Graffiti and The Godfather as well as recent success like The Lord of the Rings: The Two Towers, this book provides a vivid and engaging interpretation of how Hollywood moviemakers have created a vigorous, resourceful tradition of cinematic storytelling that continues to engage audiences around the world.
Storytelling in the New Hollywood
| Author | : Kristin Thompson |
| Publisher | : Harvard University Press |
| Total Pages | : 428 |
| Release | : 1999-11-05 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780674839755 |
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Drawing on a wide range of films from the 1920s to the 1990s—from Keaton’s Our Hospitality to Casablanca to Terminator 2, Kristin Thompson offers the first in-depth analysis of Hollywood’s storytelling techniques and how they are used to make complex, easily comprehensible, entertaining films.
Hollywood Outsiders
| Author | : Anne Morey |
| Publisher | : U of Minnesota Press |
| Total Pages | : 276 |
| Release | : 2003 |
| Genre | : Performing Arts |
| ISBN | : 9780816637324 |
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An innovative approach to the relationship between filmmaking and society during Hollywood's golden age. The 1910s and 1920s witnessed the inception of a particular brand of negotiation between filmdom and its public in the United States. Hollywood, its proponents, and its critics sought to establish new connections between audience and industry, suggesting means by which Hollywood outsiders could become insiders. Hollywood Outsiders looks at how four disparate entities--the Palmer Photoplay correspondence school of screenwriting, juvenile series fiction about youngsters involved in the film industry, film appreciation and character education programs for high school students, and Catholic and Protestant efforts to use and influence filmmaking--conceived of these connections, and thus of the relationship of Hollywood to the individual and society. Anne Morey's exploration of the diverse discourses generated by these different conjunctions leads to a fresh and compelling interpretation of Hollywood's place in American cultural history. In its analysis of how four distinct groups, each addressing constituencies of various ages and degrees of social authority, defined their interest in the film industry, Hollywood Outsiders combines concrete discussions of cultural politics with a broader argument about how outsiders viewed the film industry as a vehicle of self-validation and of democratic ideals.
