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Hollywood from Vietnam to Reagan-- and Beyond

Hollywood from Vietnam to Reagan-- and Beyond
Author: Robin Wood
Publisher: Columbia University Press
Total Pages: 424
Release: 2003
Genre: History
ISBN: 9780231129664

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This new edition includes all the chapters of the original work, supplemented with analysis of comedy films of the 1990s, a chapter on contemporary filmmakers, including David Fincher & Jim Jarmusch, & an essay on 'Day of the Dead'


Hollywood from Vietnam to Reagan

Hollywood from Vietnam to Reagan
Author: Robin Wood
Publisher:
Total Pages: 328
Release: 1986
Genre: Hollywood (Los Angeles, Calif.)
ISBN: 9780231057776

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In this series of provocative, interrelated essays, Robin Wood analyzes 1970s films affected by the ideological crises in America precipitated by Watergate and the Vietnam war, and assembles his much-discussed but hiterto scattered and inaccessible work on the modern horror film. The book also analyzes the complex and problematic films of Brian De Palma, attacks the 1980s fantasy cinema of Lucas and Spielberg, examines the work of women directors, and celebrates the films of Scorcese and Michael Cimino.


Hollywood from Vietnam to Reagan . . . and Beyond

Hollywood from Vietnam to Reagan . . . and Beyond
Author: Robin Wood
Publisher: Columbia University Press
Total Pages: 413
Release: 2003-07-10
Genre: Performing Arts
ISBN: 0231507577

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This classic of film criticism, long considered invaluable for its eloquent study of a problematic period in film history, is now substantially updated and revised by the author to include chapters beyond the Reagan era and into the twenty-first century. For the new edition, Robin Wood has written a substantial new preface that explores the interesting double context within which the book can be read-that in which it was written and that in which we find ourselves today. Among the other additions to this new edition are a celebration of modern "screwball" comedies like My Best Friend's Wedding, and an analysis of '90s American and Canadian teen movies in the vein of American Pie, Can't Hardly Wait, and Rollercoaster. Also included are a chapter on Hollywood today that looks at David Fincher and Jim Jarmusch (among others) and an illuminating essay on Day of the Dead.


Sexual Politics and Narrative Film

Sexual Politics and Narrative Film
Author: Robin Wood
Publisher: Columbia University Press
Total Pages: 372
Release: 1998
Genre: Performing Arts
ISBN: 9780231076050

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An examination of the relationship between narrative style and sexual politics. Looking at contemporary films from the USA, Europe and Japan, the book examines the ways in which films relate to sexual politics and the organization within our culture of gender and sexuality.


Hollywood Genres: Formulas, Filmmaking, and The Studio System

Hollywood Genres: Formulas, Filmmaking, and The Studio System
Author: Thomas Schatz
Publisher: McGraw-Hill Humanities/Social Sciences/Languages
Total Pages: 324
Release: 1981-02
Genre: Language Arts & Disciplines
ISBN:

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The central thesis of this book is that a genre approach provides the most effective means for understanding, analyzing and appreciating the Hollywood cinema. Taking into account not only the formal and aesthetic aspects of feature filmmaking, but various other cultural aspects as well, the genre approach treats movie production as a dynamic process of exchange between the film industry and its audience. This process, embodied by the Hollywood studio system, has been sustained primarily through genres, those popular narrative formulas like the Western, musical and gangster film, which have dominated the screen arts throughout this century.


Robin Wood on the Horror Film

Robin Wood on the Horror Film
Author: Robin Wood
Publisher: Wayne State University Press
Total Pages: 447
Release: 2018-11-12
Genre: Performing Arts
ISBN: 0814345247

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Robin Wood—one of the foremost critics of cinema—has laid the groundwork for anyone writing about the horror film in the last half-century. Wood’s interest in horror spanned his entire career and was a form of popular cinema to which he devoted unwavering attention. Robin Wood on the Horror Film: Collected Essays and Reviews compiles over fifty years of his groundbreaking critiques. In September 1979, Wood and Richard Lippe programmed an extensive series of horror films for the Toronto International Film Festival and edited a companion piece: The American Nightmare: Essays on the Horror Film — the first serious collection of critical writing on the horror genre. Robin Wood on the Horror Film now contains all of Wood’s writings from The American Nightmare and nearly everything else he wrote over the years on horror—published in a range of journals and magazines—gathered together for the first time. It begins with the first essay Wood ever published, "Psychoanalysis of Psycho," which appeared in 1960 and already anticipated many of the ideas explored later in his touchstone book, Hitchcock’s Films. The volume ends, fittingly, with, "What Lies Beneath?," written almost five decades later, an essay in which Wood reflects on the state of the horror film and criticism since the genre’s renaissance in the 1970s. Wood’s prose is eloquent, lucid, and convincing as he brings together his parallel interests in genre, authorship, and ideology. Deftly combining Marxist, Freudian, and feminist theory, Wood’s prolonged attention to classic and contemporary horror films explains much about the genre’s meanings and cultural functions. Robin Wood on the Horror Film will be an essential addition to the library of anyone interested in horror, science fiction, and film genre.


The Turn to Gruesomeness in American Horror Films, 1931äóñ1936

The Turn to Gruesomeness in American Horror Films, 1931äóñ1936
Author: Jon Towlson
Publisher: McFarland
Total Pages: 240
Release: 2016-09-16
Genre: Performing Arts
ISBN: 1476626391

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Critics have traditionally characterized classic horror by its use of shadow and suggestion. Yet the graphic nature of early 1930s films only came to light in the home video/DVD era. Along with gangster movies and “sex pictures,” horror films drew audiences during the Great Depression with sensational content. Exploiting a loophole in the Hays Code, which made no provision for on-screen “gruesomeness,” studios produced remarkably explicit films that were recut when the Code was more rigidly enforced from 1934. This led to a modern misperception that classic horror was intended to be safe and reassuring to audiences. The author examines the 1931 to 1936 “happy ending” horror in relation to industry practices and censorship. Early works like Murders in the Rue Morgue (1932) and The Raven (1935) may be more akin to The Texas Chain Saw Massacre (1974) and Hostel (2005) than many critics believe.


From Hanoi to Hollywood

From Hanoi to Hollywood
Author: Linda Dittmar
Publisher: Rutgers University Press
Total Pages: 410
Release: 1990
Genre: Performing Arts
ISBN: 9780813515878

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Probing the large body of emotion-laden, controversial films, From Hanoi to Hollywood is concerned with the retelling of history and the retrospection that such a process involves. In this anthology, an awareness of film as a cultural artifact that molds beliefs and guides action is emphasized, an awareness that the contributors bring to a variety of films.


The Worlds of Back to the Future

The Worlds of Back to the Future
Author: Sorcha Ní Fhlainn
Publisher: McFarland
Total Pages: 273
Release: 2014-01-10
Genre: Performing Arts
ISBN: 0786457651

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A critical examination of the cultural, cinematic, and historical contexts of the Back to the Future trilogy, this book provides a multi-focal representation of the trilogy from several interdisciplinary fields, including philosophy, literature, music, pop culture, and media and gender studies. Topics include sexual symbolism in the trilogy and the oedipal plotting of the first film; nostalgia and the suburban dream in the cultural climate of the 1980s; generic play and performance throughout the trilogy; the emotional and narrative force provided by the films' renowned musical scores; the trilogy's post-modern references and allusions to the Western genre; female representations across the trilogy; and the Lacanian philosophical constructs in the characterizations of Doc Brown and George and Marty McFly.


Hollywood Divas, Indie Queens, and TV Heroines

Hollywood Divas, Indie Queens, and TV Heroines
Author: Susanne Kord
Publisher: Rowman & Littlefield
Total Pages: 200
Release: 2005
Genre: Performing Arts
ISBN: 9780742537095

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Hollywood Divas, Indie Queens, and TV Heroines offers an entertaining and critical look at the representation of women in recent movies. Written in a refreshingly accessible style, the book analyzes over thirty box-office hits. The authors explore the screen personae of top stars such as Julia Roberts, Sandra Bullock, Meg Ryan, and Renée Zellweger, as well as independent movie queens like Parker Posey and TV heroines like Sarah Michelle Gellar of Buffy the Vampire Slayer. A must-read book for all film buffs who are tired of the mixed gender messages of mainstream culture.