Hollywood and Le Vine
Author | : Andrew Bergman |
Publisher | : |
Total Pages | : 0 |
Release | : 1976-12 |
Genre | : |
ISBN | : 9780345250063 |
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Author | : Andrew Bergman |
Publisher | : |
Total Pages | : 0 |
Release | : 1976-12 |
Genre | : |
ISBN | : 9780345250063 |
Author | : Andrew Bergman |
Publisher | : Overamstel Uitgevers |
Total Pages | : 176 |
Release | : 2012-02-21 |
Genre | : Fiction |
ISBN | : 9049985688 |
A trip to the West Coast lands Jack LeVine in a tangled Hollywood murder web After nearly a decade of churning out hits, Warner Bros. screenwriter Walter Adrian wants a raise on his weekly $2,500 salary. He thinks a thousand dollars more is fair—but the studio’s counteroffer is low, and dropping fast. Something is wrong, and he thinks it may have to do with communism. Though he insists he isn’t a Red, Adrian has no way of proving it. He flees to New York to ask the advice of high school buddy Jack LeVine, private eye. LeVine is broke, and has no sympathy for his wealthy friend, but he agrees to fly West to investigate his old classmate’s trouble. When he arrives, Adrian hangs dead from the gallows at the Western set on the Warners’ backlot. Behind his friend’s death LeVine finds a shadowy Cold War conspiracy, and a city far darker than anything Hollywood puts on screen.
Author | : Andrew Bergman |
Publisher | : |
Total Pages | : 216 |
Release | : 1975 |
Genre | : English fiction |
ISBN | : 9780091264604 |
Author | : Steven Levine |
Publisher | : Robert Reed Publishers |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Biography & Autobiography |
ISBN | : 9781934759851 |
"Steven M. Levine. a veteran Hollywood property master, through both humorous recollections and poignant stories over a 39-year span, not only takes the reader onto a Hollywood set as a crew member but he is also ... informative about the art department and props in particular - any item handled or used by actors during the filming of a show ... explains what property masters do, how a script is 'broken down', why props must be throroughly researched, how the props master interfaces with other departments, and how to deal with the inflated egos he or she will certainly encounter. He also opens up about the toll that 14-16 hour days and being away on location for months at a time can take on family"--Publisher's description.
Author | : Yannis Tzioumakis |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 289 |
Release | : 2018-06-28 |
Genre | : Performing Arts |
ISBN | : 1501337890 |
In December 1967, Time magazine put Bonnie and Clyde on its cover and proudly declared that Hollywood cinema was undergoing a 'renaissance'. For the next few years, a wide range of formally and thematically challenging films were produced at the very centre of the American film industry, often (but by no means always) combining success at the box office with huge critical acclaim, both then and later. This collection brings together acknowledged experts on American cinema to examine thirteen key films from the years 1966 to 1974, starting with Who's Afraid of Virginia Woolf?, a major studio release which was in effect exempted from Hollywood's Production Code and thus helped to liberate American filmmaking from (self-)censorship. Long-standing taboos to do with sex, violence, race relations, drugs, politics, religion and much else could now be broken, often in conjunction with extensive stylistic experimentation. Whereas most previous scholarship has examined these developments through the prism of auteurism, with its tight focus on film directors and their oeuvres, the contributors to this collection also carefully examine production histories and processes. In doing so they pay particular attention to the economic underpinnings and collaborative nature of filmmaking, the influence of European art cinema as well as of exploitation, experimental and underground films, and the connections between cinema and other media (notably publishing, music and theatre). Several chapters show how the innovations of the Hollywood Renaissance relate to further changes in American cinema from the mid-1970s onwards.
Author | : A. T. McKenna |
Publisher | : University Press of Kentucky |
Total Pages | : 296 |
Release | : 2016-11-01 |
Genre | : Performing Arts |
ISBN | : 0813168724 |
Short, immaculately dressed, and shockingly foul-mouthed, Joseph E. Levine (1905--1987) was larger than life. He rose from poverty in Boston's West End to become one of postwar Hollywood's most prolific independent promoters, distributors, and producers. Alternately respected and reviled, this master of movie promotion was responsible for bringing films as varied as Godzilla: King of the Monsters! (1956), Hercules (1958), The Graduate (1967), The Lion in Winter (1968), and A Bridge Too Far (1977) to American audiences . In the first biography of this controversial pioneer, A. T. McKenna traces Levine's rise as an influential packager of popular culture. He explores the mogul's pivotal role in many significant industry innovations from the 1950s to the 1970s, examining his use of saturation release tactics and bombastic advertising campaigns. Levine was also a trailblazer in promoting European art house cinema in the 1960s. He made Federico Fellini's 81⁄2 (1963) a hit in America, feuded with Jean-Luc Godard over their production of Contempt (1963), and campaigned aggressively for Sophia Loren to become the first actress to win an Oscar for a foreign language performance for her role in Two Women (1960). Despite his significant accomplishments and prominent role in shaping film distribution and promotion in the post-studio era, Levine is largely overlooked today. McKenna's in-depth biography corrects misunderstandings and misinformation about this colorful figure, and offers a sober assessment of his contributions to world cinema. It also illuminates Levine's peculiar talent for movie- and self-promotion, as well as his extraordinary career in the motion picture business.
Author | : Ken Levine |
Publisher | : |
Total Pages | : 295 |
Release | : 1993 |
Genre | : Sports & Recreation |
ISBN | : 9780679420934 |
A whimsical look at the world of big-league baseball broadcasting describes how a successful thirty-something Hollywood writer set out to pursue a new career as a baseball broadcaster, providing an irreverent, anecdotal look at his rookie year. 17,500 first printing.
Author | : Lee Hutchings |
Publisher | : |
Total Pages | : 276 |
Release | : 1945 |
Genre | : |
ISBN | : |
Author | : Andrew Bergman |
Publisher | : Open Road Media |
Total Pages | : 531 |
Release | : 2012-09-11 |
Genre | : Fiction |
ISBN | : 1453276548 |
Three witty noir classics featuring a Jewish PI in 1940s Hollywood—from one of the writers behind Blazing Saddles: “Bergman has a flip, easy style” (The New York Times). Stocky, sweaty, and bald, LeVine is a Jewish private detective who makes a living by being polite. But underneath his smile lies a bulldog. In The Big Kiss-off of 1944, fledgling actress Kerry Lane comes to Jack LeVine when a blackmailer demands a payoff to keep a series of stag films from her past out of the public eye. Lured by long legs and a roll of crisp twenties, LeVine takes Kerry’s case. But before he can speak to the blackmailer, the crook turns up dead. As LeVine hunts for Kerry’s old films, he finds that the heart of this case is even uglier than greed, lust, or murder. It’s politics. In Hollywood and LeVine, screenwriter Walter Adrian seeks the advice of high school buddy Jack LeVine. Studio execs suspect that Adrian is a Communist, and they’re lowballing his salary as a result. Though he insists he isn’t a Red, Adrian has no way of proving it. LeVine is broke, and has no sympathy for his wealthy friend, but he agrees to fly west to investigate his old classmate’s trouble. When he arrives, Adrian hangs dead from the gallows at the Western set on the Warners’ backlot. Behind his friend’s death, LeVine finds a shadowy Cold War conspiracy, and a city far darker than anything Hollywood puts on screen. In Tender Is LeVine, Jack LeVine is just emerging from a vicious funk after the 1948 death of his father. His first client is a German violinist, who visits LeVine out of concern for his maestro, Toscanini, the famous conductor of the NBC Symphony Orchestra. The maestro’s memory is slipping, his conducting style has changed, and his eyesight is suddenly vastly improved. The violinist suspects that the conductor has disappeared and been replaced by a double. It’s an outlandish suspicion, but LeVine takes the case. After all, somebody has to pay for his new office. Soon enough, LeVine finds out that organized crime is playing the tune . . .
Author | : Tom Lisanti |
Publisher | : McFarland |
Total Pages | : 228 |
Release | : 2024-07-18 |
Genre | : Performing Arts |
ISBN | : 1476651663 |
In 1965 producers Joseph E. Levine and Bill Sargent were racing to get their problem-laden biopics of Jean Harlow (both titled Harlow) into theaters first. Levine's film starred Carroll Baker in a big-budget, color production. Sargent's movie starred Carol Lynley in a quickie, black and white production shot in a new process called Electronovision. In the press the two producers conducted one of the nastiest feuds Hollywood had ever witnessed, nearly culminating in fisticuffs at the 1965 Academy Awards ceremony. In recounting the making of the two films, this book (expanded from the original self-published edition) touches on Jean Harlow's life, the failed attempts to make a Harlow biopic in the 1950s, and the reviled, bestselling 1964 biography. It details the aftermath of each movie's release, from scathing reviews to disappointing box office returns to the several lawsuits. Newly discussed are the portrayals of Jean Harlow on stage shortly after the Levine and Sargent films, and the making of the 1977 film Hughes and Harlow: Angels in Hell starring Lindsay Bloom as Jean Harlow. The book is generously illustrated and includes interviews with people associated with all three films, including Carol Lynley and Lindsay Bloom.